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Jordan Lehning © Zac Farro
Features, Music, Reviews, Track-by-TrackAugust 19, 2021<March 2, 2025

“Technicolor Fantasy Pop”: The Depths of Jordan Lehning’s Cinematic 4th LP ‘Three Colored Wall’

by Mitch Mosk
Cape Weather © 2021
Music, Premieres, Track-by-TrackAugust 19, 2021<August 19, 2021

“Total Existential Dread”: Cape Weather Shine a Loving Light in ‘HUNNY Vol. 1’ EP

by Mitch Mosk
Kate Dinsmore © Kendall Rock
Music, Premieres, Track-by-TrackAugust 19, 2021<August 19, 2021

Premiere: Kate Dinsmore’s Cathartic New EP ‘Version of Me’

by Mariel Fechik
Eliza Shaddad © Jodie Canwell
Features, Interviews, Music, Reviews, Track-by-TrackAugust 18, 2021<March 2, 2025

Reflection & Rediscovery: Eliza Shaddad Dives into Her Stirring Sophomore LP ‘The Woman You Want’

by Mitch Mosk
Faae © Sydney McKenna
Columns, Music, Today's SongAugust 18, 2021<August 18, 2021

Today’s Song: Faae’s “marsupial” Explores Loss with Poignant, Reflective & Tender Folk

by Mitch Mosk
Little Fuss
Debut, Music, PremieresAugust 18, 2021<August 18, 2021

“A collection of introvert anthems”: Boston’s Little Fuss Premiere Their Debut EP ‘Hazy’

by Mitch Mosk
ZOO © Devyn Glista
Music, PremieresAugust 18, 2021<August 18, 2021

Premiere: Cincinnati’s ZOO Explores Our Irreconcilable Divisions in “Sleeping Dogs”

by Mitch Mosk
Danelle Sandoval © Anna Vorontsova
Interviews, MusicAugust 18, 2021<August 18, 2021

Interview: Los Angeles’ Danelle Sandoval on Not Being Defined by Others & New Single “Go”

by Chloe Robinson
The Steoples © Roman Koval
Interviews, Music, ReviewsAugust 17, 2021<August 18, 2021

“It’s those fleeting moments of transcendence”: Inside The Steoples’ Smoldering & Soulful LP ‘Wide Through The Eyes Of No One’

by Mitch Mosk
Hopefully Limitless by Ah-Mer-Ah-SuHopefully Limitless by Ah-Mer-Ah-Su
Features, Music, Reviews, Track-by-TrackAugust 17, 2021<August 19, 2021

“Crazy, Sexy, & Cool”: Ah-Mer-Ah-Su Shines on Radiant & Revelrous EP ‘Hopefully Limitless’

by Mitch Mosk
Twilight Driving ©️ Sam Shaw
Music, ReviewsAugust 17, 2021<August 17, 2021

Review: Twilight Driving Dwell on Life & Time in Radiant Anthem “Red Room”

by Mitch Mosk
Caroline Polachek © Aidan Zamiri
Columns, Music, Today's SongAugust 17, 2021<August 17, 2021

Today’s Song: Fasten Your Seatbelts, Caroline Polachek Returns with “Bunny Is a Rider”

by Nasim Elyasi
Violette © 2021
Features, Interviews, MusicAugust 17, 2021<August 16, 2021

Interview: Violette’s Mix of Escapism and Intimacy

by Lilly Eason
BUKVE © 2021
Columns, Music, Today's SongAugust 16, 2021<August 16, 2021

Today’s Song: BUKVE’s “Let me go Son” (ft. Firewoodisland) Is an Ethereal & Chilling Debut Single

by Mitch Mosk
Anderson East © Kat Irlin
Features, Interviews, MusicAugust 16, 2021<August 16, 2021

Songs for the End of the World: Searching for the Meaning of Life & Love with Anderson East

by Emily Frances Algar
Posts pagination
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Brand New

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”

:: discover something new ::

Recent Posts

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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