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Frans Bak
Columns, Music, Premieres, VariationsMay 28, 2020<May 28, 2020

Premiere: Escape into Frans Bak’s World with His Stirring Album ‘Piano’

by Coco Rich
ghost gnotes - ghost gnotes
Debut, Music, Premieres, Reviews, Track-by-TrackMay 28, 2020<May 27, 2020

Album Premiere: Inside Ghost Gnotes’ Hauntingly Intimate Self-Titled Debut

by Mitch Mosk
Dylan E. Crampton © Hannah Cosgrove
Debut, Music, Reviews, Track-by-TrackMay 28, 2020<May 28, 2020

Review: Dylan E. Crampton’s Debut EP Is a Fresh Cup of Creative Genius

by Mitch Mosk
Peter Stone © Brian Mclaughlin
Debut, Music, PremieresMay 28, 2020<May 27, 2020

Premiere: Peter Stone’s Debut Single “Fells Reservoir” Is a Love Story Tinged with Summer Tones

by Alicia Bugallo
Susie Save Your Love - Allie X, Mitski
Columns, Music, Today's SongMay 28, 2020<May 28, 2020

Allie X & Mitski Make Water into Wine via Narrative Songwriting with “Susie Save Your Love”

by Jesse Herb
Mae Muller © Rosaline Shahnavaz
Features, Interviews, MusicMay 28, 2020<May 29, 2020

Interview with Mae Muller: London’s Emerging Star Talks New Music & Creative Growth

by Lexi Lane
Breaking The Record 2020
Breaking the Record, Columns, MusicMay 28, 2020<May 28, 2020

Breaking the Record with Roan Yellowthorn, Part 17: Finding My Voice

by Guest Writer
The Tunnel © French for Rabbits
Music, Music Videos, PremieresMay 27, 2020<May 27, 2020

Video Premiere: There Is Light At the End of “The Tunnel” by French for Rabbits

by Nina Schaarschmidt
BEL © Mackenzie Breeden @macksfilms
Debut, Music, ReviewsMay 27, 2020<May 27, 2020

Review: BEL Emerges with Hope & Strength on Glistening Debut Single “Silver Line”

by Mitch Mosk
Mary Lattimore
Columns, Music, Today's SongMay 27, 2020<May 27, 2020

The Dreamy String Duo of Mary Lattimore & Paul Sukeena Present “Dreaming of the Kelly Pool”

by Nick Matthopoulos
GOODS the EP - Shira Elias
Music, PremieresMay 27, 2020<May 27, 2020

Premiere: Shira Elias Emerges with Her Confident, Sultry Debut ‘GOODS the EP’

by Mariel Fechik
Skylar Gudasz © Chris Frisina
Music, Premieres, Reviews, Track-by-TrackMay 27, 2020<May 26, 2020

Feature: The Intimate, Everyday Wonder of Skylar Gudasz’s Moving ‘Cinema’

by Mitch Mosk
Lemaitre © 2020
Interviews, Music, ReviewsMay 26, 2020<May 26, 2020

Interview: Lemaitre’s Sweeping ‘JGM’ EP Is a Moving Tribute & Celebration of Life

by Mitch Mosk
Debut, Interviews, MusicMay 26, 2020<January 27, 2023

Interview with Coolhand Jax: A New Warmth into the Music Scene

by Adrian Vargas
Syd Silvair © Conner Reddan
Features, Interviews, MusicMay 26, 2020<May 26, 2020

Interview with Syd Silvair: A Skilled Card Reader Can Also Follow the Rules of Strong Song-Crafting

by Josh Weiner
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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