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The Tortured Poets Department - Taylor Swift
Features, Music, Reviews, RoundtableApril 25, 2024<June 29, 2024

Roundtable Discussion: A Review of Taylor Swift’s ‘The Tortured Poets Department’

by Atwood Magazine Staff
Sleepwalker © Kate Harrison
Debut, Music, ReviewsApril 25, 2024<April 25, 2024

New Jersey’s Sleepwalker Loses Love to the Night in Debut Single “When the Lights Go Down”

by Chloe Robinson
Gizmo Varillas © Gati Varillas
Music, Reviews, This Just InApril 25, 2024<April 24, 2024

Gizmo Varillas’ Dreamy “Ojos Nuevos” Is an Achingly Beautiful Rite of Passage & Spiritual Cleanse

by Mitch Mosk
THEM © Ericka Clevenger
Columns, Music, Today's SongApril 24, 2024<April 24, 2024

Today’s Song: Seattle’s THEM Emerge With a Grunge-Laced Pop/Rock Fervor on “Can’t Call It Mine”

by Mitch Mosk
Joh Chase © Shervin Lainez
Features, Interviews, Music, Premieres, Track-by-TrackApril 24, 2024<April 24, 2024

Track-by-Track: Joh Chase’s Triumphant & Liberating ‘SOLO’ Album Is a Record of Connection, Self-Assurance, & Life Lived to the Fullest

by Mitch Mosk
I Wonder If The World Knows? - The K's 8.7
Music, Our Take, ReviewsApril 24, 2024<April 24, 2024

“We’re not punk, we’re not indie, we’re not Brit pop”: The K’s Debut With a Raucous Rock Fusion on ‘I Wonder If The World Knows?’

by Christine Buckley
Ginger Winn "Frosting" © Adrianna Newell
Debut, Music, Music Videos, PremieresApril 24, 2024<April 24, 2024

“Pour honey in their ears”: Retired Pastry Chef Ginger Winn’s Sweet Dreams Come True in “Frosting”

by Mitch Mosk
Jordan Lindley "Sometime Someday" © Lindsey Torres
Music, PremieresApril 24, 2024<April 24, 2024

“I hope life has plans for us”: Jordan Lindley Premieres “Sometime Someday,” His Angsty, Restless Song of Ignorant Acceptance

by Mitch Mosk
Chappell Roan "Good Luck, Babe!" © Ryan Clemens
Music, Reviews, This Just InApril 24, 2024<May 5, 2025

Chappell Roan’s “Good Luck, Babe!” Is an Anthem for Comphet Victims

by Dimitra Gurduiala
WRKHOUSE © Cara Kealy
Debut, Features, Interviews, Music, Track-by-TrackApril 23, 2024<April 23, 2024

“Yn Byw a Bod”: Welsh Band WRKHOUSE Come Alive on Debut EP ‘Out of the Blue,’ a Dreamy, Exhilarating Indie Rock Reverie

by Mitch Mosk
BEL © SJ Spreng
Columns, Interviews, Music, Today's SongApril 23, 2024<April 23, 2024

“Nos despedimos felices”: Basking in the Sweet Heat of BEL’s Dreamy Spanglish Breakup Anthem

by Mitch Mosk
Yvonne Ambree © Rosie Cohe
Music, Music Videos, PremieresApril 23, 2024<April 23, 2024

“The night is her thief”: Yvonne Ambrée Premieres Her Intimately Unsettling “Thieves,” a Soul-Stirring, Shiver-Inducing Seduction

by Mitch Mosk
Red Rum Club © 2024
Features, Interviews, MusicApril 23, 2024<April 23, 2024

Interview: Red Rum Club Revel in the Wake of Success With ‘Western Approaches’

by Jake Fewx
ROREY © Erica Devin Snyder
Features, Interviews, MusicApril 23, 2024<April 23, 2024

“You can’t think your way out of a chemical imbalance”: NYC’s ROREY Opens Up About Music, Mental Health, and Being Your Own Catalyst for Change

by Chloe Robinson
Asha Imuno © Helene Kertanis
Concerts, Music, ReviewsApril 23, 2024<April 23, 2024

Live Review: Asha Imuno Takes Boston’s The Sinclair by Storm

by Minna Abdel-Gawad
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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