• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Shakey Graves © Magen Buse
Features, Interviews, MusicJune 10, 2021<July 2, 2021

The Questing Beast: Ten Years of Shakey Graves & ‘Roll the Bones’

by Mariel Fechik
EXODUS 1:7 - DMX 7.5
Music, Our Take, ReviewsJune 10, 2021<June 10, 2021

Our Take: DMX Sounds His Final Bark on ‘EXODUS 1:7’

by Josh Weiner
Evan Greer - Spotify is Surveillance
Features, Interviews, MusicJune 10, 2021<June 10, 2021

Interview: Evan Greer Reimagines the World on ‘Spotify Is Surveillance’

by Oliver Crook
Kramies x Grant Wilson
MusicJune 9, 2021<June 9, 2021

Kramies & Grant Wilson Hunt Old Ghosts in New Songs “Oak and the Ivy” & “Goodbye Garden”

by Mitch Mosk
New Woman - lùisa
Features, Interviews, MusicJune 9, 2021<June 9, 2021

Grief, Grooves, & Growth: Lùisa Soars on Intimate & Empowering Third Album ‘New Woman’

by Mitch Mosk
Oceans - YAYME
Debut, Music, PremieresJune 9, 2021<June 9, 2021

Premiere: The Haunting Depths of YAYME’s Tranquilizing, Dreamy Debut Single “Oceans”

by Mitch Mosk
Columns, Music, Today's SongJune 9, 2021<June 9, 2021

Today’s Song: Vicu Brings Us Summer Love in “Focused On You”

by Joe Beer
Wrabel © Yazz Alali
Features, Interviews, MusicJune 9, 2021<June 9, 2021

Interview: Wrabel’s Star Shines on “good” & “nothing but the love”

by Mitch Mosk
Orla Gartland © Karina Barberis
Debut, Features, Interviews, MusicJune 9, 2021<June 9, 2021

Coming of Age As a “Woman on the Internet”: In Conversation with Orla Gartland

by Nina Schaarschmidt
The Bitter Truth - Evanescence 8.3
Music, Our Take, ReviewsJune 8, 2021<June 8, 2021

Our Take: Evanescence Dazzle Like the Seasoned Rock Veterans They Are on ‘The Bitter Truth’

by Josh Weiner
Interviews, MusicJune 8, 2021<June 8, 2021

The Pains & Triumphs of Sincerity: A Conversation with Babehoven

by Adrian Vargas
Charles Copley © Mimi Raver
Music, ReviewsJune 8, 2021<June 8, 2021

Review: Searching for Meaning in Charles Copley’s Haunting & Hopeful Song, “Cedars 6S66”

by Mitch Mosk
Julien Baker © Alysse Gafkjen
Features, Interviews, MusicJune 8, 2021<February 26, 2022

‘Little Oblivions’ & Emotional Chemistry: Julien Baker Discusses Art, Empathy, Honesty, and Self-Love

by Mitch Mosk
Rachel Sermanni © Gaelle Beri
Features, Music, Reviews, Track-by-TrackJune 8, 2021<June 8, 2021

“Glowing, Flowing, Woven”: Rachel Sermanni Dwells in an Intimate Surrender on ‘Swallow Me’ EP

by Mitch Mosk
Music, ReviewsJune 8, 2021<June 8, 2021

Review: Reigning UK Emo Champs Los Campesinos! Really Do It Again with ‘Whole Damn Body’

by Nick Matthopoulos
Posts pagination
1 … 292 293 294 295 296 … 711

Brand New

  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song”
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’

:: discover something new ::

Recent Posts

  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula December 12, 2025
  • Atwood Magazine’s Best Concerts of 2025! December 12, 2025
  • Interview: Clover County on the ‘Finer Things,’ Romanticising Life, and Rediscovering Her Whimsy December 12, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services