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The Roots © Dominic Digiorgio
Features, Music, ReviewsJune 24, 2021<October 5, 2021

Back for More: The Roots’ ‘Do You Want More?!!!??!’ Will Last Forever

by Oliver Crook
Tadhg Daly
Music, ReviewsJune 23, 2021<June 23, 2021

Trauma & Passion Radiate in Tadhg Daly’s Intimate Outpouring “Your Heart’s Not In It”

by Mitch Mosk
Pixie's Parasol - Smith & Thell
Features, Music, Reviews, Track-by-TrackJune 23, 2021<June 23, 2021

“Lost in space”: Smith & Thell Stun, Stir, & Soar in Sophomore LP ‘Pixie’s Parasol’

by Mitch Mosk
Features, Interviews, Music, ReviewsJune 23, 2021<February 7, 2022

Borrowed Time Machine: Fousheé on Time Travel, Genre Bending, & Debut Project ‘time machine’

by Mariel Fechik
Declan Welsh & The Decadent West © Sedona May
Music, ReviewsJune 23, 2021<June 23, 2021

Declan Welsh & The Decadent West’s Raw, Wry, & Roaring Anthem “Parisian Friends”

by Mitch Mosk
Tim Atlas © Maya Fuhr
Music, ReviewsJune 23, 2021<June 23, 2021

Review: Tim Atlas’ Love-Soaked “Courtside” Is an Enchanting Sonic Daydream

by Mitch Mosk
Deafheaven © George Clarke
Columns, Music, Today's SongJune 23, 2021<June 21, 2021

Today’s Song: Deafheaven Turn a New Leaf with ‘Great Mass of Color’

by James Crowley
Porlolo © Irvin Coffee
Features, Music, Reviews, Track-by-TrackJune 22, 2021<June 22, 2021

“Melodic, Authentic, Relatable”: Denver’s Porlolo Shines on Radiant ‘No Praise, No Blame’ EP

by Mitch Mosk
MISSIO © 2021
Features, Interviews, MusicJune 22, 2021<July 15, 2021

Interview: MISSIO’s ‘Skeletons: Part 3’ Takes You From a Whisper, to a Cackle, to a Scream

by Ilana Kalish
Blue - Joni Mitchell
Columns, Essays, Music, Nostalgia TracksJune 22, 2021<June 22, 2021

Nostalgia Tracks: Celebrating 50 Years of Joni Mitchell’s ‘Blue’

by Nasim Elyasi
DEWAYNE © Jordan Knight
Debut, Features, Music, Reviews, Track-by-TrackJune 22, 2021<June 22, 2021

“Liberation, Raw, Urgent”: DE’WAYNE Goes Track-by-Track Through Unapologetic, Explosive Debut ‘STAINS’

by Mitch Mosk
Sons Of The East © Pat O’Hara
Music, PremieresJune 22, 2021<June 22, 2021

Premiere: Sydney’s Sons of the East Soar in “Fool Me,” a Sweet & Jangling Singalong

by Mitch Mosk
Giant Sky © Hot Vox
Debut, Features, Music, Premieres, ReviewsJune 22, 2021<June 22, 2021

“Anger, Love, Solidarity”: Giant Sky Fill the Airwaves on High-Octane Debut Album ‘Not Today’

by Mitch Mosk
Play With the Changes - Rochelle Jordan
Features, Interviews, MusicJune 22, 2021<June 21, 2021

Interview with Rochelle Jordan: A Toronto R&B Queen Re-Emerges in Stellar Style on ‘Play with the Changes’

by Josh Weiner
Max Leo by @ch32
Columns, Music, Today's SongJune 22, 2021<June 21, 2021

Today’s Song: Max Leo Basks in Honest Hopefulness on “Could Be Something”

by Lowndes Commander
Posts pagination
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Brand New

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention

:: discover something new ::

Recent Posts

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
  • “Realizing God Didn’t Want Me in the Closet”: A Pride Month Essay by Tory Silver June 15, 2026
  • “And I’ve Been Comin’ Back My Whole Damn Life”: Kurt Vile Finds a New Warmth in “Chance to Bleed,” a Mesmerizing Homecoming Ode June 14, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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