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Columns, Music, Today's SongMay 29, 2020<May 29, 2020

Today’s Song: On Their New Single “Ravenous Girl,” Arre! Arre! Sneer at Mainstream Beauty Standards

by Danny Vagnoni
Hoger
Music, Reviews, This Just InMay 29, 2020<May 29, 2020

This Just In: Hoger Navigates Enigmatic Emotions on “Show Me How to Love”

by Luke Pettican
Soda Blonde © Ste Murray
Features, Interviews, MusicMay 29, 2020<August 23, 2020

Feature: Soda Blonde’s Breathtaking ‘isolation • content’ EP Captures Life in Lockdown

by Mitch Mosk
The Howl & The Hum Album
Debut, Music, ReviewsMay 29, 2020<May 29, 2020

Review: The Howl & The Hum’s ‘Human Contact’ Is a Spellbinding Debut

by Bethan Harper
Lady Clementine’s Fantastic Party © Nicole Hernandez
Music, PremieresMay 29, 2020<May 29, 2020

Premiere: Lady Clementine’s Fantastic Party Explores the Fog of the National Ethos in “American Dream”

by Jonny Shapiro
Watsky © 2020
Music, ReviewsMay 28, 2020<May 28, 2020

Review: Watsky’s ‘Placement’ Crafts a Polarizing New Voice for Hip-Hop’s Wunderkind

by Guest Writer
Frans Bak
Columns, Music, Premieres, VariationsMay 28, 2020<May 28, 2020

Premiere: Escape into Frans Bak’s World with His Stirring Album ‘Piano’

by Coco Rich
ghost gnotes - ghost gnotes
Debut, Music, Premieres, Reviews, Track-by-TrackMay 28, 2020<May 27, 2020

Album Premiere: Inside Ghost Gnotes’ Hauntingly Intimate Self-Titled Debut

by Mitch Mosk
Dylan E. Crampton © Hannah Cosgrove
Debut, Music, Reviews, Track-by-TrackMay 28, 2020<May 28, 2020

Review: Dylan E. Crampton’s Debut EP Is a Fresh Cup of Creative Genius

by Mitch Mosk
Peter Stone © Brian Mclaughlin
Debut, Music, PremieresMay 28, 2020<May 27, 2020

Premiere: Peter Stone’s Debut Single “Fells Reservoir” Is a Love Story Tinged with Summer Tones

by Alicia Bugallo
Susie Save Your Love - Allie X, Mitski
Columns, Music, Today's SongMay 28, 2020<May 28, 2020

Allie X & Mitski Make Water into Wine via Narrative Songwriting with “Susie Save Your Love”

by Jesse Herb
Mae Muller © Rosaline Shahnavaz
Features, Interviews, MusicMay 28, 2020<May 29, 2020

Interview with Mae Muller: London’s Emerging Star Talks New Music & Creative Growth

by Lexi Lane
Breaking The Record 2020
Breaking the Record, Columns, MusicMay 28, 2020<May 28, 2020

Breaking the Record with Roan Yellowthorn, Part 17: Finding My Voice

by Guest Writer
The Tunnel © French for Rabbits
Music, Music Videos, PremieresMay 27, 2020<May 27, 2020

Video Premiere: There Is Light At the End of “The Tunnel” by French for Rabbits

by Nina Schaarschmidt
BEL © Mackenzie Breeden @macksfilms
Debut, Music, ReviewsMay 27, 2020<May 27, 2020

Review: BEL Emerges with Hope & Strength on Glistening Debut Single “Silver Line”

by Mitch Mosk
Posts pagination
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Brand New

  • “Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song
  • “For One Night Only, Bring Them to Italy”: A Conversation with Il Volo
  • “Eat Your Heart Out”: A Vivisection of SKORTS’ Unrelenting Debut Album ‘Incompletement’
  • “Why Can’t You See What I See?”: Ross Newhouse Lays Bare Self-Doubt & Love on “Words I’d Use,” a Lush Indie Folk Duet with Grace Gardner
  • “It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom
  • “Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness
  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown

:: discover something new ::

Recent Posts

  • “Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song April 22, 2026
  • “For One Night Only, Bring Them to Italy”: A Conversation with Il Volo April 22, 2026
  • “Eat Your Heart Out”: A Vivisection of SKORTS’ Unrelenting Debut Album ‘Incompletement’ April 22, 2026
  • “Why Can’t You See What I See?”: Ross Newhouse Lays Bare Self-Doubt & Love on “Words I’d Use,” a Lush Indie Folk Duet with Grace Gardner April 22, 2026
  • “It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom April 21, 2026
  • “Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness April 21, 2026
  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown April 20, 2026
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told April 20, 2026
  • The Sound of Stillness: Samara Joy in Palo Alto April 20, 2026
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ April 20, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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