Columns, Features, Music, Weekly RoundupFebruary 11, 2022<February 11, 2022 Atwood Magazine’s Weekly Roundup: February 11, 2022 by Atwood Magazine Staff
Features, Interviews, MusicFebruary 11, 2022<February 11, 2022 Interview: Kevin Whelan on The Wrens, His New Aeon Station Record, and Embracing the Mists of Time by Beau Hayhoe
Features, Interviews, MusicFebruary 11, 2022<February 15, 2022 Interview with Hand Habits: Finding the Growth in Pain & Building a ‘Fun House’ of Emotion by Jesse Herb
Features, Music, PremieresFebruary 11, 2022<February 14, 2022 Premiere: B-Drop Worldwide Showcases LA’s Mehro by Mitch Mosk
Interviews, MusicFebruary 10, 2022<February 18, 2022 “Music Is My Mother Tongue”: A Conversation with Sofiane Pamart by Adrian Vargas
Music, Music Videos, PremieresFebruary 10, 2022<February 10, 2022 Premiere: Creature Canyon Feel the “Pressure” with Smoldering Strength & Sweet, Soaring Grooves by Mitch Mosk
Music, Premieres, Track-by-TrackFebruary 10, 2022<June 13, 2022 “Outer Calm and Inner Angst”: Amy Jay Premieres Her Ethereal & Existential Debut Album, ‘Awake Sleeper’ by Mitch Mosk
Debut, Features, Music, Reviews, Track-by-TrackFebruary 9, 2022<February 9, 2022 “It’s about friendship”: Melbourne’s Partner Look Debut with Warm, Fun, & Quirky Off-Kilter Pop Album, ‘By the Book’ by Mitch Mosk
Features, Music, Reviews, Track-by-TrackFebruary 9, 2022<February 9, 2022 Track-by-Track: Sam Weber Dives into the Heartfelt Depths of ‘Get Free’ by Mitch Mosk
Interviews, MusicFebruary 9, 2022<February 9, 2022 Interview: Fickle Friends Explain Their Latest, Hedonistic Album ‘Are We Gonna Be Alright?’ by Dimitra Gurduiala
Features, Music, Reviews, Track-by-TrackFebruary 9, 2022<February 9, 2022 “Outside of the Blue”: SPINN Harness the Power of Love on Seductive, Soaring Second Album by Mitch Mosk
Columns, Music, Premieres, Today's SongFebruary 9, 2022<February 9, 2022 Premiere: Anna Sun Hits Like a Train on “What a Shame” by Ben Niesen
Columns, Music, Today's SongFebruary 8, 2022<February 8, 2022 Today’s Song: treesreach’s “How It Seems” Is an Anthem for The Great Resignation by Mitch Mosk
Features, Music, ReviewsFebruary 8, 2022<February 8, 2022 Review: Keb’ Mo’ Returns to – and Reimagines – Compton on New Album ‘Good to Be’ by Oliver Crook
Music, PremieresFebruary 7, 2022<February 7, 2022 Premiere: Brooklyn Band Sooner Channel a Whisper & a Shout in Stirring New Single “Thursday” by Mitch Mosk
For the Love of Music
For the Love of Music
