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Columns, Music, Today's SongAugust 17, 2020<August 17, 2020

Today’s Song: METZ Give Us Hope and a Place to Recharge on the Mighty “A Boat To Drown In”

by Oliver Crook
Softee © Alex Hass
Features, Interviews, Music, Music VideosAugust 14, 2020<August 14, 2020

A Hazy, Creative, and Colourful Collaboration: A Conversation with Softee and Eliza Scanlen

by Nicole Almeida
Fantastic Negrito © Peter Koudstaal
Features, Interviews, MusicAugust 14, 2020<August 14, 2020

Power, Race, and Positivity: A Conversation with Fantastic Negrito

by Ilana Kalish
Columns, Music, Today's SongAugust 14, 2020<August 14, 2020

Today’s Song: Marie Naffah’s “The Cage” Offers a Summery Tune to Groove To

by Adrian Vargas
Columns, Music, Weekly RoundupAugust 14, 2020<August 14, 2020

Atwood Magazine’s Weekly Roundup: August 14, 2020

by Atwood Magazine Staff
Essays, Music, ReviewsAugust 13, 2020<August 13, 2020

Editorial: Duwap Kaine Experiments with Sticky Electro-Trap on ‘Underdog 2’

by Ryan Feyre
Holly Humberstone © Phoebe Fox
Debut, Features, Music, Reviews, Track-by-TrackAugust 13, 2020<August 14, 2020

“Dark, Wonky, Brutally Honest Pop”: Holly Humberstone Opens Up on Debut EP ‘Falling Asleep At the Wheel’

by Mitch Mosk
Worthitpurchase © Noah Beaty
Debut, Music, PremieresAugust 13, 2020<August 13, 2020

Premiere: Worthitpurchase Deal with the Pain of Being Nostalgic on Debut “Dizzy Age”

by Nick Matthopoulos
Yukon Blonde © 2020
Music, PremieresAugust 13, 2020<August 13, 2020

Premiere: Falling “In Love Again” with Yukon Blonde’s Seductive Summer Dream

by Mitch Mosk
Juice WRLD © Nabil Elderkin
Music, Reviews, Today's SongAugust 13, 2020<August 13, 2020

Today’s Song: Juice WRLD Would’ve Been a Pop-Punk Prince with “Come & Go”

by James Crowley
Breaking The Record 2020
Breaking the Record, Columns, MusicAugust 13, 2020<August 13, 2020

Breaking the Record with Roan Yellowthorn, Part 27: Going Indie

by Mitch Mosk
SODA - Estes + Henley
Music, PremieresAugust 13, 2020<August 11, 2020

Premiere: Estes & HENLEY Team Up for Sweet n’ Summery, Freeing n’ Feelgood ‘SODA’ EP

by Mitch Mosk
Hedara
Music, PremieresAugust 13, 2020<August 13, 2020

Premiere: Hedara Captures Anxiety in Poignant, Aching Confessional “Fire with Fire”

by Mitch Mosk
Anachnid © Musique Nomade
Features, Interviews, MusicAugust 12, 2020<August 12, 2020

Feature: The Personal Regeneration and Cultural Preservation of Anachnid’s ‘Dreamwaver’

by Frankie Rose
Interviews, MusicAugust 12, 2020<August 11, 2020

Interview: NYC Producer Mindchatter Searches For a Brighter World With His “Night Goggles”

by Josh Weiner
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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