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Violence in a Quiet Mind - Haux
Features, Music, Reviews, Track-by-TrackJuly 28, 2020<July 28, 2020

Fracture & Fragility: Inside Haux’s Breathtaking Debut Album ‘Violence in a Quiet Mind’

by Mitch Mosk
Dad Bod © 2020
Debut, Music, ReviewsJuly 28, 2020<July 28, 2020

Feature: Dad Bod’s ‘Precursor’ EP Is a Raw, Intimate, & Exciting Prelude

by Mitch Mosk
Columns, Debut, Music, Today's SongJuly 28, 2020<July 28, 2020

Today’s Song: Untold Poet Makes a Strong First Impression on Debut Single “Start to Speak”

by Josh Weiner
Empty Spaces - Eliot Bronson
Features, Music, Reviews, Track-by-TrackJuly 27, 2020<July 27, 2020

Album Review: Inside the Forlorn Human Depths of Eliot Bronson’s ‘Empty Spaces’

by Mitch Mosk
Tommy Ashby © Fraser Taylor
Features, Music, Reviews, Track-by-TrackJuly 27, 2020<July 27, 2020

Review: The Tender Indie Folk Beauty of Tommy Ashby’s ‘Everywhere Is Home’ EP

by Mitch Mosk
Debut, Features, Interviews, MusicJuly 27, 2020<July 27, 2020

Feature: Silverbacks’ Debut Fad Walks the High-Wire of Modern Life Without a Single Misstep

by Oliver Crook
The Mommyheads © Juliet Rose
Music, Music Videos, PremieresJuly 27, 2020<July 27, 2020

Premiere: The Mommyheads’ Aching Open Letter “Out From Under The Glass”

by Mitch Mosk
The Sophomore Series 4
Music, Sophomore SeriesJuly 27, 2020<October 27, 2020

The Sophomore Series: Jamila Woods’ ‘Legacy! Legacy!’ & The Avalanches’ ‘Wildflower’

by Leo Culp
Dinner Party album
Columns, Debut, Music, Today's SongJuly 27, 2020<July 25, 2020

Today’s Song: Dinner Party’s “Freeze Tag” Is a Multi-Faceted Debut Offering

by Nick Matthopoulos
Skullcrusher © Silken Weinberg
Debut, Features, Interviews, MusicJuly 24, 2020<July 29, 2020

Duality, Horror, and Creative Solitude: An Interview with Skullcrusher

by Frankie Rose
Leah Capelle © Mackenzie Breeden
Debut, Music, Music Videos, PremieresJuly 24, 2020<July 24, 2020

Premiere: Leah Capelle Concludes Her ‘triptych’ Storyline with Pensive, Evocative “friends” Video

by Mitch Mosk
Cub Sport © James Caswell
Features, Interviews, MusicJuly 24, 2020<August 23, 2020

Interview with Cub Sport: Ascending from Trauma to Achieve ‘LIKE NIRVANA’

by Harper Beattie
Debut, Music, Music Videos, PremieresJuly 24, 2020<July 24, 2020

Premiere: “Backseat Swinging” Proves to Be a Stellar Debut for Coolhand Jax

by Adrian Vargas
SUPERBLOOM - MisterWives
Music, ReviewsJuly 24, 2020<July 24, 2020

Review: MisterWives Deliver with Soul Replenishing, Funk-Filled Third Album ‘SUPERBLOOM’

by Kelly McCafferty Dorogy
Ryann © Clyde Munroe
Music, PremieresJuly 24, 2020<July 24, 2020

Premiere: Ryann’s Aching “One Minute” Is a Dazzling, Poignant Post-Breakup Hit

by Mitch Mosk
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Brand New

  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told
  • The Sound of Stillness: Samara Joy in Palo Alto
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral

:: discover something new ::

Recent Posts

  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told April 20, 2026
  • The Sound of Stillness: Samara Joy in Palo Alto April 20, 2026
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ April 20, 2026
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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