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Hans Williams © Hank Miller
Debut, Features, Interviews, MusicFebruary 20, 2024<February 20, 2024

“Under my skin is where you hide”: Hans Williams on Overcoming Imposter Syndrome, His Debut EP, & Folk Music’s Renaissance

by Mitch Mosk
Danielle Durack's 'Escape Artist' album art
Music, ReviewsFebruary 20, 2024<February 20, 2024

Danielle Durack Uses Humor & Poignancy to Tread the Human Condition on ‘Escape Artist’

by Kevin Krein
Georgia Gets By © Nicola Sandford
Columns, Music, Today's SongFebruary 19, 2024<February 19, 2024

“When All You Can Manage Is a Sigh”: The Achingly Raw Fragility of Georgia Gets By

by Mitch Mosk
wilt © 2023
Artist to Watch, Columns, Music, Today's SongFebruary 18, 2024<February 18, 2024

Today’s Song: wilt Breathe New Life into Grunge & Elevate the Genre With “moved along”

by Audrey Connelly
Kacey Musgraves © Kelly Christine Sutton
Columns, Music, Today's SongFebruary 17, 2024<February 17, 2024

“No regrets, baby”: Kacey Musgraves Makes a Fresh Start in “Deeper Well,” a Song of Self-Empowerment & Letting Go

by Lauren Turner
Atwood Magazine's Weekly Roundup | February 16, 2024
Columns, Features, Music, Weekly RoundupFebruary 16, 2024<February 22, 2024

Atwood Magazine’s Weekly Roundup: February 16, 2024

by Atwood Magazine Staff
Victoria Victoria © 2024
Columns, Music, Today's SongFebruary 16, 2024<February 16, 2024

Today’s Song: Victoria Victoria Climbs “Jacob’s Ladder” in a Warm, Intimate Alt-Folk Dream

by Mitch Mosk
Forest Claudette © Lissyelle Laricchia
Interviews, MusicFebruary 16, 2024<February 16, 2024

“I’m Trying to Come Out from Within”: Forest Claudette Channels Vulnerability & Queer Identity into “Kobe Beef”

by Nic Nichols
bedbug's Dylan Gamez Citron
Essays, MusicFebruary 16, 2024<February 16, 2024

Reaching Up to Heaven and Just Falling Short: A Bedroom Pop Retrospective by bedbug

by Guest Writer
Friko © Pooneh Ghana
Debut, Features, Interviews, Music, Track-by-TrackFebruary 16, 2024<February 16, 2024

Cathartic, Dynamic, & Joyful: Chicago’s Friko Debut With a Visceral Fire in ‘Where we’ve been, Where we go from here’

by Mitch Mosk
Refreshingly bold, irresistibly buoyant, and unflinchingly honest: Jordan Mackampa © Aidan Harmitt-Williams
Features, Interviews, Music, Track-by-TrackFebruary 16, 2024<February 17, 2024

‘WELCOME HOME, KID!’: Jordan Mackampa Is Authentic & Fearless in Soul-Soaked Sophomore LP

by Mitch Mosk
Hipsy Gap © Lauren Redman
Columns, Music, Today's SongFebruary 15, 2024<February 15, 2024

“Watching as your words unwind”: Brooklyn’s Hipsy Gap “Fantasize” With an Aching Indie Rock Reverie

by Mitch Mosk
Stela Cole © Steve Sparrow
Interviews, MusicFebruary 15, 2024<February 15, 2024

“The only way to break the cycle is to quit cold and never look back”: Stela Cole Bares It All in Her Spine-Tingling “Die Hard”

by Chloe Robinson
Sam Windley © McLean Stephenson
Debut, Features, Interviews, MusicFebruary 15, 2024<February 15, 2024

“Telling a story half-drunk and through song”: Sam Windley Is ‘Pink and Nervous’ on Her Dazzling Debut EP

by Mitch Mosk
NewJeans Get Up © ADOR / HYBE
Music, ReviewsFebruary 15, 2024<February 15, 2024

Track-by-Track: It’s Time to ‘Get Up’ with NewJeans’ Second EP

by Nasya Blackshear
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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