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Jeeves © Stef Martin
Interviews, MusicAugust 5, 2025<August 5, 2025

“Where Did All the Good Men Go?”: Singer/Songwriter Jeeves on Taking Risks and Crafting Timeless Music

by Danielle Holian
Daniel Caesar © 2025
Columns, Music, Today's SongAugust 5, 2025<August 5, 2025

Today’s Song: “Have A Baby (With Me)” Shows Daniel Caesar at His Most Vulnerable

by Marvin Twiggs
Hushtones © Jen Campbell
Artist to Watch, Interviews, MusicAugust 4, 2025<August 4, 2025

“Keep This Close to Your Heart”: Liverpool Artist-to-Watch Hushtones Shine Bright with Harmony, Warmth, & Light

by Mitch Mosk
jackrabbit. © 2025
Interviews, MusicAugust 4, 2025<August 4, 2025

From Film to the Stage, the Mulroney Brothers Get Honest with jackrabbit.

by Aileen Goos
Clipse © Cian Moore 8.3
Music, Our Take, ReviewsAugust 4, 2025<August 4, 2025

Our Take: Clipse Complete Their Comeback in Remarkable Fashion on ‘Let God Sort Em Out’

by Josh Weiner
Demi Lovato © Daniel Sachon
Columns, Music, Today's SongAugust 4, 2025<August 4, 2025

Demi Lovato Races into a Pop Reawakening Era “Fast,” Fierce, and Free

by Danielle Holian
Jamie xx © Laura Jane Coulson
Columns, Music, Today's SongAugust 2, 2025<August 2, 2025

Today’s Song: Jamie xx Leaks Light into a “Dream Night” on His Latest Single

by Ashley Littlefield
Chappell Roan "The Subway" © Ryan Lee Clemens
Music, Reviews, This Just InAugust 1, 2025<August 1, 2025

This Just In: Chappell Roan’s Queer Heartbreak Anthem “The Subway” Was Well Worth the Wait

by Marc Maleri
Djo 'The Crux' album art
Features, Music, Reviews, RoundtableAugust 1, 2025<August 1, 2025

Roundtable Discussion: A Review of Djo’s ‘The Crux’

by Atwood Magazine Staff
Sydney Sprague © Ellie Carty
Features, Interviews, MusicAugust 1, 2025<August 1, 2025

“I’m Just a Person with a Lot of Feelings”: Sydney Sprague on Channeling Emotional Extremes into Indie Rock Catharsis

by Mitch Mosk
Hudson Westbrook 'Texas Forever' © Ian Noh
Debut, Features, Interviews, MusicAugust 1, 2025<August 1, 2025

Feature: Hudson Westbrook’s Bold Debut ‘Texas Forever’ Offers 17 Songs That Prove He’s Here to Stay

by Aileen Goos
OSHEAGA 2024 © Susan Moss
Festival, Music, PreviewAugust 1, 2025<August 1, 2025

Festival Preview: Osheaga 2025 Promises to Be a Festival Like No Other – and Atwood Has You Covered

by Oliver Crook
Dane Baker © 2025
Columns, Music, Today's SongAugust 1, 2025<August 1, 2025

“Growth, Affirmation, & Fulfillment”: Dane Baker’s “Ascension” Urges a Look Inward to Find Happiness

by Adam Davidson
Bec Lauder and the Noise "Nobody Cares" © 2025
Artist to Watch, Interviews, Music, Music Videos, PremieresJuly 31, 2025<July 31, 2025

“Nobody Cares”: NYC’s Bec Lauder and The Noise Premiere Their Explosive Glam-Punk Anthem of Chaos, Rebellion, & Release

by Mitch Mosk
Lollapalooza 2025 © Ismael Quintanilla III
Festival, Music, PreviewsJuly 31, 2025<July 31, 2025

Preview: Lollapalooza 2025 Ends the Summer Off Right With an Unforgettable Lineup

by Miranda Urbanczyk
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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