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Tunes & Tumblers x Max Frost 2022
Music, Podcast, Tunes & TumblersJune 29, 2022<April 30, 2023

Podcast: Tunes & Tumblers Features Max Frost and a Flying Machine

by Atwood Magazine Staff
Atwood Magazine's Editors Picks 69
Columns, Editor's Picks, Features, MusicJune 29, 2022<September 29, 2022

Editor’s Picks 69: James Bay, Ashe, Djo, Lissy Taylor, Braxton Cook, & MYTBE!

by Mitch Mosk
The Rare Occasions © Alex Justice
Music, PremieresJune 29, 2022<August 29, 2024

Premiere: The Rare Occasions Surf Stormy Waves on Spirited New Single “Seasick”

by Mitch Mosk
McCall © Haley Minyoung Kreofsky
Columns, Essays, Music, Pride MonthJune 29, 2022<January 20, 2023

“Corporate Pride: Selling Our Identity Back to Us”: A Pride Month Essay by McCall

by Guest Writer
Long Neck © 2022
Columns, Music, Today's SongJune 29, 2022<June 28, 2022

Today’s Song: Long Neck Revisits the Tensions of Being an ‘Essential Worker’ on “558”

by Kevin Krein
KEZRA © Corey Adams
Music, Music Videos, PremieresJune 28, 2022<June 28, 2022

Premiere: Dwelling in the Dark, Distorted Depths of KEZRA’s “Back Home”

by Mitch Mosk
Geese © Daniel Topete
Features, Interviews, MusicJune 28, 2022<June 28, 2022

Opportunity’s Knocking: A Conversation with New York City’s Geese

by Ben Niesen
LonelyTwin © Märta Thisner
Columns, Essays, Music, Pride MonthJune 28, 2022<May 27, 2024

“What Coming Out Made Me Realize”: A Pride Month Essay by LonelyTwin’s Madelene Eliasson

by Guest Writer
Julia Jacklin © Nick Mckk
Columns, Music, Today's SongJune 28, 2022<June 28, 2022

Today’s Song: Julia Jacklin Adds a Splash of Color into Our Lives with “I Was Neon”

by Sophie Severs
Honeyglaze © Holly Whitaker
Debut, Features, Interviews, Music, Track-by-TrackJune 27, 2022<June 27, 2022

“A Spiraling Breakfast”: Inside Honeyglaze’s Raw, Honest, & Vulnerable Self-Titled Debut Album

by Mitch Mosk
Chinwe © Jess Mogli
Music, PremieresJune 27, 2022<March 15, 2024

Embracing “Something Beautiful”: East London’s Chinwe Premieres Her Sweet, Summery Seduction

by Mitch Mosk
Lola Kirke © Zack Michael
Features, Interviews, MusicJune 27, 2022<July 2, 2022

Portrait of a ‘Lady for Sale’: Lola Kirke on Her ’80s Inspired Second Album

by Guest Writer
FVNERAL (clockwise from top left): Carlo Hilton (guitar/bass), Zac Olsen (keys/saxophone), Jay Wennington (creative direction), Jackson Kent (guitar/bass), Tim Blunt (vocals/guitar), Jess Hope (content/creative strategy), Ally Turner (vocals/guitar) © Jay Wennington
Columns, Essays, Music, Pride MonthJune 27, 2022<June 27, 2022

Pride Month Essay: FVNERAL’s Tim Blunt on Putting Up a White Flag in the War Against Yourself

by Guest Writer
Joji © Forrest Grenfell
Columns, Music, Today's SongJune 27, 2022<February 3, 2023

Today’s Song: Joji’s Transparent Contemplation of Vacant and Ill-Fated Love in “Glimpse of Us”

by Isabella Le
Atwood Magazine's Weekly Roundup | June 24, 2022
Columns, Features, Music, Weekly RoundupJune 24, 2022<June 29, 2022

Atwood Magazine’s Weekly Roundup: June 24, 2022

by Atwood Magazine Staff
Posts pagination
1 … 240 241 242 243 244 … 727

Brand New

  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)

:: discover something new ::

Recent Posts

  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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