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Night Flight © Sequoia Ziff
Artist to Watch, Music, PremieresFebruary 17, 2021<February 17, 2021

Premiere: Night Flight’s New Single “Canada” Is a Warm Wash of Nostalgic Rapture

by Mitch Mosk
Emily Blue "7 Minutes" © Greg Stephen Reigh, Matt Bordman
Interviews, Music, ReviewsFebruary 16, 2021<December 8, 2021

Interview: Emily Blue’s Euphoric “7 Minutes” Is an Irresistible Outpouring of Love, Intimacy, & Perfect Pop

by Mitch Mosk
Serena Isioma © 2021
Columns, Music, Today's SongFebruary 16, 2021<February 16, 2021

Today’s Song: Serena Isioma’s Empowering “King” Is a Stunning Assertion of Identity & Self-Worth

by Mitch Mosk
ISLAND © Christian Cargill
Interviews, Music, Reviews, This Just InFebruary 16, 2021<February 17, 2021

This Just In: London’s ISLAND Return with Fresh, Snappy, & Seductive New Song “Octopus”

by Mitch Mosk
Haviah Mighty © Yung Yemi
Black History Month, MusicFebruary 16, 2021<February 16, 2021

“Obeah”: Haviah Mighty Dives into Her Visceral Song of Strength, Trust, and the Occult

by Guest Writer
Wyn Starks © 2021
Black History Month, Interviews, MusicFebruary 16, 2021<February 16, 2021

“Sparrow”: Wyn Starks Dives into His Breathtakingly Beautiful George Floyd-Inspired Ballad

by Guest Writer
Emanuel "Black Woman" © Matt Barnes
Black History Month, MusicFebruary 16, 2021<February 16, 2021

“A Great Realization”: An Essay by Emanuel

by Guest Writer
KILLTONY EP - Tony Njoku
Black History Month, Music, Reviews, Track-by-TrackFebruary 15, 2021<February 15, 2021

Track-by-Track: Tony Njoku Dives into his Dark, Cinematic, & Experimental ‘KILLTONY’ EP

by Mitch Mosk
STNFXCE's Black History Month Playlist
Black History Month, Music, PlaylistsFebruary 15, 2021<February 18, 2021

STNFXCE’s Black History Month Playlist

by Guest Writer
Lyncs © 2021
Music, PremieresFebruary 15, 2021<February 15, 2021

Premiere: Lyncs’ Earnest “i shouldn’t say it” Rewinds and Looks Back

by Kelly Liu
Columns, Music, Today's SongFebruary 15, 2021<February 15, 2021

Today’s Song: Al-Doms Wants to Run His Numbers Up on “Slang!”

by Ryan Feyre
Julien Baker © Alysse Gafkjen
Columns, Music, Today's SongFebruary 14, 2021<February 14, 2021

Today’s Song: Julien Baker Haunts the Pop World with New Single “Favor”

by Ethan James
Photographic Memory © Tracy Nguyen
Music, ReviewsFebruary 12, 2021<February 12, 2021

Review: Photographic Memory’s “Twirl Back” (ft. Rat Tally) Is an Angsty, Raw Emo Song for the 2020s

by Mitch Mosk
Claud © Angela Ricciardi
Debut, Features, Interviews, MusicFebruary 12, 2021<March 14, 2021

Interview: Falling in Love with Claud, the “Bedroom Pop” Super Monster

by Jason Brillon
Features, Music, Weekly RoundupFebruary 12, 2021<February 19, 2025

Atwood Magazine’s Weekly Roundup: Valentine’s Day 2021!

by Atwood Magazine Staff
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Brand New

  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health”
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love April 15, 2026
  • Devil’s in the Details: Inside Esme Rose’s Bewitching ‘x3’ EP April 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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