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Caroline & Claude © Andrew Fawcett
Features, Interviews, MusicSeptember 20, 2021<September 20, 2021

Sibling Effervescence and Originality: A Conversation with Caroline & Claude

by Nicole Almeida
Features, Interviews, MusicSeptember 20, 2021<October 27, 2021

A Way to Harmonize: Becca Stevens & The Secret Trio on Fate and Expanding Tradition

by Mariel Fechik
Atwood Magazine's Weekly Roundup | September 17, 2021
Columns, Features, Music, Weekly RoundupSeptember 17, 2021<September 17, 2021

Atwood Magazine’s Weekly Roundup: September 17, 2021

by Atwood Magazine Staff
carwash © Athena Merry
Debut, Features, Music, Reviews, Track-by-TrackSeptember 17, 2021<September 17, 2021

“Friendship, Empathy, & Youth”: carwash’s Radiant Debut EP ‘soap water’ Captures the Wonder of Connection & Intimacy

by Mitch Mosk
Noah Kahan © Aysia Marotta
Features, Music, Reviews, Track-by-TrackSeptember 17, 2021<October 5, 2021

A Beautiful Inner Reckoning: Noah Kahan’s Stirring ‘I Was / I Am’ Plunges into the Deepest Depths of Self

by Mitch Mosk
Overcoats © Aysia Marotta
Features, Interviews, MusicSeptember 17, 2021<September 16, 2021

Not Scared Anymore: A Conversation with Overcoats

by Coco Rich
José González © Peter Toggeth / Mikel Cee Karlsson
Features, Interviews, MusicSeptember 16, 2021<September 29, 2022

Interview: José González Is Confident in Who He Is on Dynamic New Album ‘Local Valley’

by Kosiso Ugwueze
Timothy Edward Carpenter © Samuel Greenhill
Artist to Watch, Debut, Music, PremieresSeptember 16, 2021<September 16, 2021

Artist to Watch: Timothy Edward Carpenter’s Debut EP ‘the boy from ohio’ Is an Intimate & Beautifully Raw Upheaval

by Mitch Mosk
Art School Girlfriend © Jake Green
Debut, Features, Music, Reviews, Track-by-TrackSeptember 16, 2021<September 16, 2021

“Dark, Light, & Bloomy”: Art School Girlfriend’s Debut Album ‘Is It Light Where You Are’ and the Breathtaking Weight of Loss

by Mitch Mosk
Columns, Music, ReviewsSeptember 16, 2021<March 2, 2025

Album Review: Tyler, The Creator Opens Up His World & Reflects on Lost Love in ‘CALL ME IF YOU GET LOST’

by Adam Davidson
Hayden Calnin © Al Parkinson 9.4
Features, Music, Our Take, Reviews, Track-by-TrackSeptember 16, 2021<September 16, 2021

‘What It Means to Be Human’: Hayden Calnin Dives into the Beautiful Depths of His Cinematic & Stunning Third LP

by Mitch Mosk
Treefort Music Fest 2018 © Glenn Landberg
Features, Festival, Music, PreviewsSeptember 16, 2021<November 10, 2021

(Y)Our Guide to Treefort Music Fest 2021!

by Atwood Magazine Staff
Young Rising Sons © 2021
Music, Music Videos, PremieresSeptember 15, 2021<September 15, 2021

Premiere: Young Rising Sons Revel in Past Highs on Nostalgic Anthem “Good Days”

by Mitch Mosk
Haley Johnsen © 2021
Music, PremieresSeptember 15, 2021<September 15, 2021

Premiere: Haley Johnsen Returns with Intimate & Enchanting “Goner,” a Song of Loss, Longing, & Hope

by Mitch Mosk
Casey Dubie © 2021
Music, PremieresSeptember 15, 2021<September 15, 2021

Premiere: Casey Dubie’s Sweet “Limbo” Paints a World of Wonder & Suspense

by Mitch Mosk
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Brand New

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes

:: discover something new ::

Recent Posts

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
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