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Turn Around - Ester
Music, Premieres, ReviewsMarch 23, 2020<March 23, 2020

Album Premiere: Ester’s Visceral Sophomore Record ‘Turn Around’ Is a Turbulent Coming-of-Age Experience

by Mitch Mosk
Peco McLoughlin
Columns, Music, Today's SongMarch 23, 2020<March 26, 2020

Today’s Song: Peco’s Timely & Relevant “Some Folk” Is a Call for Empathy

by Kelly McCafferty Dorogy
Atwood Magazine's Weekly Roundup March 21 2020
Columns, Features, Music, Weekly RoundupMarch 21, 2020<March 21, 2020

Atwood Magazine’s Weekly Roundup: March 21, 2020

by Atwood Magazine Staff
Caution - The Killers
Music, Reviews, This Just InMarch 20, 2020<May 15, 2020

This Just In: The Killers Throw “Caution” to the Wind in a Restless, Impassioned Upheaval

by Mitch Mosk
Interviews, MusicMarch 20, 2020<November 9, 2021

The Life & Times of a Quarantined Artist: A Conversation with Alexandra Stréliski

by Adrian Vargas
Bury the Moon - Asgeir
Features, Interviews, MusicMarch 20, 2020<March 20, 2020

Finding Oneself Deep Down Inside the Mind: Ásgeir Discusses His New Album ‘Bury the Moon’

by Ilana Kalish
Two Feet © Republic Records
Debut, Features, Interviews, MusicMarch 20, 2020<March 20, 2020

Interview: Two Feet’s Zachary Dess Dives into Heartfelt Debut Album ‘Pink’

by Ben Beamish
Falling Asleep at the Wheel - Holly Humberstone
Columns, Debut, Music, Today's SongMarch 20, 2020<March 20, 2020

Artist to Watch: Holly Humberstone’s Second Single “Falling Asleep at the Wheel” Is a Hauntingly Intimate Upheaval

by Mitch Mosk
Eclipse - addy 10
Debut, Music, Our Take, Reviews, Track-by-TrackMarch 19, 2020<December 15, 2020

Track-by-Track: Inside addy’s Beautifully Haunting, Introspective Debut ‘Eclipse’

by Mitch Mosk
JST FRNDS © Zachary Deloach
Breaking the Record, Music, PremieresMarch 19, 2020<March 19, 2020

Premiere: JST FRNDS’ Aching “Long Nights” Is an Intimate Anthem for Social Distancing Times

by Mitch Mosk
Features, Interviews, MusicMarch 19, 2020<March 19, 2020

Escaping Monotony: An Interview with Alfie Templeman

by Baylee Less
Lastlings © 2020
Columns, Music, Today's SongMarch 19, 2020<March 21, 2020

Today’s Song: Gold Coast’s Lastlings Hold on Tight in Pulsing “Take My Hand,” Their First with Astralwerks

by Josh Weiner
Blonder © 2020
Music, Music Videos, PremieresMarch 19, 2020<March 19, 2020

Premiere: Blonder Holds Together an Idea of Love with “Glue”

by Maggie McHale
Breaking The Record 2020
Breaking the Record, Columns, MusicMarch 19, 2020<March 16, 2020

Breaking the Record with Roan Yellowthorn, Part 7: Mastering & More

by Guest Writer
Izzy Thomas © Dorota Szostek
Interviews, MusicMarch 18, 2020<March 18, 2020

Interview: Izzy Thomas Is “Mad” as Hell on Fierce New Single

by Anthony Kozlowski
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Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

:: discover something new ::

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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