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Kindelan © Monika Levčenkovaitė
Music, PremieresJuly 2, 2025<July 2, 2025

Premiere: Kindelan Reckons with Lost Love & Lingering Regret in Her Soul-Stirring “Wish I Wrote a Love Song”

by Mitch Mosk
The Cure © Sam Rockman
Columns, Music, Music & CitiesJuly 2, 2025<July 2, 2025

Music & Cities: The Cure’s ‘Songs of a Lost World’ in New York City

by David Buyze
Sheléa "Time Machine" © 2025
Columns, Interviews, Music, Today's SongJuly 2, 2025<July 2, 2025

Sheléa Revisits Lost Love with Grace & Golden-Era Soul in Her Cinematic, Motown-Inspired Classic “Time Machine”

by Mitch Mosk
Vacation Manor © Nathan Grimes
Features, Interviews, Music, Track-by-TrackJuly 1, 2025<July 1, 2025

“Accepting the Present”: Vacation Manor on Finding Beauty in Stillness and the Emotional Landmarks of Their ‘Back to Town’ EP

by Mitch Mosk
flipturn 'Burnout Days' © Amanda Laferriere
Features, Interviews, Music, Track-by-TrackJuly 1, 2025<July 3, 2025

“I wanna feel my heart again”: flipturn’s ‘Burnout Days’ Become Sweaty, Soul-Stirring Fever Dreams on Their Sophomore Album

by Mitch Mosk
Tales of the Free Mexican Airforce - Peter Rowan
Music, ReviewsJuly 1, 2025<July 1, 2025

Peter Rowan Gives Voice to Legends of the American Outlaw Trail in ‘Tales of the Free Mexican Airforce’

by Mike Fiorito
John Muirhead © Moira Ijzerman
Interviews, MusicJuly 1, 2025<July 1, 2025

Big-Hearted Songs for Dreamers: John Muirhead on Connection, Community, and the Road Ahead

by Aileen Goos
The Heartstrings Project © 2025
Columns, Interviews, Music, Today's SongJuly 1, 2025<July 1, 2025

Interview: The Heartstrings Project Finds Freedom in Motion with Reflective New Single “30”

by Aileen Goos
Woody Guthrie, standing, with a guitar around his neck and the written message, "This Machine Kills Fascists" © Lester Balog
Editorials, MusicJuly 1, 2025<July 1, 2025

“This Land Is Your Land”: The Unfinished Legacy of Woody Guthrie, from the Great Depression to Trump’s America

by Audrey Connelly
Suki Summer © courtesy of the artist
Features, Interviews, MusicJune 30, 2025<June 30, 2025

Interview: Suki Summer on Vulnerability, Romance, & the Making of Her EP ‘Lovesick and Sick of Love’

by Danielle Holian
bbno$ © Ed Gumuchian Montecristo
Features, Interviews, MusicJune 30, 2025<June 30, 2025

No Label, No Limits: Inside bbno$’s Self-Made Music Machine

by Brian Denney
APACALDA © Suzie King
Columns, Music, Pride MonthJune 30, 2025<June 30, 2025

“Embracing My Multiplicity, Unapologetically”: A Pride Month Essay by APACALDA

by Guest Writer
Mac DeMarco © 2025
Columns, Music, Today's SongJune 30, 2025<June 30, 2025

Today’s Song: Mac DeMarco Redefines What “Home” Really Means

by Miranda Urbanczyk
caroline & Caroline Polachek's "Tell me I never knew that" © Henry Redcliffe
Columns, Music, Today's SongJune 29, 2025<June 28, 2025

Today’s Song: caroline & Caroline Polachek Merge Pastoral Folk with Art Pop on “Tell me I never knew that”

by Liz Costello
NoMBe’s Disco Era Blends Swagger with Groove, Empowerment, & Black Heritage Ahead of ‘DIÁSPORA’
Features, Interviews, Music, Today's SongJune 28, 2025<July 1, 2025

“I Want People to Dance”: NoMBe’s Disco Era Blends Swagger with Groove, Empowerment, & Black Heritage Ahead of ‘DIÁSPORA’

by Mitch Mosk
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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