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Ken Yates © Jen Squires
Features, Interviews, Music, Track-by-TrackJune 7, 2022<August 4, 2023

“Searching for those small moments of peace”: Ken Yates Dives into 4th LP ‘Cerulean,’ a Softly Stirring Triumph of Grief & Hope

by Mitch Mosk
Charlie Hickey © Frank Ockenfels
Debut, Features, Interviews, MusicJune 7, 2022<July 9, 2022

To Those Who Wait: A Conversation with Charlie Hickey

by Nasim Elyasi
Darius © Manu Fauque
Music, Music Videos, PremieresJune 7, 2022<June 7, 2022

Premiere: Darius & Devin Tracy Dwell in an Intimate Euphoria on Groovy, Seductive “Ease Your Mind”

by Mitch Mosk
Soccer Mommy © Sophie Hur
Columns, Music, Today's SongJune 7, 2022<June 7, 2022

Today’s Song: Soccer Mommy Seamlessly Integrates the New, Retro, and Modern in “Bones”

by Rachel Leong
Spoon 'Lucifer on the Sofa' © Oliver Halfin
Features, Interviews, MusicJune 7, 2022<June 7, 2022

“It’s a great rock record in a time when rock n’ roll is needed”: Jim Eno on Spoon’s 10th LP ‘Lucifer on the Sofa’

by Mitch Mosk
John Doe © Todd V. Wolfson
Features, Interviews, MusicJune 6, 2022<March 2, 2025

After the Fall: John Doe on ‘Fables in a Foreign Land,’ Isolation, and Poetry

by Mariel Fechik
Sunflower Thieves © 2022
Debut, Features, Interviews, Music, Track-by-TrackJune 6, 2022<August 7, 2024

Feature: Sunflower Thieves Shine on Emotive, Heartfelt, & Comforting Debut ‘Someone to Be There For’

by Mitch Mosk
Ziggy Alberts & Donovan Woods © 2022
Columns, Music, Today's SongJune 6, 2022<June 6, 2022

Today’s Song: Ziggy Alberts & Donovan Woods Reckon with Cultural Trends & Polarization in “THE SUN & THE SEA”

by Mitch Mosk
Les Claypool © Paul Haggard
Features, Interviews, MusicJune 6, 2022<June 7, 2022

Interview with Les Claypool: Primus, Oysterhead Founder Discusses Rush, Wine Making, Fishing, Movies, & More

by Guest Writer
Boyish © Anna Koblish
Features, Interviews, Music, Track-by-TrackJune 3, 2022<September 29, 2022

“Nostalgic, Blunt, & Vulnerable”: Boyish’s ‘My Friend Mica’ Is Pure Summer Bummer Bliss

by Mitch Mosk
MOTORCADE (L-R): Jeff Ryan, James Henderson, Andrew Huffstetler, John Dufilho © Jerome Brock
Columns, Music, Today's SongJune 3, 2022<June 3, 2022

Today’s Song: Post-Punk Is Alive & Well in MOTORCADE’s Dreamy, Driving “Slip”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | June 3, 2022
Columns, Features, Music, Weekly RoundupJune 3, 2022<June 3, 2022

Atwood Magazine’s Weekly Roundup: June 3, 2022

by Atwood Magazine Staff
Marilyn Hucek © 2022
Columns, Music, Today's SongJune 2, 2022<June 2, 2022

Today’s Song: Marilyn Hucek Empowers Women with “Boy Drama”

by Kelly McCafferty Dorogy
Primus 5/25/2022
Concerts, Music, ReviewsJune 2, 2022<June 3, 2022

Live Review: Primus Bring Rush’s ‘A Farewell to Kings’ & Their Own Decades of Hits to Bethlehem

by Guest Writer
Personal Space © Tom Bell
Music, Premieres, ReviewsJune 2, 2022<June 2, 2022

EP Premiere: Personal Space’s Angular, Restless, & Radiant ‘Still Life’ EP

by Mitch Mosk
Posts pagination
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Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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