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Atwood Magazine's Weekly Roundup | September 2, 2022
Columns, Features, Music, Weekly RoundupSeptember 2, 2022<September 1, 2022

Atwood Magazine’s Weekly Roundup: September 2, 2022

by Atwood Magazine Staff
Älskar - Nina Nesbitt
Features, Interviews, MusicSeptember 2, 2022<March 11, 2023

Interview: Nina Nesbitt Finds Her Love Language on Third LP ‘Älskar’

by Mitch Mosk
Darcy Lane © Tara Johnson
Debut, Music, PremieresSeptember 1, 2022<September 1, 2022

EP Premiere: Sydney’s Darcy Lane Debuts with ‘Heartquakes,’ a Record of Young Love’s Turmoil

by Mitch Mosk
Editors © Rahi Rezvani
Columns, Music, Today's SongSeptember 1, 2022<September 1, 2022

Today’s Song: The Intense Empowerment of Editors’ “Kiss”

by David Buyze
Features, Interviews, Music, Track-by-TrackAugust 31, 2022<August 31, 2022

The Best She Can: Savannah Conley’s New EP is Eleven Minutes of Beautifully Charged Unapologetic Upheaval

by Mitch Mosk
SEVENTEEN © PLEDIS Entertainment
Concerts, Music, ReviewsAugust 31, 2022<August 31, 2022

Live Review: Rocking with SEVENTEEN at ‘BE THE SUN’ in Los Angeles

by Isabella Le
Motel Radio © Michael Tucker
Features, Interviews, MusicAugust 31, 2022<August 31, 2022

Feature: Coming Full Circle with Motel Radio

by Guest Writer
MisterWives © Matty Vogel
Columns, Music, Today's SongAugust 31, 2022<August 31, 2022

Today’s Song: Reveling in MisterWives’ Cathartic and Catchy “Wrongside”

by Kelly McCafferty Dorogy
Nataly Dawn © 2022
Features, Interviews, Music, Track-by-TrackAugust 30, 2022<August 31, 2022

“Pretty Damn Hopeful”: Pomplamoose’s Nataly Dawn Soars & Stirs on Beautifully Intimate ‘Gardenview’

by Mitch Mosk
2030 Revolution - Dylan Fraser © Ho Hai Tran
Features, Interviews, Music, Track-by-TrackAugust 30, 2022<August 30, 2022

“Swirly, Distorted, Ambience”: Basking in the Throes of Dylan Fraser’s Urgent & Unapologetic ‘2030 Revolution’

by Mitch Mosk
Christie Huff © Hazel Choo
Music, ReviewsAugust 30, 2022<August 30, 2022

Review: Christie Huff Peels Back Every Layer of Emotion in ‘Favorites Collection’

by Chloe Robinson
Freakscene - The Story of Dinosaur Jr.
A Casual Ramble, Columns, MusicAugust 30, 2022<March 2, 2025

A Casual Ramble: Mumbling Through a Freak Scene

by Ben Niesen
Indigo De Souza © Charlie Boss
Columns, Music, Today's SongAugust 30, 2022<August 30, 2022

Today’s Song: Indigo De Souza Finds Her Own Balance in “Hold U”

by Nic Nichols
Juliana Madrid © Benjamin Ruttner
Debut, Features, Interviews, Music, Track-by-TrackAugust 29, 2022<August 29, 2022

“A Giant Diary Entry”: Juliana Madrid’s Personal, Hot, & Exciting Coming-of-Age Debut EP

by Mitch Mosk
Darkbird © Dustin Cohen
Music, Music Videos, PremieresAugust 29, 2022<August 29, 2022

Premiere: Self-Love & Reckoning in Darkbird’s Visceral “3-2-Wake Up”

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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