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Leif Vollebekk © Vanessa Heins
Interviews, MusicNovember 11, 2020<November 11, 2020

Bon Iver, Space, and a Country Song Lullaby: An Interview with Leif Vollebekk

by Mitch Mosk
Romy © Vic Lentaigne
Columns, Music, Today's SongNovember 11, 2020<November 11, 2020

Today’s Song: Love and Dance the Night Away with Romy’s “Lifetime”

by Nicole Almeida
Adrianne Lenker © Genesis Baez
Music, ReviewsNovember 11, 2020<November 11, 2020

Review: Adrianne Lenker’s Stunning Double Album ‘songs’ & ‘instrumentals’

by Mariel Fechik
Glded © Elle Ternes
Music, ReviewsNovember 11, 2020<November 10, 2020

Chicago’s Glded Weaves Wistful & Reflective Folktronica Through “Paine” & ‘Moraine’ EP

by Mitch Mosk
Elizabeth Woolf © 2020
Columns, Music, Today's SongNovember 10, 2020<November 10, 2020

Today’s Song: Elizabeth Woolf’s “Party” Is a Cordial Invitation to Smile

by Mitch Mosk
Ember Knight © Sophie Prettyman-Beauchamp
Features, Interviews, Music, PremieresNovember 10, 2020<November 10, 2020

Feature: Ember Knight Reveals the Man Behind the Curtain with Their Intimate Rock Opera ‘CHERYL’

by Sophie Prettyman-Beauchamp
Gus Dapperton © Jess Farran
Features, Interviews, MusicNovember 10, 2020<November 10, 2020

Interview: Gus Dapperton on New Album ‘Orca’ and Having Faith

by Kelly Liu
Kasbo © Olof Grind
Interviews, MusicNovember 10, 2020<March 17, 2023

Interview with Kasbo: A Swedish EDM Producer Making Paracosms Like None Other

by Josh Weiner
Frames © 2020
Music, PremieresNovember 10, 2020<November 10, 2020

Romantic Reckoning & Inner Upheaval: Frames’ Intimate Journey Through “Hell”

by Mitch Mosk
Novo Amor © Daniel Alexander Harris & Aline Brant
MusicNovember 9, 2020<November 15, 2020

Feature: Novo Amor Dives into the Shimmering Depths of Breathtaking LP, ‘Cannot Be, Whatsoever’

by Mitch Mosk
Moon Mouth © Greg Fechik & Erick Arias
Columns, Debut, Interviews, Music, Today's SongNovember 9, 2020<November 9, 2020

Interview: Get the Led Out with Chicago’s Moon Mouth and Their Debut Single “Ghost”

by Mitch Mosk
TALIA © Jessica Eu
MusicNovember 9, 2020<November 9, 2020

Premiere: Daydreaming of Love & Sunlight with TALIA’s “hyde park”

by Dalia
cheer up club
Features, Interviews, MusicNovember 6, 2020<March 2, 2025

Interview with Cheer Up Club: Taking the Good & Bad, and Putting Life on Display

by Chloe Robinson
Atwood Magazine's Weekly Roundup November 6 2020
Columns, Features, Music, Weekly RoundupNovember 6, 2020<November 15, 2020

Atwood Magazine’s Weekly Roundup: November 6, 2020

by Atwood Magazine Staff
Anime, Trauma and Divorce - Open Mike Eagle
Features, Interviews, MusicNovember 6, 2020<November 6, 2020

Anime, Trauma and Divorce: A Conversation with Open Mike Eagle

by Mariel Fechik
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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