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Atwood Magazine's Weekly Roundup | May 5, 2023
Columns, Features, Music, Weekly RoundupMay 5, 2023<May 19, 2023

Atwood Magazine’s Weekly Roundup: May 5, 2023

by Atwood Magazine Staff
Nosebleeds - Misterwives
Music, Reviews, This Just InMay 5, 2023<May 16, 2023

This Just In: MisterWives Announce Fourth Studio Album with Title Track “Nosebleeds”

by Kelly McCafferty Dorogy
Tafari Anthony © Joshua Rille
Columns, Music, Today's SongMay 5, 2023<May 17, 2023

Artist to Watch Tafari Anthony Returns with Dazzling Dance-Pop Seduction “Falling Back”

by Mitch Mosk
Atwood Magazine's Editor's Picks 98
Columns, Editor's Picks, Features, MusicMay 4, 2023<May 4, 2023

Editor’s Picks 98: Superbloom, Nick & June, eundohee, Claud, Arliston, & Kaleah Lee!

by Mitch Mosk
cool girl island © 2023
Music, PremieresMay 4, 2023<May 4, 2023

Premiere: Basking in Cool Girl Island’s Intimate & Enchanting “LA Lullaby”

by Mitch Mosk
Brittain Ashford © Jacki Paolella
Music, PremieresMay 4, 2023<May 5, 2023

Premiere: Brittain Ashford Dwells in Soul-Stirring Melancholy on “Hand Wringing/In the Wings”

by Mitch Mosk
Sadye © SJ Spreng
Columns, Debut, Music, Today's SongMay 4, 2023<May 4, 2023

Today’s Song: Sadye Explores the Pitfalls of Blind Faith in “Biblical”

by Sophie Severs
Draag © Devonte Johnson
Features, Interviews, Music, Track-by-TrackMay 3, 2023<May 3, 2023

“Soothing Existential Dread”: Dwelling in Draag’s Cathartic Debut Album, ‘Dark Fire Heresy’

by Mitch Mosk
Ann Annie © 2023
Asian American and Pacific Islander Heritage Month, Columns, Essays, MusicMay 3, 2023<May 31, 2023

“Finding My Identity in Film Scores”: An Essay by Ann Annie for AAPI Heritage Month

by Guest Writer
Firewoodisland © Dave Newbould
Music, Music Videos, PremieresMay 3, 2023<May 3, 2023

“The beauty starts the moment you love yourself”: Firewoodisland Premiere “Looking for Love,” Their Inspiring Song & Mantra

by Mitch Mosk
Tayls © 2023
Music, Music Videos, PremieresMay 3, 2023<May 3, 2023

Video Premiere: Tayls’ “Nightmare” Is a Haunting, Heavy-Hitting Anthem for These Hard Times

by Kelly McCafferty Dorogy
DPR LIVE & DPR IAN
Concerts, Music, ReviewsMay 3, 2023<June 2, 2023

Concert Review: DPR Live & DPR Ian Reign Supreme at Their Coachella ’23 Debut

by Freya Rinaldi
Photo Ops © 2023
Features, Interviews, Music, Track-by-TrackMay 2, 2023<May 2, 2023

Feature: Photo Ops ‘Burns Bright’ on His Iridescent, Honest & Melodic Fourth Album

by Mitch Mosk
Babygirl © Becca Hamel
Features, Interviews, MusicMay 2, 2023<May 3, 2023

“Both timely and timeless”: Babygirl Bridge Humanity & Musicianship on ‘Be Still My Heart’

by Isabella Le
A member of The Old 97’s and Chris Pratt as Peter Quill/Star-Lord in Marvel Studios' The Guardians of the Galaxy Holiday Special, exclusively on Disney+. Photo by Jessica Miglio. © 2022 MARVEL
Essays, MusicMay 2, 2023<May 2, 2023

‘Guardians of the Galaxy Vol. 3’ and Marvel’s Lessons in Music Therapy

by Julia Dzurillay
Posts pagination
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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