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Medium Build © Silken Weinberg
Features, Interviews, Music, Track-by-TrackMarch 27, 2025<March 27, 2025

“Therapy Trauma Tunes”: Medium Build’s Nick Carpenter Talks Returning Home, Unpacking His Past, & Turning Scars into Songs with ‘Marietta’

by Mitch Mosk
Maya Elizabeth © Kent Edwards
Editorials, Music, Women's History MonthMarch 27, 2025<March 27, 2025

“A Woman’s History with Worthiness”: An Essay by Maya Elizabeth for Women’s History Month

by Guest Writer
ANDIE © Emiko Coffey
Editorials, Music, Women's History MonthMarch 27, 2025<March 27, 2025

“A Step-by-Step Guide to Being a Girl’s Girl in the Music Industry (No Matter Your Gender!)”: An Essay by ANDIE for Women’s History Month

by Guest Writer
Tunnel's Natasha Janfaza © Frank Mojica
Interviews, MusicMarch 27, 2025<March 28, 2025

Interview: Navigating Tunnel’s Indie Rock Noise

by Marissa DeLeon
Pretoria © Brady Olson
Columns, Music, Today's SongMarch 27, 2025<March 27, 2025

Today’s Song: Pretoria Ride a Rollercoaster of Emotions in “Don’t Fade”

by Miranda Urbanczyk
80Purppp © Quinn Duranda
Features, Interviews, Music, Track-by-TrackMarch 26, 2025<March 26, 2025

“I’m not trying to fit in anymore”: 80purppp Peels Back the Layers on ‘Suite 96 (Side A),’ a Record of Inner Reckoning, Surrealism, and Self-Discovery

by Mitch Mosk
Sarah and the Sundays © Miles Ellisor
Features, Interviews, Music, Track-by-TrackMarch 26, 2025<March 26, 2025

“It’s us making songs we needed to make”: Sarah and the Sundays Embrace Raw Emotion & Life’s Beautiful Mess on ‘Like a Damn Dog’

by Mitch Mosk
Empara Mi © courtesy of the artist
Editorials, Music, Women's History MonthMarch 26, 2025<March 26, 2025

“My Shift Towards Autonomy and the Power in Starting Again”: An Essay by Empara Mi for Women’s History Month

by Guest Writer
Christine Bauer
Editorials, Music, Women's History MonthMarch 26, 2025<March 26, 2025

“The ‘Safe’ Route Almost Broke Me; Music Put Me Back Together”: An Essay by Christine Bauer for Women’s History Month

by Guest Writer
Xanthe Alexis © Dennis Netjek
Editorials, Music, Women's History MonthMarch 26, 2025<March 26, 2025

“A Woman’s Place Is on the Road”: An Essay by Xanthe Alexis for Women’s History Month

by Guest Writer
James Bay and Jon Batiste © David O'Donohue
Columns, Interviews, Music, Today's SongMarch 26, 2025<March 26, 2025

“You’re Like Sunshine in the Room”: James Bay & Jon Batiste Celebrate Love with Harmony, Heart, and Soul

by Mitch Mosk
Your Smith © Erica Hernandez
Features, Interviews, MusicMarch 25, 2025<March 25, 2025

“A Little Underdressed and a Teeny Bit Sloppy”: Your Smith Returns with a ‘De-Invention’ on Her Own Terms

by Mitch Mosk
Idiotwin LP - Idiotwin
Editorials, MusicMarch 25, 2025<March 25, 2025

An Indie Insight: My Experience Releasing an Album as an Independent Musician

by Frederick Bloy
Jill Andrews © 2025
Features, Interviews, MusicMarch 25, 2025<March 25, 2025

Interview: Jill Andrews Confronts the Darkness Head-On With ‘Big Feelings’

by Emily Frances Algar
Carlie Hanson © 2025
Music, Playlists, Women's History MonthMarch 25, 2025<March 25, 2025

“The Hottest of the Hot”: A Women’s History Month Playlist by Carlie Hanson

by Guest Writer
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Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

:: discover something new ::

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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