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Kat Cunning "Sore Thumb" © Josh Kim
Interviews, Music, Today's SongJune 1, 2026<June 1, 2026

“The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

by Mitch Mosk
Harvey Street © Pamela Ivanova
Columns, Music, Today's SongMay 31, 2026<May 31, 2026

“I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”

by Miranda Urbanczyk
Bleachers © Alex Lockett
Columns, Music, Today's SongMay 30, 2026<May 30, 2026

“We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie

by Danielle Holian
BERENICE "Everybody Loves Italian Girls" © Lene Ray
Artist to Watch, Interviews, Music, PremieresMay 29, 2026<May 29, 2026

“Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full

by Mitch Mosk
Maya Engen "Fool" © 2026
Debut, Features, Interviews, MusicMay 29, 2026<June 1, 2026

“I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything

by Mitch Mosk
Primus © 2026
Music, ReviewsMay 29, 2026<May 29, 2026

“I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP

by Dusty Hayes
Charli xcx "Rock Music" © 2026
Music, ReviewsMay 29, 2026<May 29, 2026

“I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot

by Bárbara Martínez Campuzano
Atwood Magazine's Weekly Roundup | May 29, 2026
Columns, Features, Music, Weekly RoundupMay 29, 2026<June 3, 2026

Atwood Magazine’s Weekly Roundup: May 29, 2026

by Atwood Magazine Staff
Hudson Ingram ‘The Long Way Home’ © Daniel Prakopcyk
Debut, Features, Interviews, MusicMay 28, 2026<May 28, 2026

Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’

by Nicolle Knapová
Black Nile © Myron Rogan
Interviews, MusicMay 28, 2026<May 28, 2026

“Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights

by Josh Weiner
Wake The Wild © Jamal-Akil Marshall
Interviews, Music, Music Videos, PremieresMay 28, 2026<May 28, 2026

“When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie

by Mitch Mosk
ill peach © Lucy Sandler
Interviews, Music, Today's SongMay 28, 2026<May 28, 2026

“I Thought It Might Numb Something in Me”: ill peach Turn a Bad Night into Volatile Alt-Pop on “MOLLY’S NOT A FRIEND”

by Mitch Mosk
Magdalena Bay © Roger Ho at Kilby Block Party 2026
Concerts, Music, ReviewsMay 28, 2026<May 28, 2026

Magdalena Bay Turn Kilby Block Party into a Mercurial World with Their Rain-Soaked Set

by Julia Dzurillay
Isabelle Skye "Subaru" © Sinead Leigh
Interviews, Music, Music Videos, PremieresMay 27, 2026<May 28, 2026

“How Dare You?”: Isabelle Skye Turns a Traumatic Encounter into a Beautiful, Empowering Indie Pop Reckoning on “Subaru”

by Mitch Mosk
Vansire © Caroline Alkire
Columns, Music, Today's SongMay 27, 2026<May 27, 2026

“It’s You and the Stranger Who Wrote It”: Vansire Find Sunlit Solace on “For the Moment,” a Feel-Good Indie Pop Reprieve for Uncertain Times

by Mitch Mosk
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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