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Bleach Lab © Alex Esden
Features, Interviews, Music, Track-by-TrackAugust 22, 2025<August 27, 2025

“Holding Up the Whole Weight of the Sky”: Bleach Lab Unleash Fire & Fury on ‘Close to the Flame,’ a Devastating Dream Pop Reverie

by Mitch Mosk
Lera Lynn © Alysse Gafkjen
Features, Interviews, MusicAugust 22, 2025<August 24, 2025

Interview: Lera Lynn Steps into Her Power on ‘Comic Book Cowboy’

by Emily Frances Algar
Atwood Magazine's Weekly Roundup | August 22, 2025
Columns, Features, Music, Weekly RoundupAugust 22, 2025<August 25, 2025

Atwood Magazine’s Weekly Roundup: August 22, 2025

by Mitch Mosk
Lana Del Rey "Henry, come on" © courtesy of the artist
Columns, Music, Today's SongAugust 22, 2025<August 22, 2025

Today’s Song: Lana Del Rey Rides West with Her Evocative Tale, “Henry, come on”

by Bárbara Martínez Campuzano
Louie Blue "In The Dark" © Julian Riikonen
Artist to Watch, Interviews, Music, PremieresAugust 21, 2025<August 22, 2025

“I Wanted to Make Music That Sounds Like Music Again”: Louie Blue Shines a Light “In the Dark” With a Bold Sound and Breathtaking DIY Style

by Mitch Mosk
Midnight Generation © Josh Withers
Artist to Watch, Interviews, MusicAugust 21, 2025<August 21, 2025

Interview: Midnight Generation Is Funk’s Best-Kept Secret

by Nasim Elyasi
Theo Kandel © Kate Stephenson
Editorials, MusicAugust 21, 2025<August 21, 2025

“For Oliver, My Friend”: An Essay by Theo Kandel

by Guest Writer
BIG SPECIAL © Isaac Watson
Columns, Music, Today's SongAugust 21, 2025<August 21, 2025

Funky, Binding, & Pissed Off: “GOD SAVE THE PONY.” Finds BIG SPECIAL Turning Anger into Beauty

by Andrew Lamson
Nick Carter © Patrick Dwyer
Features, Interviews, MusicAugust 20, 2025<August 20, 2025

Interview: Nick Carter of the Backstreet Boys Relaunches Solo Career in Emotionally Charged Style with ‘LOVE LIFE TRAGEDY’

by Josh Weiner
Indy Yelich © Elinor Kry
Features, Interviews, MusicAugust 20, 2025<August 20, 2025

“You owe it to your creativity to dive into that pain”: Indy Yelich Makes the Personal Less Private with ‘Fame Is a Bedroom’ EP

by Desire' Jackson-Crosby
Billianne © Nadia Doss
Artist to Watch, Debut, Features, Interviews, MusicAugust 20, 2025<August 21, 2025

“I’m just being myself”: Ontario’s Billianne Takes Flight on ‘Modes of Transportation,’ a Record of Growth, Family, & New Directions

by Aileen Goos
Sydney Rose © Kate Stephenson
Columns, Music, Today's SongAugust 20, 2025<August 20, 2025

Sydney Rose Captures the Quiet Ache of Friendship Heartbreak in “We Hug Now”

by Nicolle Knapová
Atwood Magazine's 131st Editor's Picks!
Columns, Editor's Picks, Features, MusicAugust 19, 2025<August 19, 2025

Editor’s Picks 131: The Tullamarines, Ellur, Nadia Kadek, Couch, runo plum, & Still Blank!

by Mitch Mosk
The Prickly Pair © Libby Danforth
Music, PremieresAugust 19, 2025<August 19, 2025

Premiere: The Prickly Pair Embrace Love’s Gamble on “Winsome Lose Some Game,” a Tender & Timeless Country Duet

by Mitch Mosk
Wisp © Elinor Kry
Debut, Features, Interviews, MusicAugust 19, 2025<August 19, 2025

“Bringing My Fantasies into Reality”: Wisp Is Betting on Herself with Debut Album ‘If Not Winter’

by Isabella Le
Posts pagination
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Brand New

  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song”
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’

:: discover something new ::

Recent Posts

  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula December 12, 2025
  • Atwood Magazine’s Best Concerts of 2025! December 12, 2025
  • Interview: Clover County on the ‘Finer Things,’ Romanticising Life, and Rediscovering Her Whimsy December 12, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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