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self-care - bad tuner
Debut, Interviews, MusicSeptember 27, 2021<September 29, 2021

Interview with bad tuner: A Brooklyn EDM Buff Practicing Proper ‘self-care’ on Debut EP

by Josh Weiner
Fime © Eleanor Petry
Columns, Music, Today's SongSeptember 27, 2021<September 27, 2021

Today’s Song: LA’s Fime Weave a World of Lush, Sweet Indie Rock Wonder in “Born 2 Love”

by Mitch Mosk
Glass Heart String Choir © Ryan J. Salva
Music, PremieresSeptember 27, 2021<September 27, 2021

Premiere: Glass Heart String Choir’s Bittersweet & Achingly Vulnerable “Wounds”

by Mitch Mosk
Isle of Wight Festival © Callum Baker
Festival, MusicSeptember 27, 2021<September 27, 2021

Isle of Wight Festival 2021: More Than Just the Headliners

by Bethan Harper
The Muslims © Chris Charles
Music, ReviewsSeptember 24, 2021<September 24, 2021

Album Review: The Muslims Scorch Earth and Revive Punk on ‘Fuck These Fuckin Fascists’

by Oliver Crook
Atwood Magazine's Weekly Roundup | September 24, 2021
Columns, Features, Music, Weekly RoundupSeptember 24, 2021<September 24, 2021

Atwood Magazine’s Weekly Roundup: September 24, 2021

by Atwood Magazine Staff
Wayne Snow © Kiroubel Beaujour
Features, Interviews, MusicSeptember 24, 2021<September 27, 2021

Interview: WAYNE SNOW on Identity, Facades, and His Smoldering Sophomore LP ‘Figurine’

by Mitch Mosk
Columns, Music, Today's SongSeptember 24, 2021<September 24, 2021

Today’s Song: A Breezy & Soulful Look Into Taylor Kelly’s Mind With “Maybe”

by Adrian Vargas
Frames © 2021
Debut, Features, Music, Reviews, Track-by-TrackSeptember 24, 2021<September 24, 2021

Track-by-Track: Frames’ Heartfelt & Hard-Hitting Debut Album ‘Every Room’

by Mitch Mosk
Everything's Waiting for You - Tom Speight
Features, Music, Reviews, Track-by-TrackSeptember 24, 2021<September 24, 2021

Feature: Tom Speight Captures Life’s Beauty & Wonder in Sophomore LP ‘Everything’s Waiting for You’

by Mitch Mosk
Merpire © Nick Mckk
Debut, Features, Music, Reviews, Track-by-TrackSeptember 23, 2021<September 23, 2021

A Diary and a Daydream: Inside Merpire’s Stunning Debut Album ‘Simulation Ride’

by Mitch Mosk
Robert Ellis Orrall © Ricardo Fernandez
Features, Interviews, MusicSeptember 23, 2021<September 27, 2021

Interview: Robert Ellis Orrall’s ‘467 Surf and Gun Club’, a Portrait of a Musician’s Heaven

by Mitch Mosk
MarthaGunn © 2021 9.1
Debut, Features, Music, Reviews, Track-by-TrackSeptember 23, 2021<November 4, 2021

Feature: MarthaGunn Shine on Vulnerable, Confident, & Reflective Debut Album ‘Something Good Will Happen’

by Mitch Mosk
Sli’merre - Young Nudy, Pi'erre Bourne
Columns, Music, The Collab ColumnSeptember 23, 2021<September 22, 2021

The Collab Column: Young Nudy and Pi’erre Bourne’s ‘Sli’merre’

by Leo Culp
Vacances © Todd Schmiedlin
Music, PremieresSeptember 23, 2021<September 29, 2021

Premiere: Vacances’ Buoyant New Single “Love Collapse” Is a Resilient Revelry

by Mitch Mosk
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Brand New

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

:: discover something new ::

Recent Posts

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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