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Zella Day © Elizaveta Porodina
Features, Interviews, MusicOctober 24, 2022<October 24, 2022

Interview: A Whimsical Peek into Zella Day’s Personal Heaven

by Sophie Severs
Kuri © Camille Candia
Features, Interviews, Music, Track-by-TrackOctober 21, 2022<June 20, 2024

‘I Love You, You’re Welcome’: Kuri’s Smoldering Sophomore Album Is a Deep Breath of Longing & Healing

by Mitch Mosk
"Sun Cancer" video still - Drew Beskin & The Sunshine
Music, Music Videos, PremieresOctober 21, 2022<October 21, 2022

Premiere: Drew Beskin & The Sunshine Shine on Heartwarming Reverie, “Sun Cancer”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | October 21, 2022
Columns, Features, Music, Weekly RoundupOctober 21, 2022<October 22, 2022

Atwood Magazine’s Weekly Roundup: October 21, 2022

by Atwood Magazine Staff
zzzahara © Melissa Crumby
Debut, Features, Interviews, Music, Track-by-TrackOctober 21, 2022<October 21, 2022

liminal spaces: zzzahara’s Driving & Dreamy Debut Dwells in a Nostalgia-Laced Indie Rock Haze

by Mitch Mosk
Frankie Cosmos © Pooneh Ghana
Features, Interviews, MusicOctober 21, 2022<October 21, 2022

Tender, Warm & Sincere: Frankie Cosmos Look Inward in Fifth Album, ‘Inner World Peace’

by Sophie Severs
Here Goes Nothing! album art - Adam Melchor
Debut, Features, Interviews, MusicOctober 21, 2022<March 11, 2023

Interview: Adam Melchor Talks Love, Collaboration, & Putting It All Out on the Line on ‘Here Goes Nothing!’

by Rachel Leong
The Brazen Youth © 2022
Features, Interviews, Music, Track-by-TrackOctober 20, 2022<October 20, 2022

Refuge and Raw Reckoning: The Brazen Youth’s ‘Eagle, Idaho’ Is a Breathtaking Soundtrack to Tragedy, Grief, & Growth

by Mitch Mosk
FVNERAL © Jay Wennington
Debut, Features, Interviews, Music, Track-by-TrackOctober 20, 2022<October 20, 2022

Bathtub Stoner Blues: FVNERAL’s ‘WHEN I GET SOBER’ EP Is an Achingly Vulnerable “Bruce Springsteemo” Debut

by Mitch Mosk
Daisy the Great © Kristen Jan Wong
Features, Interviews, MusicOctober 20, 2022<October 20, 2022

Interview: Daisy the Great Explore the Size of Their Sound with Sophomore Album ‘All You Need Is Time’

by Michael Greco
Gabriels' Jacob Lusk © Melodie McDaniel
Debut, Features, Interviews, MusicOctober 20, 2022<October 23, 2022

Interview: Gabriels Remind Us We’re All Spiritual Beings with ‘Angels & Queens’

by Jamie Kahn
Frances Luke Accord © Luke Jackson
Music, PremieresOctober 20, 2022<October 20, 2022

Premiere: Frances Luke Accord Rise with Warm Folk-Fueled Call to Action, “Window”

by Mitch Mosk
Tyson Motsenbocker © 2022
Features, Interviews, Music, Track-by-TrackOctober 19, 2022<October 19, 2022

Milk Teeth: Tyson Motsenbocker Reckons with Childhood vs. Adulthood in His Achingly Tender, Beautifully Raw & Dreamy Third LP

by Mitch Mosk
"My perspective, it's the best seat in the house!" The Killers' Ronnie Vannucci Jr. © Chris Phelps
Features, Interviews, MusicOctober 19, 2022<October 19, 2022

Interview: The Killers’ Ronnie Vannucci Jr. Talks Springsteen, Pressure Machine, Legacy, Tour, & More

by Mitch Mosk
Atwood Magazine Editor's Picks 77
Columns, Editor's Picks, Features, MusicOctober 18, 2022<March 11, 2023

Editor’s Picks 77: Wheelwright, Sam Austins, Morning Midnight, zzzahara, Mary Anne’s Polar Rig, & Lexi Jayde!

by Mitch Mosk
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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