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Music, Reviews, This Just InMarch 6, 2020<March 6, 2020

This Just In: Healy Exquisitely Wrestles with the Swift Passage of Time in “Nikes On”

by Baylee Less
Columns, Music, Today's SongMarch 6, 2020<March 6, 2020

Today’s Song: Diners’ “Cup of Coffee” Is a Smooth, Full-Bodied Composition That Lingers Nicely in the Ear

by Nick Matthopoulos
Atwood Magazine Editor's Picks 30
Columns, Editor's Picks, Features, MusicMarch 6, 2020<May 15, 2020

Editor’s Picks: March 6, 2020

by Mitch Mosk
The Flavians 2020
Debut, Features, Interviews, MusicMarch 5, 2020<March 5, 2020

Artist-to-Watch: Berlin’s The Flavians Turn the ‘Ordinary’ Extraordinary with Soul-Stirring Sound

by Mitch Mosk
Good Luck Everybody - AJJ
Music, ReviewsMarch 5, 2020<March 5, 2020

Review: AJJ Balance the Outlandish with the Sincere on ‘Good Luck Everybody’

by Nick Matthopoulos
The Frights is Mikey Carnevale (vocals/guitar), Richard Dotson (bass), Marc Finn (drums). and Jordan Clark (guitar). © Rowan Daly
Features, Interviews, Music, PremieresMarch 5, 2020<July 17, 2020

Samples, Sonnets, and the Surf-Punk Scene: A Conversation with The Frights

by Lexi Lane
Breaking The Record 2020
Breaking the Record, Columns, MusicMarch 5, 2020<March 5, 2020

Breaking the Record with Roan Yellowthorn, Part 5: Mixing

by Guest Writer
Columns, Music, Today's SongMarch 5, 2020<March 5, 2020

Today’s Song: “Yellow Jacket” is a Brooding, Pounding Debut from Psych-Pop Londoners moa moa

by Tim Horwood
Roses & Revolutions © Krit Upra
Music, PremieresMarch 5, 2020<March 4, 2020

Premiere: Roses & Revolutions Are Stuck in New Single “i don’t have feelings anymore”

by Kelly McCafferty Dorogy
Grace Gillespie © Sophie Greenidge
Music, PremieresMarch 5, 2020<March 4, 2020

Premiere: Grace Gillespie Bewitches with Raw New Single “Goodbye”

by Luke Pettican
Tia Gostelow © Jeff Andersen Jr
Music, PremieresMarch 4, 2020<March 4, 2020

Premiere: Queensland’s Tia Gostelow Returns with a “RUSH” of Fun & Frisky Indie Pop

by Mitch Mosk
SLS © Katie Neuhof
Features, Interviews, MusicMarch 4, 2020<October 19, 2021

Put on a Brave Face: A Conversation with Spanish Love Songs

by James Crowley
Glenn Thomas © Chelsea Mandes
Music, PremieresMarch 4, 2020<March 4, 2020

Premiere: The Sleepy Early Morning Warmth of Glenn Thomas’ “Oriole”

by Frankie Rose
Miro Shot "Half of Us" music video screenshot
Music, Music Videos, PremieresMarch 4, 2020<March 4, 2020

Premiere: Miro Shot’s Critical “Half of Us” Is a Dark Immersion of Technology

by Mitch Mosk
The Aces © Red Bull Records
Features, Interviews, MusicMarch 4, 2020<May 15, 2020

Feature: The Aces’ Irresistible “Daydream” Is an Electric, Playful, and Authentic Return

by Baylee Less
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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