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The Rayes © 2020
Music, Premieres, Track-by-TrackDecember 10, 2020<December 10, 2020

EP Premiere: The Rayes’ ‘Two Legs’ Is a Kiss of Sonic Sunshine

by Mitch Mosk
Columns, Interviews, MusicDecember 10, 2020<December 9, 2020

A Conversation with Nu Deco Ensemble: An Innovative Orchestra Making Waves in Miami

by Josh Weiner
Breaking The Record 2020
Breaking the Record, Columns, MusicDecember 10, 2020<December 10, 2020

Breaking the Record with Roan Yellowthorn, Part 43: The Ball Is Rolling

by Guest Writer
Rob Marr © 2020
Columns, Music, Today's SongDecember 10, 2020<July 31, 2023

Today’s Song: Rob Marr Pays Tribute to his Father on Raw & Beautiful “Death and Comfort”

by Joe Beer
Babeheaven © Luca Anzalone
Debut, Features, Interviews, MusicDecember 9, 2020<December 14, 2020

“Emotional Heavenly Bliss”: Babeheaven Unveil the Dreamy, Realized Depths of Debut ‘Home for Now’

by Mitch Mosk
Racoon Racoon © 2020
Music, Reviews, Track-by-TrackDecember 9, 2020<December 9, 2020

Track-by-Track: Racoon Racoon Strike Gold in Achingly Beautiful ‘A Birds Story’ EP

by Mitch Mosk
Music, This Just InDecember 9, 2020<December 9, 2020

This Just In: Claud’s “Soft Spot” is a Charming Dive into Life’s ‘What If’ Moments

by Adrian Vargas
Ingrid Michaelson © Shervin Lainez
Features, Interviews, MusicDecember 9, 2020<December 10, 2020

Interview with Ingrid Michaelson: Bringing Joy to the World with the Holiday Hop

by Nina Schaarschmidt
Rosehip Teahouse's Faye Rogers © Adam Whitmore
Essays, MusicDecember 9, 2020<December 9, 2020

Essay: Rosehip Teahouse’s Faye Rogers on Gender, Mental Health, and Music

by Guest Writer
Big Bunny EP - Alaska Reid
Debut, Features, Interviews, Music, PremieresDecember 9, 2020<February 5, 2021

Feature: Alaska Reid’s ‘Big Bunny’ EP Is a Stunningly Visceral & Beautifully Breathtaking Reckoning

by Mitch Mosk
Sincere Engineer © Hovland
Columns, Music, Today's SongDecember 9, 2020<December 9, 2020

Today’s Song: Sincere Engineer Bring Honesty to Pop Punk on “Trust Me”

by Ethan James
Ryann © Clyde Munroe
Music, Reviews, Track-by-TrackDecember 8, 2020<December 8, 2020

Track-by-Track: Ryann Soars on Spirited Debut EP ‘Emotions on Rollerskates’

by Mitch Mosk
Debut, Interviews, MusicDecember 8, 2020<December 8, 2020

Interview with Terrell Morris: Hip-Hop Up-and-Comer Gets Musical & Vulnerable on Eclectic Debut ‘Lavender’

by Josh Weiner
Marilyn Hucek © 2020
Music, ReviewsDecember 8, 2020<December 8, 2020

Review: The Raw and The Real Make Marilyn Hucek’s Song “Vulnerable”

by Kelly McCafferty Dorogy
Bartees Strange © Bao Ngo
Debut, Music, ReviewsDecember 8, 2020<December 8, 2020

Review: Bartees Strange’s Unexplainable Art Will ‘Live Forever’

by James Crowley
Posts pagination
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Brand New

  • “Surprise!”: Phoebe Bridgers Collapses Time at Madison Square Garden
  • “There’s a Lot of Hope in This Lyric”: Fred again.. and Jamie T Reframe Darkness into Light on “Lights Burn Dimmer”
  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’

:: discover something new ::

Recent Posts

  • “Surprise!”: Phoebe Bridgers Collapses Time at Madison Square Garden June 7, 2026
  • “There’s a Lot of Hope in This Lyric”: Fred again.. and Jamie T Reframe Darkness into Light on “Lights Burn Dimmer” June 7, 2026
  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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