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Total Brutal © Jasmine Safaeian
Music, PremieresNovember 19, 2020<November 19, 2020

Premiere: Total Brutal Gives Us the Hope We Need with Third Single “Egypt”

by Dimitra Gurduiala
Psymon Spine © Rachel Cabitt
Music, PremieresNovember 19, 2020<November 19, 2020

Artist to Watch: Psymon Spine Release a Fresh Psychedelic Immersion in “Confusion” off 2nd LP ‘Charismatic Megafauna’

by Mitch Mosk
Firewoodisland © Dave Newbould
Music, PremieresNovember 19, 2020<May 3, 2023

Premiere: Firewoodisland’s “Soon” Offers Relief for Anyone Missing Someone

by Madison Vettorino
Babe Club © Mia Naome
Music, Reviews, Track-by-TrackNovember 18, 2020<December 5, 2020

“Existential Dread Orgasm”: Charleston’s Babe Club Ignite in Debut EP ‘Remember This Feeling’

by Mitch Mosk
Siiga
Features, Interviews, Music, Reviews, Track-by-TrackNovember 18, 2020<November 18, 2020

Feature: Siiga’s Stunning ‘Gemini Rising’ Is a Wondrous, Warm Blanket of Sound

by Mitch Mosk
Golden Vessel © 2020
Features, Interviews, MusicNovember 18, 2020<November 18, 2020

Interview: Golden Vessel’s Latest Album ‘Colt’ Is Your Next Roadtrip’s Soundtrack

by Lowndes Commander
Silky Roads © 2020
Music, PremieresNovember 18, 2020<November 18, 2020

Premiere: Silky Roads “Pomegranate” Channels the Lush Darkness of Tarantino Films

by Ethan James
Josh Groban © 2020
Features, Interviews, MusicNovember 18, 2020<December 19, 2020

Interview: Josh Groban’s Latest Album ‘Harmony’ Abolishes the Lazy Haze of Complacency to Reveal Peace

by Ilana Kalish
Bahamas © Dave Gillespie
Features, Interviews, MusicNovember 18, 2020<November 18, 2020

Interview: Bahamas Is a ‘Sad Hunk’ and Loving It

by Anthony Kozlowski
Columns, Music, Today's SongNovember 18, 2020<November 18, 2020

Today’s Song: Dom La Nena’s “Todo Tiene Su Fin” is an Anthem of Hope

by Adrian Vargas
MINIQ
Debut, Music, PremieresNovember 18, 2020<November 18, 2020

Premiere: Falling for Aussie Duo MINIQ’s Seductive, Smoldering “Space Cowboy”

by Mitch Mosk
Donovan Woods © Maya Fuhr
Features, Music, Reviews, Track-by-TrackNovember 17, 2020<December 22, 2020

“Ruminative, Lonely, & Forgiving”: Singer/Songwriter Donovan Woods on His Intimate 7th Album ‘Without People’

by Mitch Mosk
The Drives © Geffen Schichor 2
Columns, Music, Today's SongNovember 17, 2020<October 27, 2021

Today’s Song: The Drives’ Dynamic “All This Boredom” Is Anything But…

by Mitch Mosk
Clipping © Cristopher Cichocki 8
Music, Our Take, ReviewsNovember 17, 2020<December 15, 2020

Our Take: Clipping. Come Out Swinging & Unsettling on ‘Visions of Bodies Being Burned’

by Josh Weiner
iDKHOW © 2020
Debut, Features, Music, Reviews, Track-by-TrackNovember 17, 2020<November 17, 2020

‘Razzmatazz’ & Razzle-Dazzle: iDKHOW Go Track-by-Track Through Their Thrilling Debut Album

by Mitch Mosk
Posts pagination
1 … 368 369 370 371 372 … 729

Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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