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BIZZY © Hunter Henderson
Interviews, Music, Track-by-TrackNovember 21, 2023<August 18, 2025

Interview: Nashville Indie Pop Artist BIZZY Updates Us on Her Tour & New EP, ‘I Don’t Get Breakups’

by Lauren Hicks
Bridget Rian "Sydney Sweeney" © Libby Danforth
Columns, Music, Today's SongNovember 21, 2023<November 21, 2023

“Sydney Sweeney” Is a Dramatic, Cinematic, and Emotionally-Charged Hit for Bridget Rian

by Mitch Mosk
Bad Suns © Sarah Eiseman
Features, Interviews, Music, Track-by-TrackNovember 21, 2023<November 21, 2023

Track-by-Track: Bad Suns Bask in the Glow of ‘Infinite Joy’

by Mitch Mosk
Charli Adams for Atwood Magazine © Luke Rogers
Features, Interviews, Music, Track-by-TrackNovember 20, 2023<November 20, 2023

Track-by-Track: Charli Adams Bares Her Soul in ‘nothing to be scared of,’ a Confessional, Cathartic & Fearless EP

by Mitch Mosk
The Staves 'All Now' © Harvey Pearson
Music, Reviews, This Just InNovember 20, 2023<November 20, 2023

This Just In: The Staves Are “All Now,” Isn’t It Exciting?!

by Mitch Mosk
CRAVITY 'SUN SEEKER' © courtesy of the artist
Features, Interviews, MusicNovember 20, 2023<November 28, 2023

Interview: K-Pop Group CRAVITY Share Their Comeback Process, Favorite Dishes, & A Message to LUVITY

by Freya Rinaldi
Indio Downey © Elizabeth Miranda
Features, Interviews, MusicNovember 20, 2023<January 24, 2024

Interview: Indio Downey Shares His Lust for Rock n’ Roll in “Dume” and Debut EP, ‘Cigarettes in Bed’

by Nasim Elyasi
'Blanket' album art - Kevin Abstract
Music, ReviewsNovember 20, 2023<November 20, 2023

Album Review: Kevin Abstract’s ‘Blanket’ Finds Comfort in Change

by Sofia Sar
DREZO & BIJOU © Alex Varsa
Columns, Interviews, Music, Today's SongNovember 19, 2023<November 19, 2023

Today’s Song: Longtime Friends BIJOU & Drezo Launch Debut Collaboration “Goons”

by Josh Weiner
David AM © 2023
Columns, Music, Today's SongNovember 18, 2023<November 17, 2023

David Maine Returns to Indie Rock as David AM With Throwback Debut Single “What Was Isn’t Now”

by Beau Hayhoe
Atwood Magazine's Weekly Roundup | November 17, 2023
Columns, Features, Music, Weekly RoundupNovember 17, 2023<November 17, 2023

Atwood Magazine’s Weekly Roundup: November 17, 2023

by Atwood Magazine Staff
AWOLNATION © Amalia Irons
Features, Interviews, MusicNovember 17, 2023<November 19, 2023

Feature: AWOLNATION Lean into the Sweet Authenticity of ‘Candy Pop’

by Anthony Kozlowski
Jimmy Brown & Rovv © Freya Rinaldi
Features, Interviews, MusicNovember 17, 2023<November 19, 2023

Interview: K-RnB Artists Jimmy Brown & Rovv Discuss Their Sober Tour, Artistic Goals, & the Creation of Their Album ‘Like the First Time’

by Freya Rinaldi
Kelsey Abbott © Gabe Drechsler
Columns, Music, Today's SongNovember 17, 2023<November 17, 2023

Today’s Song: Kelsey Abbott’s Dreamy “Night Vision Goggles” Basks in Love’s Eternal Warmth & Beauty

by Mitch Mosk
Richard Walters © Will Killen
Features, Interviews, Music, Track-by-TrackNovember 17, 2023<November 17, 2023

Track-by-Track: Richard Walters Soars on ‘Murmurate,’ a Record of Reconnection and the New Normal

by Mitch Mosk
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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