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Elephante © 2023
Asian American and Pacific Islander Heritage Month, Columns, Essays, MusicMay 11, 2023<May 11, 2023

“Being Realistic About Life as an AAPI Artist”: An Essay by Elephante for AAPI Heritage Month

by Guest Writer
LA Priest © Matilda Hill-Jenkins
Features, Interviews, MusicMay 10, 2023<May 10, 2023

‘Fase Luna’: An Album Made in the Jungle by LA Priest, Telling Stories of Paradise, Snorkeling, & Malevolent Spirits

by Adam Davidson
Sofia Machray © Olivia Melhop
Music, Music Videos, PremieresMay 10, 2023<May 8, 2023

“Petals in the Rain”: Sofia Machray Premieres Her Liberating Coming-of-Age Anthem & First Look at Debut EP ‘Language of Flowers’

by Mitch Mosk
Sam Singer © Kevin Tabachnik
Music, Music Videos, Today's SongMay 10, 2023<May 7, 2023

Today’s Song: The Childhood Innocence of Sam Singer’s “Sunny”

by Frankie Rose
Dean Lewis © Kent Tarver
Features, Interviews, MusicMay 9, 2023<May 7, 2023

Interview: Dean Lewis Returns With a Heartbreaking Hit Song and an Emotional New Album, ‘The Hardest Love’

by Lauren Turner
The Beths © Amanda Cheng 2020
Columns, Music, Music You Should Know, ReviewsMay 9, 2023<May 8, 2023

Music You Should Know: The Beths’ “Jump Rope Gazers” Might Be the Best Love Song… Ever?

by Julia Dzurillay
Mandi Crimmins © Nic Wheat
Music, Reviews, Track-by-TrackMay 9, 2023<May 9, 2023

Track-By-Track: Mandi Crimmins Opens Up About Her Journey With BPD in New EP ‘BORDERLINE’

by Joe Beer
Annika Bennett © Ashley Crichton
Features, Interviews, MusicMay 9, 2023<May 9, 2023

Interview: Annika Bennett Reclaims Her Power with ‘madwoman’ EP

by Kelly McCafferty Dorogy
The Backseat Lovers' "Snowbank Blues" music video still
Columns, Music Videos, Today's SongMay 9, 2023<May 9, 2023

The Backseat Lovers’ “Snowbank Blues” Is a Heavy Farewell to Childhood in the Process of Greeting Adulthood

by Claire Meyer
Jasmine Thakral © Hemant Thakral
MusicMay 8, 2023<May 8, 2023

An Indie Pop Horror Movie: Jasmine Thakral’s “Vampire” Is an Energizing Critique of Real-Life Soul-Suckers

by Mitch Mosk
Isabella Le
Columns, Meet Our WritersMay 6, 2023<May 20, 2023

Meet Our Writers: Orange County’s Isabella Le!

by Isabella Le
Nanna © Angela Ricciardi
Debut, Features, Interviews, Music, Track-by-TrackMay 5, 2023<May 10, 2023

Track-by-Track: Of Monsters and Men’s Nanna Spills Her Soul on Debut Solo Album, ‘How to Start a Garden’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | May 5, 2023
Columns, Features, Music, Weekly RoundupMay 5, 2023<May 19, 2023

Atwood Magazine’s Weekly Roundup: May 5, 2023

by Atwood Magazine Staff
Nosebleeds - Misterwives
Music, Reviews, This Just InMay 5, 2023<May 16, 2023

This Just In: MisterWives Announce Fourth Studio Album with Title Track “Nosebleeds”

by Kelly McCafferty Dorogy
Tafari Anthony © Joshua Rille
Columns, Music, Today's SongMay 5, 2023<May 17, 2023

Artist to Watch Tafari Anthony Returns with Dazzling Dance-Pop Seduction “Falling Back”

by Mitch Mosk
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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