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Dizzy © Boy Wonder
Columns, Music, Today's SongNovember 11, 2022<May 18, 2023

Today’s Song: The Raw Vulnerability of Dizzy’s “Barking Dog”

by Frankie Rose
Suki Waterhouse © Émilie Richard-Froozan
Features, Interviews, MusicNovember 10, 2022<November 10, 2022

Coolest Girl in the World: Suki Waterhouse Talks Nostalgia, Tour, and Her ‘Milk Teeth’ EP

by Nic Nichols
Inhaler © Lewis Evans
Columns, Music, Today's SongNovember 10, 2022<November 3, 2022

Today’s Song: “Love Will Get You There” in Inhaler’s Latest Track

by Isabella Le
Jagwar Twin © Josh Hubberman
Features, Interviews, MusicNovember 9, 2022<November 5, 2022

Interview: LA’s Own Jagwar Twin Breaks New Ground on Sophomore Album ‘33’

by Michael Greco
Atwood Magazine's Editor's Picks 79
Columns, Editor's Picks, Features, MusicNovember 9, 2022<March 11, 2023

Editor’s Picks 79: Overcoats, The Coronas, First Aid Kit, Liv.e, props, & Rocky Votolato!

by Mitch Mosk
Greyson Chance 'Palladium' © Broderick Baumann
Features, Interviews, MusicNovember 9, 2022<May 16, 2023

Interview: Greyson Chance Shows All His Layers on ‘Palladium,’ a Record of Growth, Pride, & Realization

by Lauren Hicks
Jaws of Love. © Joey Wasilewski
Columns, Music, Today's SongNovember 8, 2022<November 1, 2022

Today’s Song: Local Natives’ Kelcey Ayer Returns as Jaws of Love with Heartbreakingly Beautiful “Rainbow Baby”

by Beau Hayhoe
Emei © Ryan Clemens
Debut, Features, Interviews, MusicNovember 8, 2022<November 2, 2022

Interview: Emei Releases Debut EP, ‘End of an Era’ — But This Is Just the Beginning

by Sophie Severs
Goo Goo Dolls © Claire Marie Vogel
Features, Interviews, MusicNovember 7, 2022<March 11, 2023

“Just Keep At It, Man”: Goo Goo Dolls’ Robby Takac on Donuts, New York, & New Album ‘Chaos in Bloom’

by Madeleine Eggen
Waste My Time - Linebeck
Columns, Music, Today's SongNovember 7, 2022<October 30, 2022

Today’s Song: Linebeck’s Catchy “Waste My Time” Is a Cinematic & Hazy Dream Pop Tempest

by Mitch Mosk
B-Drop
Features, Music, PremieresNovember 4, 2022<November 4, 2022

Premiere: B-Drop Worldwide Showcases KTJ & Carly and Stephanie Hatzinikolis

by Mitch Mosk
Teeyago © Jared Robinson
Interviews, Music, PremieresNovember 4, 2022<March 21, 2023

Premiere: Teeyago’s Unfiltered Visuals for His ‘D.R.U.G.S’ EP Construct a Crazy High

by Chloe Robinson
blink-182 © Jack Bridgland
Columns, Music, Today's SongNovember 4, 2022<November 3, 2022

Today’s Song: blink-182’s “EDGING” Kickstarts a New Era with High Spirits

by Isabella Le
Bleach Lab © Rory Dunn
Features, Interviews, Music, Track-by-TrackNovember 4, 2022<March 11, 2023

If You Only Feel It Once: London’s Bleach Lab Seduce the Heart with Hauntingly Beautiful, Nostalgic, & Brutally Raw Third EP

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 4, 2022
Columns, Features, Music, Weekly RoundupNovember 4, 2022<November 3, 2022

Atwood Magazine’s Weekly Roundup: November 4, 2022

by Atwood Magazine Staff
Posts pagination
1 … 234 235 236 237 238 … 741

Brand New

  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness

:: discover something new ::

Recent Posts

  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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