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Artist to Watch, Interviews, MusicNovember 19, 2025<November 24, 2025 “I Don’t Want Another Fantasy”: Elliott Skinner Channels Light, Lineage, & a Quiet Reckoning on “RECALLING” by Mitch Mosk
Features, Interviews, MusicNovember 19, 2025<November 19, 2025 Madilyn Mei’s One-Man Circus: Queer Joy, Clown Costumes, & 1000 Songs About Everything by Nicolle Knapová
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Columns, Music, Today's SongNovember 19, 2025<November 19, 2025 Today’s Song: Hilary Duff Got Older & Wiser – and Wrote About It in “Mature” by Danielle Holian
Columns, Interviews, Music, Today's SongNovember 17, 2025<November 19, 2025 Interview: Good Kid on Vulnerability, Community, & Independence on “Wall” by Rachel Leong
Columns, Editor's Picks, Features, MusicNovember 14, 2025<November 14, 2025 Editor’s Picks 137: Amanda Bergman, The Paper Kites, Mon Rovîa, Jade Street, Dollpile, & Elliott Skinner! by Mitch Mosk
Features, Interviews, MusicNovember 14, 2025<November 14, 2025 “Forever Howlong”: Black Country, New Road on Connection, Community, & Building a Shared Universe Together by Mitch Mosk
Interviews, MusicNovember 14, 2025<November 14, 2025 “I’m Just Writing What Feels Real”: Izzy Escobar Shines With Honest, Heartfelt Pop on ‘Sunny in London’ EP by Michael Greco
Features, Interviews, MusicNovember 14, 2025<December 14, 2025 “Electric, Chronological, & Real”: Evan Honer Reflects on ‘Everything I Wanted’ and Finding Joy on the Open Road by Ashley Littlefield
Essays, MusicNovember 14, 2025<November 14, 2025 “It’s Not Mine I Carry Around”: An Essay by Buick Audra of Friendship Commanders by Guest Writer
Interviews, Music, Today's SongNovember 14, 2025<November 14, 2025 “It’s a Gold Rush”: Ber Falls Hard & Fast on “Good, Real,” Her Shiny, Sun-Soaked Love Song by Mitch Mosk
Features, Music, Reviews, RoundtableNovember 13, 2025<November 13, 2025 Roundtable Discussion: A Review of Doja Cat’s ‘Vie’ by Atwood Magazine Staff
For the Love of Music
For the Love of Music
