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Paul Weller (L) & Dave Gahan (R) © 2022
Features, Music, ReviewsJanuary 24, 2022<January 24, 2022

The Late Style of Dave Gahan & Paul Weller: Imprints of Bowie

by David Buyze
Star2 © Ted Emmons
Columns, Music, Today's SongJanuary 24, 2022<January 24, 2022

Today’s Song: Star2 Captures the Sunny Sensations of Romance with “Thinkin Bout You”

by Chloe Robinson
Water Your Garden – Magic City Hippies
Features, Music, Reviews, Track-by-TrackJanuary 21, 2022<February 7, 2022

“Water Your Garden”: Magic City Hippies Go Track-by-Track Through Buoyant, Seductive New Album

by Mitch Mosk
Atwood Magazine's Weekly Roundup | January 21, 2022
Columns, Features, Music, Weekly RoundupJanuary 21, 2022<January 21, 2022

Atwood Magazine’s Weekly Roundup: January 21, 2022

by Atwood Magazine Staff
TRISHES © Alejandra Ocampo
Debut, Features, Interviews, MusicJanuary 21, 2022<August 12, 2022

Exploring Our Primal Selves: TRISHES Dives into Her “Raw, Vivid, & Emotional” Debut Album ‘The Id’

by Mitch Mosk
Arooj Aftab © Vishesh Sharma
Features, Interviews, MusicJanuary 21, 2022<January 25, 2022

Transcending Your Instrument: A Conversation with Arooj Aftab

by Ben Niesen
Collapsing Scenery © Rick Rodney
Columns, Music, Today's SongJanuary 21, 2022<January 21, 2022

Today’s Song: Collapsing Scenery Blur the Lines Between Psychedelic Art & Music with “You Already Know”

by Beau Hayhoe
Atwood Magazine Editor's Picks 53
Columns, Editor's Picks, Features, MusicJanuary 20, 2022<January 20, 2022

Editor’s Picks 53: Metronomy, Daisy the Great, Hembree, Yumi Zouma, Michelles, & Empath

by Mitch Mosk
Stephanie Poetri © Casper Yen
Columns, Music, Today's SongJanuary 20, 2022<January 20, 2022

Today’s Song: Stephanie Poetri’s “Picture Myself” Dwells in the Longing of Long Distance

by Mitch Mosk
Frances Luke Accord © Podsongs
Music, PremieresJanuary 20, 2022<January 20, 2022

Premiere: Frances Luke Accord’s “Afterlife” Is a Soothing Ode to Everlasting Connection

by Mitch Mosk
A Casual Ramble: Albums of the Year 2021!
A Casual Ramble, Columns, MusicJanuary 20, 2022<February 1, 2022

A Casual Ramble: Albums of The Year 2021 Racket Edition

by Ben Niesen
Under the Rug © 2022
Music, PremieresJanuary 19, 2022<January 19, 2022

Premiere: Austin’s Under the Rug Reckon with Grief in Soothing “Go to Sleep” Off 2nd Album ‘Dear Adeline’

by Mitch Mosk
Magic - Nas 8.2
Music, Our Take, ReviewsJanuary 19, 2022<March 2, 2025

Our Take: Nas Has Plenty of ‘Magic’ Left to Spin on 15th LP

by Josh Weiner
Sgt Culpepper - Joel Culpepper
Debut, Features, Interviews, MusicJanuary 19, 2022<August 15, 2022

“Funk, Feeling, Future”: Joel Culpepper on His Soulful & Triumphant Debut ‘Sgt Culpepper’

by Mitch Mosk
Katie Tupper © Julian Lomaga
Columns, Music, Today's SongJanuary 19, 2022<January 19, 2022

Today’s Song: Seeking Closure on Katie Tupper’s Graceful & Gutting New Single “Danny”

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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