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Bandits on the Run - Rough Magic © Regina Strayhorn, Audrey Kalm
Interviews, Music, PremieresMarch 26, 2026<March 26, 2026

“In the Silence There Is Truth”: Bandits on the Run Find Beauty in Letting Go on “Rough Magic,” a Dreamy Folk Reverie

by Mitch Mosk
Keni Titus 'AngelPink' © Victoria Davidoff
Interviews, Music, Today's SongMarch 26, 2026<March 26, 2026

“I don’t kiss and tell, I just kiss and sing”: Keni Titus Confronts Her Wandering Eyes on “hands to myself,” a Smoldering Indie Folk Confessional

by Mitch Mosk
Sanford: © Megan Rainwater
Columns, Music, Today's SongMarch 25, 2026<March 25, 2026

Today’s Song: Brooklyn’s Sanford: Laments a Lost World in “Hooked on a Dream”

by Chloe Robinson
The Pretty Flowers © Sami Drasin
Essays, MusicMarch 25, 2026<March 25, 2026

“Are We Even Listening? How Convenience and Anxiety Changed Our Listening Habits”: An Essay by The Pretty Flowers’ Sean Johnson

by Guest Writer
Lennie Rayen © cleoemo
Debut, Interviews, Music, Music Videos, PremieresMarch 25, 2026<March 25, 2026

“I’m a Mess and You Like It”: Lennie Rayen Channels the Ache of Wanting More into a Smoldering Indie Pop Confession

by Mitch Mosk
Sal “The Voice” Valentinetti Channels Old-School Heartache into a Timeless Performance on “Little Pal” © Brooklyn Zeh
Music, Music Videos, PremieresMarch 25, 2026<March 31, 2026

“The Song That Made All the Wise Guys Cry”: Sal “The Voice” Valentinetti Channels Old-School Heartache into a Timeless Performance on “Little Pal”

by Mitch Mosk
Joshua Burnside © Tom Johnson
Features, Interviews, Music, Track-by-TrackMarch 24, 2026<March 24, 2026

“It’s Not Going to Be Okay”: Joshua Burnside Faces Grief Head-On in His Raw, Unflinching, and Life-Affirming Sixth Album

by Mitch Mosk
BRUX © Eliza Jouin
Essays, Music, Women's History MonthMarch 24, 2026<March 25, 2026

“Finding Strength Through Generational Womanhood”: An Essay by BRUX for Women’s History Month

by Guest Writer
Prewn © Harry Wohl
Features, Interviews, MusicMarch 24, 2026<March 24, 2026

“Misery’s My Best Friend”: How Prewn Approaches Pain

by Nasim Elyasi
Kamaiyah at the Fox Theater © Ricardo Duncan
Interviews, MusicMarch 24, 2026<March 24, 2026

Ten Years Later, Kamaiyah Is Still Exactly Who She Said She Was

by Ankita Bhanot
Brown Horse © Deva O'Neill
Interviews, Music, Today's SongMarch 24, 2026<March 24, 2026

“I Like the Voices on the Radio”: Brown Horse Capture Isolation, Motion, & the Slow Burn of Reflection on “Twisters”

by Mitch Mosk
Valentina Moretti © 2026
Essays, Music, Women's History MonthMarch 23, 2026<March 25, 2026

“Being a Trans Woman in the Music Industry”: An Essay by Valentina Moretti for Women’s History Month

by Guest Writer
Troy Cartwright © Yve Assad
Interviews, MusicMarch 23, 2026<March 23, 2026

“There’s a point where it’s not up to you anymore”: Troy Cartwright Lets the Songs Take the Wheel on ‘Etc. All The Rest’

by Aileen Goos
Brian Sella © William Macintosh
Debut, Music, ReviewsMarch 23, 2026<March 23, 2026

“Can’t tell if I’m teaching or learning a lesson”: The Front Bottoms’ Brian Sella Looks Inward with Maturity on Debut Solo Album ‘Well I Mean’

by James Crowley
Ray Bull "All That You Are" © Kyle Berger
Interviews, Music, Today's SongMarch 23, 2026<March 23, 2026

“All That You Are Is a Lot”: Ray Bull Find Sweetness in the Spiral on a Catchy, Cathartic Anthem of Indecision

by Mitch Mosk
Posts pagination
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Brand New

  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva”

:: discover something new ::

Recent Posts

  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
  • Today’s Song: Metalcore Band Holder Push Past the Pain on “Inconsolable” March 28, 2026
  • Atwood Magazine’s Weekly Roundup: March 27, 2026 March 27, 2026
  • “Homegrown American Adventure”: HAPPY LANDING Turn Toward the Light on ‘Big Sun,’ a Bold and Expansive Folk Rock Triumph March 27, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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