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talker © Shabnam Ferdowski
Features, Interviews, MusicSeptember 11, 2019<September 10, 2019

Interview: talker Lays Down a Slice of Therapy for the ‘Horror Films’ in Our Heads

by Anthony Kozlowski
Bag Raiders © Byron Spencer
Features, Interviews, MusicSeptember 11, 2019<September 11, 2019

Did Bag Raiders Ever Really Leave Us? A Conversation About ‘Horizons’

by Ben Niesen
Tom Boy © Ryan Brough
Columns, Music, Today's SongSeptember 11, 2019<September 11, 2019

Today’s Song: Tom Boy Rise from Their Ashes with “Wastecase”

by Alicia Bugallo
Young Mister © Steven Fiore
Interviews, Music, PremieresSeptember 10, 2019<September 10, 2019

Album Premiere: Young Mister’s ‘Sudden Swoon’ Is a Radiant American Opus

by Mitch Mosk
Joshua Radin © Shervin Lainez
Interviews, Music, PremieresSeptember 10, 2019<September 10, 2019

Premiere: Joshua Radin Addresses Child Separation in Breathtaking “What Would You Do (Refugee Song)”

by Mitch Mosk
Lana del Rey - NFR
Features, Music, Reviews, RoundtableSeptember 10, 2019<June 29, 2024

Roundtable Discussion: A Review of Lana del Rey’s ‘Norman Fucking Rockwell!’

by Atwood Magazine Staff
Oh Wonder © Olga De La Iglesia
Interviews, Music, ReviewsSeptember 10, 2019<September 10, 2019

Singing “Hallelujah”: Oh Wonder Dive into Their Stirring Spiritual Release

by Mitch Mosk
Zola Courtney
Columns, Debut, Interviews, Music, Today's SongSeptember 9, 2019<April 16, 2020

Interview: Artist-to-Watch Zola Courtney Has “Nothing to Lose” in Her Stunning Debut

by Mitch Mosk
Oddnesse
Interviews, Music, ReviewsSeptember 6, 2019<October 16, 2019

Sugar, Spice, and Everything Nice: An Interview with Oddnesse

by Mitch Mosk
roundup040919
Features, Music, Weekly RoundupSeptember 6, 2019<September 6, 2019

Atwood Magazine’s Weekly Roundup: September 6, 2019

by Atwood Magazine Staff
Jeri Silverman © Gavin Goodman
Music, PremieresSeptember 6, 2019<September 6, 2019

Premiere: Jeri Silverman’s “Come Undone” is a Dark, Imaginative Exploration of Human Nature

by Mitch Mosk
Getaway Dogs © Andrew Hawes
Music, PremieresSeptember 6, 2019<September 6, 2019

Premiere: Getaway Dogs Drizzle Dreamy Acoustic Intimacy & Soul in “Sawtooth (I’ve Been Wrong Before)”

by Mitch Mosk
The Last Morrell
Debut, Music, Music Videos, PremieresSeptember 6, 2019<September 6, 2019

Premiere: The Last Morrell Lets Go in Cathartic Debut “Fine Now”

by Mitch Mosk
Close It Quietly by Frankie Cosmos 8
Music, Our Take, ReviewsSeptember 6, 2019<December 15, 2020

Our Take: Charming & Personal, Frankie Cosmos Captivate on ‘Close It Quietly’

by Adrian Vargas
Columns, Music, Today's SongSeptember 6, 2019<November 5, 2019

Today’s Song: Night Beds Enchant on Emotive & Tender New Single “Blue Knuckle”

by Adrian Vargas
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Brand New

  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health”

:: discover something new ::

Recent Posts

  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love April 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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