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Ex-Poets © 2022
Columns, Music, Today's SongMarch 14, 2022<March 14, 2022

Today’s Song: Ex-Poets Go Deep with New Single “Bay of Pigs”

by Beau Hayhoe
Features, Interviews, MusicMarch 14, 2022<September 29, 2022

Interview: Shamir on Why ‘Heterosexuality’ Is His Most Vulnerable Record Yet

by Sophie Prettyman-Beauchamp
Young Rising Sons © Jesse DeFlorio
Debut, Features, Music, Reviews, Track-by-TrackMarch 11, 2022<March 11, 2022

Feature: Young Rising Sons Shine on Long-Awaited Debut Album ‘Still Point in a Turning World’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | March 11, 2022
Columns, Features, Music, Weekly RoundupMarch 11, 2022<March 11, 2022

Atwood Magazine’s Weekly Roundup: March 11, 2022

by Atwood Magazine Staff
Avi Kaplan & Joy Williams © 2022
Columns, Interviews, Music, Today's SongMarch 11, 2022<March 11, 2022

Interview: Digging Deep with Avi Kaplan & Joy Williams on “All Is Well”

by Emily Frances Algar
Atwood Magazine Editor's Picks 57
Columns, Editor's Picks, Features, MusicMarch 10, 2022<September 29, 2022

Editor’s Picks 57: Ego Ella May, Memorial, Stars, Bear’s Den, Linqua Franqa, & John Mark Nelson

by Mitch Mosk
The Elephant Trees © 2022
Columns, Music, Women's History MonthMarch 10, 2022<March 10, 2022

Women to the Front: The Elephant Trees’ Martha Phillips on Inclusivity & Creating Spaces in the Music Industry

by Guest Writer
Uèle Lamore © Daphné Giquel
Debut, Interviews, MusicMarch 10, 2022<May 28, 2022

“Just Do Whatever You Want:” A Conversation with Uèle Lamore

by Ben Niesen
Griff Clawson © 2022
Columns, Music, Today's SongMarch 10, 2022<March 10, 2022

Griff Clawson’s Dynamic “Haircut” Is a Song of Heartache & Emotional Split Ends

by Mitch Mosk
Phebe Starr © 2022
Debut, Interviews, Music, PremieresMarch 10, 2022<March 11, 2022

“Transcending pain into something beautiful”: Phebe Starr Shines Raw & Radiant on Debut Album ‘Heavy Metal Flower Petal’

by Mitch Mosk
Jay Johnson © Diego Martinez
Music, PremieresMarch 10, 2022<March 10, 2022

Premiere: Jay Johnson’s Smooth & Soulful “Enough to Eat” Is a Heartfelt Musical Scrapbook

by Mitch Mosk
Jacob Aedam © 2022
Columns, Music, Today's SongMarch 9, 2022<March 9, 2022

Today’s Song: Jacob Aedam & Yung Shōgun Break Out in Psychedelic Spaghetti Western “South Boulevard”

by Mitch Mosk
Adria Kain © Kiylana Dickens-Ling
Debut, Features, Music, Reviews, Track-by-TrackMarch 9, 2022<March 15, 2022

“Emotional, Impactful, & Honest”: Toronto’s Adria Kain Shares Her Soulful & Stunning Debut Album ‘When Flowers Bloom’

by Mitch Mosk
Jack Carty © Natasha Saba
Music, Premieres, Track-by-TrackMarch 9, 2022<June 13, 2022

“My Whole Heart”: Jack Carty Shines Like the Sun on ‘Wake to a Bright Morning’, His Intimate & Radiant 6th LP

by Mitch Mosk
Music, ReviewsMarch 9, 2022<March 9, 2022

Album Review: The Pure Love & Existential Fear of Big Thief’s Magical ‘Dragon New Warm Mountain I Believe in You’

by Nasim Elyasi
Posts pagination
1 … 261 262 263 264 265 … 727

Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
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