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Aaron Smith
Features, Interviews, MusicOctober 22, 2019<October 22, 2019

Soulful Songwriting & Palpable Passion: An Interview with Aaron Smith

by Luke Pettican
Augustine © Rassmus Björnson
Columns, Music, Today's SongOctober 22, 2019<October 22, 2019

Today’s Song: Basking in the Kinetic Sunshine of Augustine’s Wondrous “Guts”

by Mitch Mosk
Animal - Alex Bayly
Music, PremieresOctober 22, 2019<October 22, 2019

Premiere: Alex Bayly Evokes Life’s Trials in Turbulent Song “Animal”

by Mitch Mosk
Victoria Victoria © Amy Badgett Beck
Music, PremieresOctober 22, 2019<January 13, 2020

Premiere: The Phenomenal Beauty of Victoria Victoria’s Enchantingly Vulnerable ‘When To Talk, When To Pray’ EP

by Mitch Mosk
Interviews, MusicOctober 22, 2019<October 22, 2019

Heavy Lungs’ New EP ‘Measure’ Shows They’re Ready to be Bristol’s Next Top Punk Band

by Oliver Crook
Music, Music Videos, PremieresOctober 21, 2019<October 22, 2019

Premiere: Mighty Oaks Dwell in a Moment’s Bliss on “All Things Go”

by Mitch Mosk
Kate Kelly © Linda Parrott
Music, Music Videos, PremieresOctober 21, 2019<October 21, 2019

Premiere: Kate Kelly’s “The Book We Made” Is an Anthem for Letting Go

by Mitch Mosk
Marika Hackman © Nicole Almeida
Concerts, Music, ReviewsOctober 21, 2019<October 21, 2019

Live Review: Marika Hackman Wields Undeniable Power and Confidence at Philly’s Boot & Saddle

by Nicole Almeida
Inhaler music band 2019
Columns, Music, Today's SongOctober 21, 2019<October 21, 2019

Today’s Song: Inhaler’s Effortless New Single Is Easy As an “Ice Cream Sundae”

by Christine Costello
Moyka © 2019
Debut, Interviews, Music, PremieresOctober 18, 2019<March 20, 2024

Interview: Moyka Finds a Moment to Breathe in Debut ‘Circles’ EP

by Mitch Mosk
French For Rabbits © Ebony Lamb Photographer
Music, Music Videos, PremieresOctober 18, 2019<December 30, 2022

Watch: French for Rabbits Play with Cats & Dogs in Cute, Cuddly “Highest Hill” Videos

by Mitch Mosk
OUR FAVORITE ALBUMS of 2011
Albums of the Decade, Columns, Features, MusicOctober 18, 2019<March 2, 2025

Our Favorite Albums of the Decade: 2011

by Atwood Magazine Staff
Editor's Picks 24
Editor's Picks, Features, MusicOctober 18, 2019<December 5, 2019

Editor’s Picks: October 18, 2019

by Mitch Mosk
Diplomacy © Zack Bass
Debut, Features, MusicOctober 18, 2019<October 18, 2019

Born Out of Friendship, Diaries, and Duality: A Conversation with Diplomacy

by Nicole Almeida
lxandra
Columns, Music, Today's SongOctober 18, 2019<October 18, 2019

Today’s Song: Lxandra Mesmerizes with “Dip My Heart in Confetti”

by Luke Pettican
Posts pagination
1 … 481 482 483 484 485 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Music You Should Know
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