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William Fitzsimmons © Stuart Smith
Music, PremieresJune 6, 2024<June 6, 2024

Premiere: William Fitzsimmons’ “Holding A Place For You” (ft. Bre Kennedy) Aches With the Weight of Grief, Loss, & Letting Go

by Mitch Mosk
Felicity © Taylor Ballantyne
Artist to Watch, Music, Music Videos, PremieresJune 6, 2024<June 6, 2024

Girl Dinner Meets a Well-Overdue Breakdown: Felicity’s “There’s Been a Lot Going On” Channels Burnout & Exhaustion into Dreamy, Soul-Stirring Finesse

by Mitch Mosk
Chappell Roan at Boston Calling 2024 © Alive Coverage
Concerts, Festival, Music, ReviewsJune 6, 2024<June 6, 2024

Full Service: Boston Called, and Chappell Roan Picked Up the Phone

by Hannah Burns
Hey Violet 'Aftertaste' © KayKay Blaisdell
Features, Interviews, MusicJune 6, 2024<June 10, 2024

Interview: Hey Violet’s Rena Lovelis Talks Healing, Reinvention, & the Band’s Final Album, ‘Aftertaste’

by Mitch Mosk
Warren Dunes © Brady Harvey
Music, Music Videos, PremieresJune 5, 2024<June 5, 2024

Premiere: Warren Dunes’ “Freestyle Day Spa” Is a Sunny & Spirited Reminder That “There’s Plenty of Time Left”

by Mitch Mosk
Lizzy McAlpine © Deanie Chen
Concerts, Music, ReviewsJune 5, 2024<June 5, 2024

Live Review: Lizzy McAlpine Brings ‘Older’ to Life at The Greek Theatre in LA

by Kelly McCafferty Dorogy
Cecilia Castleman © David O'Donohue
Artist to Watch, Features, Interviews, MusicJune 5, 2024<June 5, 2024

Interview: Nashville’s Cecilia Castleman Is Raw, Unfiltered, and Definitely Not Viral – Yet

by Emma Rayder
Tinsley "Good Ride" © Kyla Mae Cantillo
Music, PremieresJune 5, 2024<June 5, 2024

Premiere: Tinsley’s Dreamy Country-Pop Song “Good Ride (Mechanical Bullshit)” Aches With a Tender Indie Twang

by Mitch Mosk
Las Nubes © Sal Rispoli
Essays, Music, PlaylistsJune 5, 2024<June 5, 2024

Las Nubes Present: South Florida Bands We Played in (or With) at Churchill’s During Its Final Decade

by Guest Writer
Girl and Girl © James Caswell
Features, Interviews, MusicJune 5, 2024<June 5, 2024

Channeling Dramatics: Girl and Girl’s Kai Aubort Talks Debut Album ‘Call a Doctor,’ Mental Health, & Theatrics

by Claire Meyer
Jon Muq’s debut album, Flying Away
Debut, Features, Interviews, Music, Track-by-TrackJune 4, 2024<June 4, 2024

“It’s in my blood, I was born to roam”: Jon Muq Finds His Home in Song on Debut Album ‘Flying Away’

by Mitch Mosk
The Stanford Family Band © Milo Costelloe
Debut, Features, Interviews, Music, Track-by-TrackJune 4, 2024<June 4, 2024

Track-by-Track: The Stanford Family Band’s Vibrantly Vintage Debut EP Is Here ‘For Your Listening Pleasure’

by Mitch Mosk
Lives Outgrown - Beth Gibbons
Debut, Music, ReviewsJune 3, 2024<June 3, 2024

Beth Gibbons Pensively Looks at Her Past & What Lies Ahead Still on Solo Debut ‘Lives Outgrown’

by Kevin Krein
Joywave 'Permanent Pleasure' © Grant Spanier
Features, Interviews, MusicJune 3, 2024<June 4, 2024

Joywave Are Becoming ‘Permanent Pleasure’: Daniel Armbruster Discusses the Band’s Latest Album, Decision Fatigue, & Cats in Sunbeams

by Emma Rayder
Shannon and the Clams © Jim Herrington
Columns, Music, Today's SongJune 3, 2024<June 3, 2024

Today’s Song: Shannon & The Clams Embrace the Surreal Nature of Time and Memory on “Dali’s Clock”

by Beau Hayhoe
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Brand New

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

:: discover something new ::

Recent Posts

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
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