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Twïnn
Interviews, MusicJanuary 27, 2021<August 19, 2021

Interview: Michigan Synth Duo Twïnn Deliver “Accidental Diplomatic Mosaics from Space”

by Lilly Eason
False Heads
Interviews, MusicJanuary 27, 2021<January 27, 2021

“Three scruffy wronguns making a powerful album”: False Heads’ Luke Griffiths Looks Back on Dynamite Debut a Year Later

by Guest Writer
Atwood Magazine's Editor's Picks 44
Columns, Editor's Picks, Features, MusicJanuary 27, 2021<January 27, 2021

Editor’s Picks 44: Weezer, Soda Blonde, Arlo Parks, Charli Adams, Avenue Beat, & Kuri

by Mitch Mosk
Rosier © Marc-Andre Thibault
Debut, Features, Music, PremieresJanuary 27, 2021<January 27, 2021

Album Premiere: Reinventing Traditional Folk Tales with Rosier’s Debut ‘Légèrement’

by Frankie Rose
Sabiyha © Shingi Rice
Music, PremieresJanuary 27, 2021<February 1, 2021

Premiere: Croydon’s Sabiyha Honors Guyanese Heritage, Family, & Childhood in New Single “Lullaby”

by Mitch Mosk
Charli Adams © Luke Rogers
Columns, Music, Today's SongJanuary 27, 2021<November 30, 2022

Today’s Song: Nightly Join Charli Adams in Reimagining Modern Love on “Maybe Could Have Loved”

by Jason Brillon
Lisa/Liza © Alexa Clavette
Music, Reviews, Track-by-TrackJanuary 26, 2021<May 1, 2023

“Fielded, Holding, Placement”: Lisa/Liza Evokes Stillness with Raw Folk Album ‘Shelter of a Song’

by Mitch Mosk
Sydney Sprague © 2021
MusicJanuary 26, 2021<January 26, 2021

Today’s Song: Sydney Sprague Explodes into 2021 with “object permanence,” Reckoning with Disconnect & Separation

by Mitch Mosk
Jade Bird © Charlotte Patmore
Features, Interviews, MusicJanuary 26, 2021<January 26, 2021

Interview: Artist-to-Watch Jade Bird on New Songs “Headstart” & “Houdini” and Her Upcoming Sophomore Album

by Alicia Bugallo
Wax Owls © Bernadette Marciniak
Music, PremieresJanuary 26, 2021<January 26, 2021

Premiere: LA’s Wax Owls Embrace Mental Wellness with Soaring Single “Stay Awhile”

by Mitch Mosk
uuskhy x SIFI
Music, PremieresJanuary 26, 2021<January 26, 2021

Premiere: uuskhy x SIFI Conspire Across Mediums with “Course Correct”

by Nick Matthopoulos
Trap Rabbit © 2021 8
Music, ReviewsJanuary 26, 2021<January 26, 2021

Our Take: Trap Rabbit Offer Cautious Optimism for the Year Ahead with ‘Annelida’ EP

by Adam Davidson
Animal Years © Kelsey Runge
Music, Reviews, This Just InJanuary 25, 2021<February 25, 2021

This Just In: Animal Years Light a Fire with Folk Rock Anthem “What I’m Fighting For”

by Mitch Mosk
Cigarettes - Douglas
Music, PremieresJanuary 25, 2021<January 25, 2021

Premiere: LA’s Douglas Finds Freedom in the Dark, Dreamy Shoegaze Depths of Debut “Cigarettes”

by Mitch Mosk
8.3
Music, Our Take, ReviewsJanuary 25, 2021<January 25, 2021

Our Take: A Sonically Rich & Sincere Retrospection with Typhoon’s ‘Sympathetic Magic’

by Adrian Vargas
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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