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bLAck pARty © Ehud Lazin, Lollapalooza 2025
Interviews, MusicAugust 11, 2025<August 11, 2025

“The Cheapest Therapy You Can Ever Get”: bLAck pARty Talks DJ Culture, Heartache, & the Healing Power of Music

by Miranda Urbanczyk
Glass Animals © DFR
Columns, Music, Today's SongAugust 11, 2025<August 15, 2025

“Like a rock star gone too far”: Glass Animals Bring Swagger & Bite to Their Fresh Fruit Series with “Vampire Bat”

by Ashley Littlefield
My Chemical Romance © Lindsey Byrnes
Concerts, Music, ReviewsAugust 9, 2025<August 13, 2025

Live Review: Reveling in My Chemical Romance’s Opera and Overjoy

by Emma Schoors
Elijah Berlow © Matt Lohan
Columns, Music, Premieres, Today's SongAugust 8, 2025<August 8, 2025

Premiere: Elijah Berlow Captures the Ache of Unspoken Feelings on “impatient by the continental divide,” a Soft & Stirring Indie Folk Reverie

by Mitch Mosk
Atwood Magazine's Weekly Roundup | August 8, 2025
Columns, Features, Music, Weekly RoundupAugust 8, 2025<August 13, 2025

Atwood Magazine’s Weekly Roundup: August 8, 2025

by Atwood Magazine Staff
Lollapalooza 2025 © Charles Reagan
Festival, Music, ReviewsAugust 7, 2025<August 7, 2025

Lollapalooza 2025 Is All Anyone Can Talk About, and We’re Here to Tell You Why

by Miranda Urbanczyk
Speak Friend © Eden Chinn
Debut, Music, ReviewsAugust 7, 2025<August 7, 2025

Genre-Bending Duo Speak Friend Go on an Auditory Adventure with Debut EP ‘IAJAR’

by Ciaran Short
Nxdia © Ryan Jafarzadeh
Artist to Watch, Debut, Interviews, MusicAugust 7, 2025<November 13, 2025

Meet Nxdia, the UK’s Next Biggest Star Whose Mixtape ‘I Promise No One’s Watching’ Will Make You Feel Less Alone

by Oliver Crook
Alix Page © Logan Rauhut
Columns, Music, Today's SongAugust 7, 2025<August 7, 2025

When Good Love Isn’t Enough: Alix Page’s “Sweet” Holds the Exit Open

by Nicolle Knapová
Atwood Magazine's 130th Editor's Picks!
Columns, Editor's Picks, Features, MusicAugust 6, 2025<August 6, 2025

Editor’s Picks 130: Olivia Dean, Ken Yates, Flock of Dimes, Angelsaur, Little Dog Star, & Glom!

by Mitch Mosk
Nectar Woode © Grace Pickering 2025
Features, Interviews, Music, Track-by-TrackAugust 6, 2025<August 6, 2025

“It’s the feeling of finally being at peace with your identity”: Nectar Woode Comes Home to Herself on ‘it’s like I never left’

by Mitch Mosk
Odhran Murphy © Aoife Moloney
Features, Interviews, Music, Track-by-TrackAugust 6, 2025<August 7, 2025

Chaos, Honesty, & the In-Between: Odhran Murphy Bares His Soul on Debut EP ‘Stuck in the Middle,’ a Folk Rock Journey of Self-Discovery and Reclamation

by Mitch Mosk
Susannah Joffe © Austen Juul-Hansen
Columns, Music, Today's SongAugust 6, 2025<August 6, 2025

Today’s Song: Susannah Joffe Freestyles a Sweet Concoction on “Sofia Coppola”

by Josh Weiner
Jack Schneider © Annie Loughead
Music, PremieresAugust 5, 2025<August 5, 2025

Premiere: Jack Schneider’s “Stone’s Throw Away” Breathes Folk Warmth & New Life into an Early ’70s Barbara Keith Deep Cut

by Mitch Mosk
Upstate © Bridget Badore
Columns, Hudson Valley Artists, MusicAugust 5, 2025<August 5, 2025

Hudson Valley Artist Spotlight: Upstate

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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