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Delfest 2022
Festival, Music, ReviewsMay 18, 2022<May 19, 2022

Festival Preview: DelFest ’22 Brings Bluegrass & Roots Music Back to Cumberland, Maryland

by Guest Writer
Phantom Isle © Katie Willoughby
Music, ReviewsMay 18, 2022<May 18, 2022

Review: London’s Phantom Isle Bring a Sparkling Nostalgia with New EP ‘Out of Blue’

by Chloe Robinson
Chemistry - Timi Afilaka
Music, PremieresMay 18, 2022<May 18, 2022

Premiere: Timi Afilaka Inspires Positive Vibes with Sunny, Seductive Single “Chemistry”

by Mitch Mosk
Prince Daddy & The Hyena © Brooke Marsh
Columns, Music, Today's SongMay 18, 2022<May 18, 2022

Today’s Song: Prince Daddy & The Hyena Bring Car Crash Intensity to Their Self-Titled Album

by James Crowley
Ellevator © Stephanie Montani
Debut, Features, Interviews, Music, Track-by-TrackMay 17, 2022<May 19, 2022

“World’s Hardest Soft Rock”: Ontario’s Ellevator Ignite on Debut ‘The Words You Spoke Still Move Me’

by Mitch Mosk
Wy © Lamia Karic
Columns, Music, Today's SongMay 17, 2022<May 17, 2022

“And it’s you who’s turning out the lights”: Wy’s Raw “Teeth” Is an Achingly Heartfelt & Helpless Reckoning

by Mitch Mosk
bedroom walls - November Ultra
Debut, Features, Interviews, Music, Track-by-TrackMay 16, 2022<May 16, 2022

“Ultra, Intimate, & Layered”: November Ultra Breaks Down Her Debut Album ‘bedroom walls’

by Mitch Mosk
Benjamin Carter © Abraham Azab
Music, Music Videos, PremieresMay 16, 2022<May 16, 2022

Video Premiere: “Lost Control” Is Benjamin Carter’s Feverish Cry for Help

by Mitch Mosk
Bears Den © Bennie Curnow
Features, Interviews, MusicMay 16, 2022<September 29, 2022

“Blue Hours felt like a name for my own depression”: An Interview with Bear’s Den’s Andrew Davie

by Mitch Mosk
My Chemical Romance © Devin Sarno
Columns, Music, Today's SongMay 16, 2022<May 16, 2022

Today’s Song: My Chemical Romance’s “The Foundations of Decay” Announces a Larger-Than-Life Rebirth

by Sophie Prettyman-Beauchamp
Mild West © Charlie Hardy
Debut, Features, Interviews, Music, Track-by-TrackMay 13, 2022<May 16, 2022

“Digital Age Ruminations”: Inside Mild West’s Dark & Cinematic Debut Album, ‘Machine Learning’

by Mitch Mosk
Charlie Collins © She Is Aphrodite
Features, Interviews, Music, Track-by-TrackMay 13, 2022<June 2, 2022

“Heartbreak in its purest form”: Charlie Collins Is ‘Undone’ But Triumphant in Unfiltered, Cathartic & Charged Sophomore LP

by Mitch Mosk
Superbloom © Nia Garza
Columns, Music, Today's SongMay 13, 2022<May 13, 2022

Today’s Song: Brooklyn’s Superbloom Release a Fast n’ Feverish Grunge Upheaval in “Falling Up”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | May 13, 2022
Columns, Features, Music, Weekly RoundupMay 13, 2022<May 13, 2022

Atwood Magazine’s Weekly Roundup: May 13, 2022

by Atwood Magazine Staff
Max Frost © JT Boehme
Features, Interviews, Music, Track-by-TrackMay 12, 2022<June 29, 2022

“Electric Love Nostalgia”: Max Frost Dreams Big & Soars on Irresistible, Free-Spirited ‘Flying Machines’ EP

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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