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Full Colour © 2020
Music, ReviewsMay 12, 2020<May 12, 2020

Review: Full Colour Accept That “Times Change” in Anthemic New Single

by Bethan Harper
Ode to a Conversation Stuck in Your Throat - Del Water Gap
Columns, Music, Today's SongMay 12, 2020<May 11, 2020

Today’s Song: Del Water Gap’s Punk Rock Bop “Ode to a Conversation Stuck in Your Throat”

by Kelly McCafferty Dorogy
Music, ReviewsMay 11, 2020<May 11, 2020

EP Review: Roman Lewis Discusses Love, Heartbreak, and Growing Up on ‘My First Failed Fairytale’

by Nina Schaarschmidt
COIN © Hunter Airheart
Features, Interviews, MusicMay 11, 2020<May 11, 2020

Interview: COIN Let It All Out in Third Album ‘Dreamland’

by Luke Pettican
Jason Isbell © Eric Ryan Anderson
Essays, MusicMay 11, 2020<May 11, 2020

Every Chorus Brings Us Closer: Appreciation & Aspiration from a Middle-Aged Fanboy

by Guest Writer
Gracie Abrams © Vince M. Aung
Columns, Music, Today's SongMay 11, 2020<May 11, 2020

Today’s Song: Gracie Abrams Commits to Moving Forward on “21”

by Madison Vettorino
Features, Music, Weekly RoundupMay 8, 2020<May 15, 2020

Atwood Magazine’s Weekly Roundup: May 8, 2020

by Atwood Magazine Staff
Roger O’Donnell © Elisabet Davidsdottir
Features, Interviews, MusicMay 8, 2020<May 11, 2020

Interview: The Cure’s Roger O’Donnell Discusses His Latest Beauty, ‘2 Ravens’

by Ilana Kalish
Yuki © Oli Spencer
Debut, Interviews, Music, ReviewsMay 8, 2020<May 8, 2020

Interview: Multi-Talented New Zealand Producer Yuki Talks Debut Album ‘Be Free’

by Ryan Feyre
W.O.T.W - Andrew
Music, ReviewsMay 8, 2020<May 8, 2020

Review: Andrew Morphs Blues Rock with Classic Boom-Bap on ‘WOTW’

by Ryan Feyre
LOVA © Beata Cervin
Features, Interviews, MusicMay 8, 2020<May 8, 2020

Interview: Sweden’s LOVA Gets Candid & Personal in New Single “Own Worst Enemy”

by Chloe Robinson
Chelsea Peretti © Taili Song Roth
Columns, Debut, Music, Music You Should Know, ReviewsMay 8, 2020<May 8, 2020

Music You Should Know: Chelsea Peretti’s ‘Foam and Flotsam’ Is Pure Comedic Gold

by Lexi Lane
Overindulgence - Oddnesse
Debut, Music, Reviews, Track-by-TrackMay 7, 2020<May 12, 2020

Feature: Oddnesse’s Unapologetic & Uncompromising Debut EP ‘Overindulgence’

by Mitch Mosk
Die 4 Ur Love - Tei Shi
Music, Reviews, This Just InMay 7, 2020<May 7, 2020

This Just In: Tei Shi Dances Her Way Past Desire & Devotion in “Die 4 Ur Love”

by Baylee Less
X © Kristy Benjamin
Features, Interviews, MusicMay 7, 2020<August 23, 2020

Interview: X’s Exene Cervenka on LA Punk Legends’ Return & New Album ‘ALPHABETLAND’

by Mariel Fechik
Posts pagination
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Brand New

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes

:: discover something new ::

Recent Posts

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
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