Festival, Music, PhotographyApril 26, 2022<April 26, 2022 Gallery: Bands on Film at Treefort 10 by Sophie Prettyman-Beauchamp
Debut, Features, Interviews, Music, Track-by-TrackApril 26, 2022<September 29, 2022 Feature: Sophia Bel Opens Up on Her Stunningly Vulnerable, Transparent & Playful Debut ‘Anxious Avoidant’ by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackApril 26, 2022<May 15, 2022 “Small, Close, & Sentimental”: Inside Deer Scout’s Comforting Debut Album ‘Woodpecker’ by Mitch Mosk
Music, ReviewsApril 25, 2022<April 25, 2022 Rosalía at the Margins: A Review of ‘Motomami’ by David Buyze
Music, ReviewsApril 25, 2022<April 25, 2022 Album Review: Matchess’ ‘Sonescent’ Is an Amalgam of Sounds, Space, & Reflection by Nick Matthopoulos
Columns, Editor's Picks, Features, MusicApril 22, 2022<September 29, 2022 Editor’s Picks 60: Lo, Jo Schornikow, Lisa Remar, Moreton, Katy J Pearson, & néomí by Mitch Mosk
Columns, Features, Music, Weekly RoundupApril 22, 2022<April 22, 2022 Atwood Magazine’s Weekly Roundup: April 22, 2022 by Atwood Magazine Staff
Festival, MusicApril 22, 2022<April 22, 2022 Gallery: Highlights of Treefort 10 by Atwood Magazine Staff
Features, Interviews, MusicApril 21, 2022<May 12, 2023 Interview: Lizzy McAlpine Cuts Deep with Stunning Sophomore LP ‘five seconds flat’ by Nasim Elyasi
Debut, Features, Interviews, Music, Track-by-TrackApril 21, 2022<April 21, 2022 Track-by-Track: Inside Sandman Sleeps’ Stirring, Honest, & Climatic Debut Album, ‘Crisis Actor’ by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackApril 21, 2022<April 21, 2022 “Explosive, Colourful, & Nostalgic”: The Lazy Eyes Deliver a Kaleidoscopic Psych Rock Revue in Debut ‘SongBook’ by Mitch Mosk
Music, ReviewsApril 21, 2022<April 21, 2022 EP Review: On ‘My Golden Horse,’ Jon Waltz Represents the Memphis R&B and Hip-Hop Scene with Equal Finesse by Josh Weiner
Debut, Features, Interviews, Music, Track-by-TrackApril 21, 2022<April 20, 2022 “Passionate, Cathartic, & Loving”: Deanna Petcoff Soars on Stunning Debut ‘To Hell With You, I Love You’ by Mitch Mosk
Debut, Features, Music, Reviews, Track-by-TrackApril 20, 2022<April 20, 2022 “Raw & Unfiltered”: Philadelphia’s Bri Steves Dives into Her Uninhibited, Undeniable Debut Project, ‘TBH’ by Mitch Mosk
Columns, Music, Today's SongApril 20, 2022<April 20, 2022 Today’s Song: Paisley Black’s “Bet You Wish” Showcases Heartache & Regret in a Seductive ’60s Sound by Chloe Robinson
For the Love of Music
For the Love of Music
