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Atwood Magazine's Weekly Roundup | February 10, 2023
Columns, Features, Music, Weekly RoundupFebruary 10, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: February 10, 2023

by Atwood Magazine Staff
Mathew V © Matthew Miller
Features, Interviews, MusicFebruary 10, 2023<February 10, 2023

Mathew V’s Anything Goes: A Journey via Jazz

by Andrew Daly
Michal Leah © Willie Jane
Artist to Watch, Features, Interviews, MusicFebruary 9, 2023<February 9, 2023

Artist to Watch Michal Leah on the Ups, Downs, & Laughs of Her Journey So Far: A Conversation with an Old Friend

by Nick Polak
Silver Line - Hayden Everett © Ethan Porter
Features, Interviews, Music, Premieres, Track-by-TrackFebruary 9, 2023<March 26, 2024

Coarse, Reflection, Breathe: Hayden Everett Premieres His Beautifully Iridescent & Introspective ‘Silver Line’ EP

by Mitch Mosk
Indigo De Souza © Angella Choe
Columns, Music, Today's SongFebruary 9, 2023<February 9, 2023

“A Love Letter to Everyone’s Inner Child”: Indigo De Souza Mourns Lost Youth in “Younger & Dumber”

by Sophie Severs
The Cure © Magali Girardin
Columns, Features, MusicFebruary 8, 2023<February 8, 2023

Living The Cure, Pt. 1

by David Buyze
Atwood Magazine's Editor's Picks 87
Columns, Editor's Picks, Features, MusicFebruary 8, 2023<August 13, 2024

Editor’s Picks 87: Slow Fiction, M.A.G.S., Sofia Monroy, The Rocket Summer, Steady Holiday, & Roo Panes!

by Mitch Mosk
Pierce The Veil © Celina Kenyon
Features, Interviews, MusicFebruary 8, 2023<March 11, 2023

“More simplified, but more powerful”: Jaime Preciado of Pierce The Veil Unhinges ‘The Jaws of Life’

by Isabella Le
Katie Boeck © Josh Kranich
Music, PremieresFebruary 8, 2023<February 8, 2023

Premiere: Nashville’s Katie Boeck Makes Peace with the Past in Smoldering Song, “Over Again”

by Mitch Mosk
Vagabon - "Carpenter" © Ace Amir & Alexa Viscius
Columns, Music, Today's SongFebruary 8, 2023<February 8, 2023

Today’s Song: Vagabon’s “Carpenter” Captures the Beauty of Growth, Learning, and Complete Understanding

by Lauren Turner
Tunes & Tumblers x Stacey Ryan, 2023-02-07
Music, Podcast, Tunes & TumblersFebruary 7, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Stacey Ryan and a Love Life Story

by Atwood Magazine Staff
Virginia Sweet © Andrew Kuykendall
Debut, Features, Interviews, Music, Track-by-TrackFebruary 7, 2023<February 7, 2023

Feature: Virginia Sweet’s Debut EP ‘The Revival’ Soars with Feverish, Smoldering Southern Rock Charm

by Mitch Mosk
Personal Trainer © 2022
Features, Interviews, Music, Track-by-TrackFebruary 7, 2023<February 7, 2023

Feature: Indie Pop Duo Personal Trainer Shine on Cinematic, Evocative, & Cathartic ‘Reflex’ EP

by Mitch Mosk
janney - JANNEY
Debut, Features, Interviews, Music, Track-by-TrackFebruary 7, 2023<February 7, 2023

Track-by-Track: JANNEY Dives into His Smoldering & Cinematic Self-Titled Debut Album

by Mitch Mosk
Billie Marten © Katie Silvester
Columns, Music, Today's SongFebruary 7, 2023<February 7, 2023

Today’s Song: Billie Marten Creates a Peaceful Safe Haven in “This Is How We Move”

by Minna Abdel-Gawad
Posts pagination
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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