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90's Kids
Debut, Interviews, Music, Reviews, Track-by-TrackNovember 13, 2020<November 13, 2020

“Bold, Exciting, and Diverse”: Ohio’s 90’s Kids Debut Their ‘Doing Love Wrong’ EP

by Mitch Mosk
Nathy Peluso © Leo Adef
Debut, Features, Interviews, MusicNovember 13, 2020<April 8, 2021

Interview: Latin Grammy Nominee Nathy Peluso Takes Us Through Debut Album ‘Calambre’

by Alicia Bugallo
Tara Terra © Tracy Conoboy
Features, Interviews, Music, Today's SongNovember 13, 2020<November 13, 2020

Interview: Chicago’s Tara Terra Open Up with Intimacy & Fragility on Tender “T-Shirt”

by Mitch Mosk
Atwood Magazine's Weekly Roundup November 13 2020
Columns, Features, Music, Weekly RoundupNovember 13, 2020<November 15, 2020

Atwood Magazine’s Weekly Roundup: November 13, 2020

by Atwood Magazine Staff
Music, Music Videos, PremieresNovember 13, 2020<November 13, 2020

Video Premiere: The Dawdler’s “Sign of Growth” Is an Enrapturing Ode to a Lost Soul

by Adrian Vargas
Debut, Interviews, MusicNovember 12, 2020<November 12, 2020

Interview: Feeling Dominated by Our Devices with Kidgloves’ “Satellite”

by Chloe Robinson
Breaking The Record 2020
Breaking the Record, Columns, MusicNovember 12, 2020<November 12, 2020

Breaking the Record with Roan Yellowthorn, Part 40: Part 2

by Guest Writer
VALLEY © 2020
Features, Interviews, Music, ReviewsNovember 12, 2020<November 12, 2020

“Melancholy, Harry Potter, & Soda”: VALLEY Dive into Dynamic 2020 EP ‘sucks to see you doing better’

by Mitch Mosk
positions - ariana grande art
Music, Reviews, RoundtableNovember 12, 2020<June 29, 2024

Roundtable Discussion: A Review of Ariana Grande’s ‘Positions’

by Atwood Magazine Staff
Woodlock © Kane Hibbered
Music, Reviews, Track-by-TrackNovember 12, 2020<November 12, 2020

Track-by-Track: Melbourne Trio Woodlock Embrace Struggle & Growth on ‘Collateral’ EP

by Mitch Mosk
Magazines © Dan Ffrench
Music, PremieresNovember 12, 2020<November 12, 2020

Premiere: Dublin’s Magazines Release an Existential Dream Pop Reckoning in “Pink and Blue”

by Mitch Mosk
The Brummies © 2020
Features, Music, Premieres, Reviews, Track-by-TrackNovember 12, 2020<November 12, 2020

Album Premiere: The Brummies Find Artistic Evolution Through Familiar Sounds on Longing Sophomore LP ‘Automatic World’

by Jordan Catagnus
Wild Youth Press Shot
Interviews, Music, PremieresNovember 12, 2020<November 12, 2020

Interview: Diving Into Wild Youth’s Sure Success Song “Through the Phone”

by Bethan Harper
Cry Club © Giulia McGauran
Debut, Features, Music, Premieres, Track-by-TrackNovember 11, 2020<November 11, 2020

Album Premiere: Aussie Duo Cry Club Redefine “Bubblegum Punk” in Standout Debut ‘God I’m Such a Mess’

by Mitch Mosk
ólafur arnalds
Features, Interviews, MusicNovember 11, 2020<November 11, 2020

Interview: How Ólafur Arnalds Put His Soul into New Record ‘Some Kind of Peace’

by Dimitra Gurduiala
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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