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B-Drop
Music, PremieresApril 7, 2024<April 10, 2024

Premiere: B-Drop Worldwide Showcases Lily Kershaw, Alayna, & E. G. Daily

by Mitch Mosk
Career Woman © Colleen McPhillips
Columns, Music, Today's SongApril 7, 2024<April 6, 2024

Today’s Song: The Euphoric Misanthropy of Career Woman’s “No Alibi”

by Danielle Furman
Iron and Wine © Kim Black
Columns, Music, Today's SongApril 6, 2024<April 5, 2024

“Let it be the song on your little radio” and Listen to Iron & Wine’s “You Never Know”

by Brianna Corrine
Atwood Magazine's Weekly Roundup | April 5, 2024
Columns, Features, Music, Weekly RoundupApril 5, 2024<April 8, 2024

Atwood Magazine’s Weekly Roundup: April 5, 2024

by Atwood Magazine Staff
Lucy Kruger & The Lost Boys © Francis Broek
Interviews, MusicApril 5, 2024<April 6, 2024

“I just feel a bit more free in what I’m doing”: The Sonically Charged Addiction of Lucy Kruger & The Lost Boys

by Marissa DeLeon
Bright Future - Adrianne Lenker © Germaine Dunes
Music, ReviewsApril 5, 2024<April 5, 2024

“To the ocean of your love, I am a river”: Adrianne Lenker Has Crafted a ‘Bright Future’ with Her Latest Album

by Madeleine Eggen
Declan McKenna © Henry Pearce
Features, Interviews, MusicApril 5, 2024<April 6, 2024

Interview: Declan McKenna on the Need for Authenticity in Music and His New Album ‘What Happened to the Beach?’

by Brianna Corrine
Maybird © Madelyn Bradt
Columns, Music, Today's SongApril 5, 2024<April 5, 2024

Today’s Song: Maybird’s “Carry Me Away” Sweeps Us Up into Sparkling Psych-Pop Bliss

by Christine Buckley
wilt © Mallory Turner
Debut, Features, Interviews, MusicApril 4, 2024<April 4, 2024

“An Exploration of Trauma”: LA Indie Rock Band wilt on Finding Clarity, Escaping Reality, & Honing Their Sound on Self-Titled Debut EP

by Audrey Connelly
Emily Wurramara © Claudia Sangiorgi Dalimore
Columns, Music, Today's SongApril 4, 2024<April 4, 2024

“It’s a reflection on my life, my truth, my pain”: Dwelling in Emily Wurramara’s “Midnight Blues”

by Mitch Mosk
Medium Build © Tyler Krippaehne
Columns, Music, Reviews, This Just In, Today's SongApril 4, 2024<April 4, 2024

“Knowing you exist takes a load off me”: Basking in Medium Build’s Beautiful Love Song

by Mitch Mosk
Merce Lemon 'Will You Do Me A Kindness' © Nathan Cephas
Music, Reviews, This Just InApril 4, 2024<April 4, 2024

“Point the sun right into my flesh”: Merce Lemon’s “Will You Do Me a Kindness” Is a Cathartic Collage of Life’s Little Moments

by Mitch Mosk
Miranda Joan © Savannah Scott
Interviews, MusicApril 4, 2024<April 4, 2024

“If you want to get to know me, really listen to the music”: Getting a Little ‘Overstimulated’ With Miranda Joan

by Marissa DeLeon
Cowboy Carter - Beyoncé © Blair Caldwell
Features, Music, Reviews, RoundtableApril 4, 2024<June 29, 2024

Roundtable Discussion: A Review of Beyoncé’s ‘Cowboy Carter’

by Atwood Magazine Staff
Hozier © Ruth Medjber
Columns, Music, Today's SongApril 3, 2024<April 3, 2024

Today’s Song: With “Too Sweet,” Hozier Will Skip Dessert, Thank You!

by Desire' Jackson-Crosby
Posts pagination
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Brand New

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

:: discover something new ::

Recent Posts

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection December 22, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
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