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Columns, Music, Today's SongMay 26, 2021<May 26, 2021

Today’s Song: Incomparable Grooves & Hypnotic Melodies on Luna Luna’s “Golden”

by Adrian Vargas
Royal Canoe © 2021
Music, PremieresMay 26, 2021<May 26, 2021

Premiere: Royal Canoe & NNAMDÏ Come Alive in Captivating Jazz-Tinged “Scratching Static”

by Mitch Mosk
Beharie © Isak Jenssen
Music, PremieresMay 26, 2021<May 26, 2021

Premiere: Vulnerability & Self-Discovery Shine in Beharie’s “Don’t Wanna Know” Music Video

by Mitch Mosk
Atwood Magazine Celebrates AAPI Heritage Month V
Asian American and Pacific Islander Heritage Month, Features, MusicMay 26, 2021<October 1, 2021

Atwood Magazine Celebrates AAPI Heritage Month 2021, Pt. V

by Atwood Magazine Staff
Nancy Lu © Nate Cover
Asian American and Pacific Islander Heritage Month, InterviewsMay 26, 2021<May 27, 2021

Interview: Fancy PR Owner Nancy Lu Shares Her Story & Chinese Culture for AAPI Heritage Month

by Mitch Mosk
Nic Howell © 2021
Music, ReviewsMay 25, 2021<May 25, 2021

Review: Nic Howell’s Summery “Morning” Dazzles with a Buoyant & (Bitter)sweet Radiance

by Mitch Mosk
Maeve © Leanda Heler
Music, ReviewsMay 25, 2021<May 25, 2021

Song Review: Maeve Indulges in the Dark Side on Feverish Anti-Pop Anthem “Sick”

by Mitch Mosk
Kianja © John Phillips
Music, ReviewsMay 25, 2021<May 25, 2021

Song Review: British Singer/Songwriter Kianja Spills Her Soul in “Place for Me”

by Mitch Mosk
Kim Valderas
Asian American and Pacific Islander Heritage Month, InterviewsMay 25, 2021<May 27, 2021

Interview: Motown Records’ Kim Valderas Shares Her Story & Filipino Culture for AAPI Heritage Month

by Mitch Mosk
Vaarin © 2021
Music, Premieres, Reviews, Track-by-TrackMay 25, 2021<May 26, 2021

Of Light, Love, Loss, & Life: Vaarin Dives into Her Cinematic ‘Imaginary Movies’ EP

by Mitch Mosk
IgnoRANT - Racquel Jones
Debut, Features, Music, Reviews, Track-by-TrackMay 25, 2021<May 25, 2021

“Aggressive. Vulnerable. Honest.”: Racquel Jones Rises with a Fire in Unapologetic Debut ‘IgnoRANT’

by Mitch Mosk
Jeff Hortillosa © Ishmael Quintanilla
Music, PremieresMay 25, 2021<May 25, 2021

Premiere: Austin’s Jeff Hortillosa Tackles Explores Isolation & Mental Health in “Alone”

by Mitch Mosk
Course © Chloe Hamilton
Features, Music, Reviews, Track-by-TrackMay 25, 2021<August 30, 2021

“Dreamy, Joyful, Synthy”: Chicago’s Course Rise with Fresh, Spirited Debut Album ‘A Late Hour’

by Mitch Mosk
Niall McNamee © Lee Malone
Columns, Music, Today's SongMay 25, 2021<May 25, 2021

Today’s Song: Niall McNamee Warms Even the Coldest Of Hearts in “Step by Step”

by Joe Beer
Lord Huron © Anthony Wilson 2021 10
Features, Interviews, MusicMay 25, 2021<February 7, 2022

Interview: Lord Huron Dive into Time’s Blur on Their “Indefinably Nostalgic” 4th Album ‘Long Lost’

by Mitch Mosk
Posts pagination
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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