MusicDecember 3, 2020<December 3, 2020 “Honest, Melancholic & Uplifting”: I SEE RIVERS Go Track-by-Track Through Enthralling Debut ‘Deep & Rolling Green’ by Mitch Mosk
Debut, Music, PremieresDecember 3, 2020<December 4, 2020 Premiere: Tamar Berk’s Debut Single “Shadow Clues” Is a Dark & Haunting Daydream by Mitch Mosk
Music, PremieresDecember 3, 2020<December 3, 2020 Artist to Watch: Oddnesse Dance with the Mystery of Death in Dreamy Song “Hot Air” by Mitch Mosk
Interviews, MusicDecember 3, 2020<December 3, 2020 Interview: Shamir Showcases Pop Rock Inspirations on Self-Titled Seventh Album by Atwood Magazine Staff
7 Music, Our Take, ReviewsDecember 3, 2020<December 18, 2020 Review: TWICE Court New Listeners & Old with Their Wildly Varied ‘Eyes Wide Open’ by Danny Vagnoni
Breaking the Record, Columns, MusicDecember 3, 2020<December 2, 2020 Breaking the Record with Roan Yellowthorn, Part 42: What Is Time? by Guest Writer
Features, Music, Reviews, Track-by-TrackDecember 2, 2020<May 5, 2023 “Open, Passionate, & Smooth”: Tafari Anthony Stuns & Soars on ‘The Way You See Me’ EP by Mitch Mosk
Music, PremieresDecember 2, 2020<December 2, 2020 Premiere: Fretland’s Heartfelt “Do You Think of Me” Is a Song of Utter Intimacy & Longing by Mitch Mosk
Music, Music Videos, PremieresDecember 2, 2020<December 2, 2020 Premiere: Gracie Nash’s Soulful “Sippy Cup” Takes on Modern Romance & the Ones Who Got Away by Mitch Mosk
Features, Interviews, MusicDecember 2, 2020<December 22, 2020 Interview: Pale Waves’ “Change” Anticipates an Album We’ve All Been Waiting For by Dimitra Gurduiala
Columns, Music, Today's SongDecember 2, 2020<January 19, 2021 Today’s Song: A Riotous Showcasing of Pure Exhilaration on Talkboy’s “Sky Is Falling” by Adrian Vargas
Features, Music, Reviews, Track-by-TrackDecember 1, 2020<December 1, 2020 “Cathartic, Flowing, Togetherness”: Toronto’s Decoration Day Weave a ‘Makeshift Future’ on Debut Album by Mitch Mosk
Interviews, Music, PremieresDecember 1, 2020<December 1, 2020 Interview: OSKA & Stu Larsen’s Intimate Duet “Honeymoon Phase / Wide Awake & Dreaming” by Mitch Mosk
8.7 Music, Our Take, ReviewsDecember 1, 2020<December 15, 2020 Our Take: No Thank You Chart Emotional & Sonic Depths on ‘Embroidered Foliage’ by Nick Matthopoulos
Features, Interviews, MusicDecember 1, 2020<September 5, 2022 Interview: Melody Gardot’s ‘Sunset in the Blue’, an Open Window Amongst Closed Doors by Ilana Kalish
For the Love of Music
For the Love of Music
