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Woody Guthrie, standing, with a guitar around his neck and the written message, "This Machine Kills Fascists" © Lester Balog
Essays, MusicJuly 1, 2025<July 1, 2025

“This Land Is Your Land”: The Unfinished Legacy of Woody Guthrie, from the Great Depression to Trump’s America

by Audrey Connelly
Suki Summer © courtesy of the artist
Features, Interviews, MusicJune 30, 2025<June 30, 2025

Interview: Suki Summer on Vulnerability, Romance, & the Making of Her EP ‘Lovesick and Sick of Love’

by Danielle Holian
bbno$ © Ed Gumuchian Montecristo
Features, Interviews, MusicJune 30, 2025<June 30, 2025

No Label, No Limits: Inside bbno$’s Self-Made Music Machine

by Brian Denney
APACALDA © Suzie King
Columns, Music, Pride MonthJune 30, 2025<June 30, 2025

“Embracing My Multiplicity, Unapologetically”: A Pride Month Essay by APACALDA

by Guest Writer
Mac DeMarco © 2025
Columns, Music, Today's SongJune 30, 2025<June 30, 2025

Today’s Song: Mac DeMarco Redefines What “Home” Really Means

by Miranda Urbanczyk
caroline & Caroline Polachek's "Tell me I never knew that" © Henry Redcliffe
Columns, Music, Today's SongJune 29, 2025<June 28, 2025

Today’s Song: caroline & Caroline Polachek Merge Pastoral Folk with Art Pop on “Tell me I never knew that”

by Liz Costello
NoMBe’s Disco Era Blends Swagger with Groove, Empowerment, & Black Heritage Ahead of ‘DIÁSPORA’
Features, Interviews, Music, Today's SongJune 28, 2025<July 1, 2025

“I Want People to Dance”: NoMBe’s Disco Era Blends Swagger with Groove, Empowerment, & Black Heritage Ahead of ‘DIÁSPORA’

by Mitch Mosk
Atwood Magazine's 126th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 27, 2025<July 3, 2025

Editor’s Picks 126: NoSo, James Smith, Billy Nomates, Brian Dunne, Glitterfox, & Mon Rovîa!

by Mitch Mosk
Micah McLaurin "Remember Me" © An Le
Essays, Music, Playlists, Pride MonthJune 27, 2025<July 1, 2025

“That’s So Gay”: A Pride Month Playlist by Micah McLaurin

by Guest Writer
Alexei Shishkin © Kevin Doran
Essays, MusicJune 27, 2025<June 27, 2025

“The Making of ‘Good Times’”: An Essay by Alexei Shishkin

by Guest Writer
Boundary Waters © Victoria Marie
Interviews, MusicJune 27, 2025<June 27, 2025

Interview: Chicago’s Boundary Waters Find a New Way on ‘Longlost’

by Will Yarbrough
Neutral Snap © Bill Cardella
Interviews, MusicJune 27, 2025<June 27, 2025

Interview: New Orleans Natives Neutral Snap Unleash an Addictive Pop-Punk Aura with “Danny ACOG”

by Chloe Robinson
Boy in Space © 2025
Features, Interviews, MusicJune 27, 2025<June 27, 2025

Interview: Boy in Space Reflects on Past Work, His Unique Vocal Tone, & His Latest EP, ‘The Butterfly Affect’

by Noah Wade
M.anifest © Emmanuel Mensah Agbeble
Features, Interviews, Music, Track-by-TrackJune 26, 2025<December 14, 2025

Feature: Ghanaian Rapper M.anifest Breaks Down His Boldly Ambitious Pan-African Album, ‘NEW ROAD AND GUAVA TREES’

by Mitch Mosk
Lowswimmer © Sandra Ebert
MusicJune 26, 2025<June 26, 2025

“Addictive, Melodic, & Dreamy”: Lowswimmer’s Ed Tullett Lets Go & Leans in on ‘Godspeed, Fantasy,’ a Radiant Record of Self-Discovery

by Mitch Mosk
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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