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“Drive Thru” & “Take it From Me” - The Undercover Dream Lovers
Interviews, MusicSeptember 10, 2020<September 10, 2020

Interview: The Undercover Dream Lovers Enchants with Intent & Deep Grooves in “Drive Thru” / “Take It From Me”

by Mitch Mosk
The Sea The Sea © Kiki Vassilakis
Features, Interviews, Music, Reviews, Track-by-TrackSeptember 10, 2020<December 11, 2020

“Simple & True”: The Sea The Sea Stun with Enchanting, Warm & Wondrous 3rd Album ‘Stumbling Home’

by Mitch Mosk
Music, Premieres, ReviewsSeptember 10, 2020<September 10, 2020

Album Premiere: Somber & Thrilling Collide on Le Couleur’s ‘Concorde’

by Adrian Vargas
HOAX
Music, Reviews, This Just InSeptember 10, 2020<September 10, 2020

This Just In: HOAX Provide Us the Perfect Remedy with “Western Medicine”

by Kelsey Fitzgerald
Gatlin © 2020
Debut, Music, Reviews, Track-by-TrackSeptember 10, 2020<September 9, 2020

“Hurts So Good”: Gatlin Embraces Intimate & Catchy Depths on Debut EP ‘Sugarcoated’

by Mitch Mosk
penelope © Genevieve Andrews
Music, PremieresSeptember 10, 2020<September 10, 2020

Premiere: penelope’s “coming home” Is a Heartfelt Homecoming

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicSeptember 10, 2020<September 9, 2020

Breaking the Record with Roan Yellowthorn, Part 31: Music, the Language of the Soul

by Guest Writer
Lorana © Arthur Coppens
Columns, Music, Today's SongSeptember 10, 2020<September 9, 2020

Today’s Song: Lorana Delves into the Complexities of Her Personality in “Moonwater”

by Alicia Bugallo
Half Truths - Grace Turner
Debut, Music, Reviews, Track-by-TrackSeptember 9, 2020<September 9, 2020

Track-by-Track: Grace Turner’s Debut EP ‘Half Truths’ Is Poetic & Bright

by Lowndes Commander
Camille Christel © Eleanor Hardwick
Debut, Music, Reviews, Track-by-TrackSeptember 9, 2020<September 9, 2020

Dreamlike, Blue, & Cinematic: Camille Christel Unveils Her Stirring “Audible Diary” Debut EP, ‘You’

by Mitch Mosk
Interviews, MusicSeptember 9, 2020<September 9, 2020

Interview: Beautiful Things and What They Mean to Porter Robinson

by Audrey Steeves
Gangstagrass performs live at the Hifi Indy presented by IndyMojo Presents, MOKB Presents, Sun King Brewery, Kolman Dental, P.C., and Do317 in Indianapolis, Indiana on Wednesday, May 15, 2019 © Melodie Yvonne
Interviews, MusicSeptember 9, 2020<September 9, 2020

Interview: Gangstagrass Continue Their Dynamic Activism in Music and Beyond

by Ryan Feyre
Interviews, MusicSeptember 9, 2020<September 9, 2020

Interview: Disco-Funk Duo Møme & Ricky Ducati Offer a Promising Look at Their Own Future with Upcoming ‘Flashback FM’

by Josh Weiner
Columns, Music, Today's SongSeptember 9, 2020<September 9, 2020

Today’s Song: tricot Are As Expressive and Dialed in As Ever on “サマーナイトタウン”

by Nick Matthopoulos
Nonsuch Park - Scott Helman
Music, Reviews, Track-by-TrackSeptember 8, 2020<September 8, 2020

Track-by-Track: Scott Helman’s Heart Soars in Sophomore Album ‘Nonsuch Park (sa)’

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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