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High & Low - Caitlyn Smith
Music, ReviewsApril 14, 2023<April 30, 2023

‘High & Low’ and Everything In-Between: Caitlyn Smith Journeys Through Darkness & Light on Self-Produced Third Album

by Emily Frances Algar
Atwood Magazine's Editor's Picks 95
Columns, Editor's Picks, Features, MusicApril 13, 2023<April 13, 2023

Editor’s Picks 95: boygenius, BAILEN, The Beths, spill tab, Nuovo Testamento, & Chessa Rich!

by Mitch Mosk
Andrew McMahon in the Wilderness © Lindsey Byrnes
Features, Interviews, MusicApril 13, 2023<April 30, 2023

Interview: Andrew McMahon Sets the Bar for Musical Storytelling with ‘Tilt At The Wind No More’

by Michael Greco
Alexz Johnson 'Seasons' © Jen Squires
Features, Interviews, MusicApril 13, 2023<April 30, 2023

Interview: Alexz Johnson Embraces the ‘Seasons’ of Life on Her Hopeful & Healing 5th Album

by Mitch Mosk
Bobby Bazini © Alexandre Couture
Music, Music Videos, PremieresApril 13, 2023<April 30, 2023

Premiere: The Intoxicating Flow & Smoldering Seduction of Bobby Bazini’s “Waterfallin’”

by Mitch Mosk
Self Esteem © Olivia Richardson
Features, Interviews, MusicApril 12, 2023<April 30, 2023

Interview: After Years of Uplifting Others, Feel-Good Superstar Self Esteem Knows She’s Gonna Be Okay Herself

by Sam Franzini
Truth Decay - You Me At Six
Features, Interviews, Music, Track-by-TrackApril 12, 2023<April 30, 2023

“Heartache in the making”: You Me At Six’s Feverish ‘Truth Decay’ Is a Pop-Punk Love Letter to the Lost

by Mitch Mosk
Michigander © Hannah Hall
Features, Interviews, Music, Track-by-TrackApril 12, 2023<April 30, 2023

“I am calm, I am the storm”: Michigander Soars & Stirs on Spirited EP, ‘It Will Never Be the Same’

by Mitch Mosk
Ayleen Valentine © Caity Krone
Columns, Interviews, Music, Today's SongApril 12, 2023<April 30, 2023

Ayleen Valentine Scores a Double Victory with “epitaph” & “i can’t stop dreaming of you”

by Josh Weiner
King Ivy 'Brown EP' © Darryl dela Cruz
Debut, Features, Interviews, Music, Track-by-TrackApril 11, 2023<April 30, 2023

Love, Hate, & Confusion: Brisbane’s King Ivy Stuns, Stirs, and Soars on Soulful Debut EP ‘Brown’

by Mitch Mosk
Did you know that there’s a tunnel under Ocean Blvd - Lana Del Rey
Features, Music, Reviews, RoundtableApril 11, 2023<June 29, 2024

Roundtable Discussion: A Review of Lana Del Rey’s ‘Did you know that there’s a tunnel under Ocean Blvd’

by Atwood Magazine Staff
The Hackles © Justin Ringle
Features, Interviews, Music, Track-by-TrackApril 11, 2023<April 30, 2023

‘What a beautiful thing I have made’: The Hackles Lay Fresh Folk Roots on Their Intimate, Warm & Wondrous Third Album

by Mitch Mosk
Tunes & Tumblers x Waterparks 2023
Music, Podcast, Tunes & TumblersApril 11, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Waterparks and a Red Drink

by Atwood Magazine Staff
LØREN © 88rising and The Black Label
Columns, Music, Today's SongApril 11, 2023<April 30, 2023

Today’s Song: Korean Alt-Rock Artist LØREN Breaks the Mold with “Folks”

by Freya Rinaldi
Depeche Mode © Anton Corbijn
Music, ReviewsApril 10, 2023<April 30, 2023

Album Review: Shimmering Epiphanies in Depeche Mode’s ‘Memento Mori’

by David Buyze
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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