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Frankie Cosmos
Features, Interviews, MusicSeptember 3, 2019<September 3, 2019

Why ‘Close It Quietly’ Is an Album like No Other: A Conversation with Frankie Cosmos

by Adrian Vargas
Features, Music, Weekly RoundupAugust 30, 2019<August 30, 2019

Atwood Magazine’s Weekly Roundup: August 30, 2019

by Atwood Magazine Staff
Cortney Dixon © Michael Sreenan
Debut, Music, Music Videos, PremieresAugust 30, 2019<August 30, 2019

Premiere: Cortney Dixon Dramatises Post-Relationship Alone Time with “Summer’s Eyes”

by Frankie Rose
Taylor Swift © Valheria Rocha
Essays, MusicAugust 30, 2019<August 30, 2019

Editorial: Welcome to the New Era of Taylor Swift

by Jack Mason-Brase
Golden Age Thinking - Wylder
Music, ReviewsAugust 30, 2019<August 30, 2019

Review: Wylder Shine in ‘Golden Age Thinking’ with Cinematic Folk & Majestic Rock

by Mitch Mosk
Lou Stone © Manon Ouimet 2019
Columns, Music, Today's SongAugust 30, 2019<August 30, 2019

Lou Stone Defends Love Everywhere on New Track “Truth Toy”

by Oliver Crook
Spooky Mansion
Interviews, Music, ReviewsAugust 29, 2019<August 29, 2019

Acting Like a “Real Jerk”: A Conversation with Spooky Mansion

by Adrian Vargas
Columns, Editor's Picks, Features, MusicAugust 29, 2019<August 29, 2019

Editor’s Picks: August 29, 2019

by Mitch Mosk
Sophie Colette - "Would You Like It?"
Music, Music Videos, PremieresAugust 29, 2019<August 29, 2019

Premiere: Sophie Colette Unravels Intimate Vulnerability in “Would You Like It?”

by Mitch Mosk
Little Monarch © Emmy Pickett, Adam Brown
Music, PremieresAugust 29, 2019<August 29, 2019

Premiere: Little Monarch Sings of Self-Discovery & Sacrifice in Wondrous “See You”

by Mitch Mosk
Kit Sebastian © Munéyuki Sugiyama 2019
Debut, Music, ReviewsAugust 29, 2019<August 29, 2019

Review: Kit Sebastian’s ‘Mantra Moderne’ Is a Postcard From Anatolia with Love

by Ben Niesen
7.4
Debut, Music, Our Take, ReviewsAugust 29, 2019<December 15, 2020

Our Take: Red Hearse Debut Their Genre-Defying Self-Titled Record

by Meredith Nardino
Butter the band
Music, Premieres, ReviewsAugust 29, 2019<August 29, 2019

EP Premiere: Dance Away Your Troubles with Butter’s ‘Nicotine’

by Ditta Demeter
Columns, Music, Today's SongAugust 29, 2019<August 29, 2019

Today’s Song: Bon Iver Shifts Cryptic Toward Clarity in “RABi”

by Coco Rich
Litany
Features, Interviews, MusicAugust 29, 2019<September 19, 2019

Boppy, Poppy, and Sometimes Soppy: An Interview with Litany

by Mitch Mosk
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Brand New

  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health”

:: discover something new ::

Recent Posts

  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love April 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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