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Atwood Magazine's Weekly Roundup April 30, 2021
Columns, Features, Music, Weekly RoundupApril 30, 2021<April 30, 2021

Atwood Magazine’s Weekly Roundup: April 30, 2021

by Atwood Magazine Staff
Total Brutal
Music, ReviewsApril 29, 2021<April 29, 2021

Review: Total Brutal’s Sun-Soaked “Had a Feeling” Is a Dazzling, Emotional Daydream

by Mitch Mosk
heka
Music, ReviewsApril 29, 2021<April 29, 2021

Review: London’s heka Weaves Intimate Indie Folk Wonders in “(a) dab”

by Mitch Mosk
Artist to Watch, Features, Music, ReviewsApril 29, 2021<February 24, 2025

“I Have Something to Live For”: A Conversation With Glüme

by Adrian Vargas
Sandro Manzon
Music, Reviews, Track-by-TrackApril 29, 2021<April 29, 2021

Solitude, Silence, & Connection: Sandro Manzon Weaves Little Wonders in ‘Mr. Nothing’ EP

by Mitch Mosk
aviv
Columns, Music, Today's SongApril 29, 2021<April 29, 2021

AVIV’s “Black Coffee” Is a Call to Reconcile with the Ones You Don’t Want to Lose

by Dimitra Gurduiala
Breaking The Record 2020
Breaking the Record, Columns, MusicApril 29, 2021<April 28, 2021

Breaking the Record with Roan Yellowthorn, Part 59: “Stranger”

by Guest Writer
Charlotte OC © Maximillian Hetherington
Music, ReviewsApril 28, 2021<April 28, 2021

Charlotte OC’s Bold Songs “Bad Bitch” & “Forest” Offer Stunning Preview of LP 2

by Mitch Mosk
Damen © Anna Mattsson
Music, PremieresApril 28, 2021<April 28, 2021

Premiere: Gothenburg’s Damen Light an Anthemic Fire in “Brightside” off New EP ‘Unemployment, Broken Bones, Death, Baby’

by Mitch Mosk
Gordi © Jess Gleeson
Features, Interviews, MusicApril 28, 2021<October 5, 2021

Reckoning, Identity, & Rediscovery: Gordi Plunges into Personal Depths on Breathtaking ‘Our Two Skins’

by Mitch Mosk
Briston Maroney © Angelina Castillo
Debut, Features, Interviews, MusicApril 28, 2021<April 27, 2021

“Undeniably Beautiful”: Briston Maroney Soars on Debut Album ‘Sunflower’

by Lowndes Commander
Ski Team © Savanna Ruedy
Music, PremieresApril 28, 2021<April 28, 2021

Premiere: Ski Team’s “Photos” Rework Enhances the Rawness Through a Powerful, Delicate Arrangement

by Alicia Bugallo
Regi Angelou
Columns, Music, Today's SongApril 28, 2021<April 27, 2021

Regi Angelou Illuminates Black Power & Eliminates Complacency on “We, the People”

by Ryan Feyre
The Art of Waiting - James Parm
Features, Music, Reviews, Track-by-TrackApril 27, 2021<April 27, 2021

“Death, Time, Illusion”: James Parm’s Beautiful Sophomore Album ‘The Art of Waiting’

by Mitch Mosk
Rexx Life Raj © Yazid Johnson
Features, Interviews, MusicApril 27, 2021<April 28, 2021

Interview: Rexx Life Raj Balances the Good and the Bad on “Built for Everything”

by Oliver Crook
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Brand New

  • “I Wanna Be a 7-Foot Zombie”: The Strokes Chase the Overstimulation of Modern Life on “Going Shopping,” the Kinetic Lead Single Off Their 7th Album ‘Reality Awaits’
  • “Life Is a Joke, and You Are the Punch”: Fantastic Cat Capture the Messy Beauty of Being Alive on ‘Cat Out of Hell,’ Deeply Human Folk Rock Triumph
  • Life Is Too Short to Be Comfortable: Whiskey Flower Turn Defiance into Fuel on ‘double yellow lines’
  • All the Right Feels: Victoryland’s ‘My Heart Is a Room With No Cameras in It’ Embraces the Imperfections of Humanity With an Ignited Soundscape of Love, Humor, & Curiosity
  • “You End Up Going Places You’d Never Get to on Your Own”: Hannah Hausman & Guthrie Galileo Collide to Create a Whole New World on ‘Move From Love’
  • “A Waltz of Changing Seasons”: Chicago’s Park Hills Circle Welcomes Renewal on “Spring Is Here,” an Enchantingly Dreamy Folk Reverie
  • “I Walk With Love”: SAULT Explore The Beauty of Inner Peace in “Good Things Will Come After the Pressure”

:: discover something new ::

Recent Posts

  • “I Wanna Be a 7-Foot Zombie”: The Strokes Chase the Overstimulation of Modern Life on “Going Shopping,” the Kinetic Lead Single Off Their 7th Album ‘Reality Awaits’ April 15, 2026
  • “Life Is a Joke, and You Are the Punch”: Fantastic Cat Capture the Messy Beauty of Being Alive on ‘Cat Out of Hell,’ Deeply Human Folk Rock Triumph April 14, 2026
  • Life Is Too Short to Be Comfortable: Whiskey Flower Turn Defiance into Fuel on ‘double yellow lines’ April 14, 2026
  • All the Right Feels: Victoryland’s ‘My Heart Is a Room With No Cameras in It’ Embraces the Imperfections of Humanity With an Ignited Soundscape of Love, Humor, & Curiosity April 14, 2026
  • “You End Up Going Places You’d Never Get to on Your Own”: Hannah Hausman & Guthrie Galileo Collide to Create a Whole New World on ‘Move From Love’ April 14, 2026
  • “A Waltz of Changing Seasons”: Chicago’s Park Hills Circle Welcomes Renewal on “Spring Is Here,” an Enchantingly Dreamy Folk Reverie April 14, 2026
  • “I Walk With Love”: SAULT Explore The Beauty of Inner Peace in “Good Things Will Come After the Pressure” April 14, 2026
  • Avery Cochrane Is Singing Dispatches From a Dying Empire April 13, 2026
  • Cardinals & Saints: The Wonder Years Talk 10 Years of ‘No Closer to Heaven’ April 13, 2026
  • Today’s Song: Blood Orange Sees the “Vivid Light” with a Moody, Seductive Sunset Reverie April 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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