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Marilyn Hucek © 2022
Columns, Music, Today's SongJune 2, 2022<June 2, 2022

Today’s Song: Marilyn Hucek Empowers Women with “Boy Drama”

by Kelly McCafferty Dorogy
Primus 5/25/2022
Concerts, Music, ReviewsJune 2, 2022<June 3, 2022

Live Review: Primus Bring Rush’s ‘A Farewell to Kings’ & Their Own Decades of Hits to Bethlehem

by Guest Writer
Personal Space © Tom Bell
Music, Premieres, ReviewsJune 2, 2022<June 2, 2022

EP Premiere: Personal Space’s Angular, Restless, & Radiant ‘Still Life’ EP

by Mitch Mosk
The Degrees © Chelone Wolf
Music, PremieresJune 2, 2022<June 2, 2022

Premiere: Bristol’s The Degrees Light a Burning Fire in Smoldering & Soulful “Nothing Else”

by Mitch Mosk
Atwood Magazine's Editor's Picks 65
Columns, Editor's Picks, Features, MusicJune 2, 2022<September 29, 2022

Editor’s Picks 65: Chateau Chateau, Sky Ferreira, Sorcha Richardson, Jungle, Ruby Gill, & Sarah Kinsley!

by Mitch Mosk
JayWood © Tonje Thilesen
Columns, Music, Today's SongJune 1, 2022<June 1, 2022

Today’s Song: JayWood’s Soaring & Seductive “Just Sayin” (ft. Ami Cheon) Is an Inspiring Equal Opportunity Anthem

by Mitch Mosk
Caleb Nichols "Jerome" music video still
Music, PremieresJune 1, 2022<June 1, 2022

Premiere: Mean Mr. Mustard Comes to Life As a Queer Icon in Caleb Nichols’ Campy Romp “Jerome”

by Mitch Mosk
"Rich Kids" music video still - Aiyana-Lee
Artist to Watch, Music, Music Videos, PremieresJune 1, 2022<June 1, 2022

Artist-to-Watch: Aiyana-Lee Lights a Fire with Inspiring & Spirited “Rich Kids” Music Video

by Mitch Mosk
Brandon Stansell © Karen Marie Co.
Columns, Music, Pride MonthJune 1, 2022<June 1, 2022

Essay: Brandon Stansell Reflects on His Own “Wild Ride” for Pride Month

by Guest Writer
Ainsley Farrell © Ian Farrell
Music, PremieresMay 31, 2022<May 31, 2022

Premiere: Empathy & Understanding in Ainsley Farrell’s Stunning Return, “The Way Back”

by Mitch Mosk
Waxflower © Mitch Lowe
Music, Music Videos, PremieresMay 31, 2022<May 31, 2022

Video Premiere: Aussie Pop Punks Waxflower’s Achingly Intense Star-Crossed Anthem, “Misaligned Love” ft. Sydney Sprague

by Mitch Mosk
George Gretton © 2022
Music, PremieresMay 31, 2022<May 31, 2022

Premiere: The Moody, Woozy Cabin Fever of George Gretton’s “Morning” ft. theMIND

by Mitch Mosk
nohidea x nujabes
Asian American and Pacific Islander Heritage Month, Columns, MusicMay 31, 2022<May 31, 2022

“How Japanese Artist Nujabes Spawned an Entire Generation of Musicians”: An Essay by nohidea

by Guest Writer
Matt Dorrien © Vincent Bancheri
Columns, Music, Today's SongMay 31, 2022<May 31, 2022

Today’s Song: Matt Dorrien Explores the Melancholy on His Quietly Lovely “That Gets Me Through”

by Beau Hayhoe
Charlie Burg © Dannah Gottlieb
Columns, Music, Today's SongMay 30, 2022<May 30, 2022

Today’s Song: Charlie Burg’s Nostalgic “97 Avalon” Is a Heartfelt Letter to Life & Living

by Rachel Leong
Posts pagination
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Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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© Atwood Magazine 2024 For the Love of Music
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