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Blood © Morgan Kelley
Essays, Music, PlaylistsJuly 26, 2024<July 26, 2024

Playlist: Get to Know the Real Blood

by Guest Writer
Beau "Talk to Me" © Chad Moore
Columns, Interviews, Music, Today's SongJuly 26, 2024<July 26, 2024

“Sometimes people say a lot without saying a thing”: NYC Indie Pop Duo Beau Embark on a New Era With Dreamy Song “Talk to Me” & Sophomore LP ‘Girl Cried Wolf’

by Mitch Mosk
Rachael Lawson © 2024
Columns, Music, Today's SongJuly 25, 2024<July 25, 2024

You’re “Pure Honey,” Baby: The Universal Sweetness of Rachael Lawson

by Emily Clemente
Atwood Magazine's Best Songs of 2024 (So Far)
Features, Lists, MusicJuly 25, 2024<July 31, 2024

The Best Songs of 2024 (So Far)

by Atwood Magazine Staff
Ginger Winn 'Stop-Motion' © Brooklyn Zeh
Debut, Features, Interviews, Music, Track-by-TrackJuly 24, 2024<July 24, 2024

Track-by-Track: Ginger Winn Shines Bright on Her Warm, Wondrous, & Sun-Kissed Debut Album ‘Stop-Motion’

by Mitch Mosk
Acts of Faith - Sault
Music, ReviewsJuly 24, 2024<July 24, 2024

Review: Enigmatic Neo-Soul Collective Sault Peel Back Layers of Anonymity on Charming & Lush Surprise Album, ‘Acts of Faith’

by Jake Fewx
eundohee "Sleep On It" © 박현 Hyun Park
Columns, Music, Today's SongJuly 24, 2024<July 24, 2024

Today’s Song: Seoul’s eundohee Basks in a Dreamy, Manic Light on “Sleep On It” Off Upcoming LP ‘Blue Comedy’

by Mitch Mosk
Mistine © Dimitris Tzoytzoyrakos
Features, Interviews, MusicJuly 24, 2024<July 24, 2024

Interview: Mistine’s ‘Lonely’ EP Is a Breezy Collection That Conjures a Multitude of Emotions

by Chloe Robinson
Good Cop Bad Cop © 2024
Interviews, MusicJuly 24, 2024<July 24, 2024

Interview: Sheffield’s Joe Carnall Jnr Dials Up the Arctic Monkeys for Good Cop Bad Cop’s Sophomore LP ‘Welcome to the Marble Zone’

by Josh Weiner
Cereus Bright 'Anything' © Ross Bustin
Features, Interviews, MusicJuly 23, 2024<July 23, 2024

Interview: Cereus Bright’s Tyler Anthony on Uprooting His Life and the Expansive New Album He Created in the Process

by Aaron Childree
Dua Lipa at Mad Cool 2024 © Michael Greco
Concerts, Festival, Music, ReviewsJuly 23, 2024<July 23, 2024

Review: Recapping 2024’s Mad Cool Festival in All Its Splendor

by Michael Greco
Johnny Hunter "Frustration" © Roman Jody
Artist to Watch, Columns, Music, Today's SongJuly 23, 2024<July 24, 2024

“Shut down, baby”: Johnny Hunter Return With an Epic Post-Punk Fever Dream of “Frustration”

by Mitch Mosk
Charm - Clairo
Music, Reviews, Track-by-TrackJuly 23, 2024<July 30, 2024

Track-by-Track: Clairo Holds Her Heart Out on Third Album ‘Charm’

by Marc Maleri
Role Model 'Kansas City' © Olandito Gil
Features, Interviews, MusicJuly 23, 2024<July 24, 2024

“Warmth, Texture, & Organic Sounds”: Role Model Takes Us Home With Cozy and Effervescent ‘Kansas Anymore’

by Kelly McCafferty Dorogy
Fold Paper © Julio Assis
Columns, Music, Today's SongJuly 22, 2024<July 22, 2024

Today’s Song: Winnipeg’s Fold Paper Take Aim With Fiery Single “Idle Idle” Off New EP ‘4TO’

by Beau Hayhoe
Posts pagination
1 … 112 113 114 115 116 … 736

Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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