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India Shawn © Rob Julin
Black History Month, Interviews, MusicFebruary 26, 2021<March 2, 2021

Interview: India Shawn Dives into Her Intimate & Empowering Single “Too Sweet” ft. Unknown Mortal Orchestra

by Mitch Mosk
pineappleCITI © Thomas Falcone
Black History Month, MusicFebruary 26, 2021<March 2, 2021

New Jersey Rapper pineappleCITI Shares Her Top 5 Musical Influences for Black History Month

by Guest Writer
Boys Lie - BAYLI
Black History Month, MusicFebruary 26, 2021<February 26, 2021

16: A Poem by BAYLI for Black History Month

by Guest Writer
Samson Ashe
Black History Month, MusicFebruary 26, 2021<February 26, 2021

London’s Samson Ashe Shares His Top Musical Influences for Black History Month

by Mitch Mosk
Brittney Spencer © KT Sura
Music, Our Take, ReviewsFebruary 26, 2021<February 26, 2021

Three Chords and the Truth: Country Artist Brittney Spencer Sings Her Truth on Her New EP ‘Compassion’

by Emily Frances Algar
A New Child - Jackson Wooten 9.9
Debut, Features, Interviews, Music, Reviews, Track-by-TrackFebruary 26, 2021<February 26, 2021

“Moving, Ethereal, & Intimate”: Jackson Wooten Dives into his Breathtaking Debut Album ‘A New Child’

by Mitch Mosk
The American Negro - Adrian Younge
Black History Month, Features, Interviews, MusicFebruary 26, 2021<October 5, 2021

Interview: Adrian Younge Dives into His Powerful ‘The American Negro’ Project for Black History Month

by Mitch Mosk
Music, Music Videos, PremieresFebruary 26, 2021<February 26, 2021

Video Premiere: Brother Moses’ Cover of Simon and Garfunkel’s “Only Living Boy” Is a Sentimental Reflection on 2020

by Lowndes Commander
Maisie Peters © Lillie Eiger
Music, Reviews, This Just InFebruary 26, 2021<February 26, 2021

Maisie Peters Stuns with Delightfully Real Pop-Bop “John Hughes Movie”

by Kelly McCafferty Dorogy
AMA © Ciesay
Features, Interviews, MusicFebruary 26, 2021<February 26, 2021

Is It Living If You Ain’t Dreaming?: A Conversation with AMA

by Nicole Almeida
Columns, Music, Weekly RoundupFebruary 26, 2021<February 26, 2021

Atwood Magazine’s Weekly Roundup: February 26, 2021

by Atwood Magazine Staff
AUGUST 08 © Jason Ano
Black History Month, Music, VideoFebruary 26, 2021<March 2, 2021

“Black Boy Joy Freedom of Expression”: AUGUST 08 Shares His Intimate Film, ‘EMOTIONAL CUH’

by Guest Writer
Foxglove © Ian the Warlow
Music, PremieresFebruary 26, 2021<February 26, 2021

Premiere: Manchester’s Foxglove Soar with Sweet Fervor on “Give It Up”

by Mitch Mosk
Ivy Sole © 2021
Columns, Music, Today's SongFebruary 26, 2021<February 26, 2021

Today’s Song: Ivy Sole’s “Name It” Is a Slow, Stripped Anthem for Lovers & Fighters

by Lowndes Commander
Courtesy of Olive Louise
Columns, Music, Today's SongFebruary 25, 2021<February 25, 2021

New York Native Olive Louise Charms with an Exhilarating, Childlike Quality in “Nothing’s the Same”

by Chloe Robinson
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Brand New

  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025

:: discover something new ::

Recent Posts

  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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