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Alex Porat © Patrick Ryder
Columns, Music, Today's SongJune 20, 2022<June 20, 2022

“I don’t know why I get so sad”: Alex Porat’s Intimate & Achingly Vulnerable “Sensitive”

by Mitch Mosk
Andy Fletcher
Essays, MusicJune 20, 2022<June 20, 2022

In Memoriam: Tribute & Lament for Andy Fletcher, Depeche Mode

by David Buyze
The Kills © 2022
Concerts, Music, ReviewsJune 20, 2022<June 20, 2022

Veteran Rock Duo The Kills Wow Brooklyn Steel with a Classic Saturday Night Rock Show

by Beau Hayhoe
Brooke Annibale © Shervin Lainez
Columns, Essays, Music, Pride MonthJune 20, 2022<June 20, 2022

Pride Month Essay: Brooke Annibale on Representation & Her Journey to Self-Acceptance

by Guest Writer
Future Teens © Adam Parshall
Columns, Music, Today's SongJune 18, 2022<June 18, 2022

Today’s Song: Future Teens Make Space for You to Sit in Your Uncomfortable Feelings on “Same Difference”

by Kevin Krein
The Big Drink © 2022
Debut, Features, Interviews, Music, Track-by-TrackJune 17, 2022<June 18, 2022

“Honest, Live, & Jangly”: Sippin’ From The Big Drink’s Sun-Kissed Self-Titled Debut

by Mitch Mosk
Bluphoria © 2022
Essays, MusicJune 17, 2022<June 17, 2022

Juneteenth and Black Independence: An Essay by Bluphoria’s Reign LaFreniere

by Guest Writer
Atwood Magazine's Weekly Roundup | June 17, 2022
Columns, Features, Music, Weekly RoundupJune 17, 2022<February 6, 2023

Atwood Magazine’s Weekly Roundup: June 17, 2022

by Atwood Magazine Staff
Alex the Astronaut "Haircut" single art © Giulia McGauran
Columns, Essays, Music, Pride MonthJune 17, 2022<June 17, 2022

“Being Alex”: A Pride Month Essay by Alex the Astronaut

by Guest Writer
Laufey © Gemma Warren
Columns, Music, Today's SongJune 17, 2022<June 17, 2022

Today’s Song: Wistful, Hopeless Romanticism & Jazz Revival in Laufey’s “Fragile”

by Isabella Le
Tom Gallo © 2022
Features, Interviews, Music, Track-by-TrackJune 17, 2022<June 17, 2022

“Dark Slow Dancing”: Tom Gallo Unveils His Cathartic, Intense & Uplifting ‘Vanish and Bloom’

by Mitch Mosk
The Rare Occasions © Kenneth Bauer
Features, Interviews, Music, Track-by-TrackJune 16, 2022<June 16, 2022

“Rock With Your Socks On”: Celebrating The Rare Occasions’ Cinematic & Seductive Sophomore LP ‘Big Whoop’

by Mitch Mosk
KAIRO © Ashley Thompson
Debut, Features, Interviews, Music, Track-by-TrackJune 16, 2022<June 16, 2022

“Love Letters From Houston”: KAIRO Set a Stunning Foundation with Radiant & Sun-Kissed Debut EP

by Mitch Mosk
Haroula Rose © Logan Fahey
Debut, Features, Interviews, Music, Premieres, Track-by-TrackJune 16, 2022<June 16, 2022

“Inner life coming out”: Haroula Rose Premieres Her Naked, Solitary, & Joyful Third Album, ‘Catch the Light’

by Mitch Mosk
HIGH. © 2022
Columns, Today's SongJune 16, 2022<June 16, 2022

Today’s Song: New Jersey Band HIGH. Burst onto the Scene with Debut Single “Dead”

by Beau Hayhoe
Posts pagination
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Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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