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Columns, Features, Music, Weekly RoundupSeptember 27, 2019<September 27, 2019

Atwood Magazine’s Weekly Roundup: September 27, 2019

by Atwood Magazine Staff
Lee Bowie © Rebecka Häggblom
Music, Music Videos, PremieresSeptember 27, 2019<September 27, 2019

Premiere: Lee Bowie Tempt & Entice with the Seductive Pop of “Tubes”

by Mitch Mosk
Girl Band © Richard Gilligan
Features, Interviews, MusicSeptember 27, 2019<September 27, 2019

Feature: Girl Band Return with Cerebral, Chaotic Perfection on ‘The Talkies’

by Oliver Crook
Tall Children
Music, Music Videos, PremieresSeptember 27, 2019<October 9, 2019

Premiere: We Are All “Prey” to the Fury & Fire of One-Man Band Tall Children

by Nick Baron
Mappe Of © Matt Barnes
Features, Interviews, Music, PremieresSeptember 27, 2019<September 27, 2019

Premiere: Mappe Of Breathes Life & Cryptic Beauty into Mystic Song “Unkno”

by Mitch Mosk
Denis Coleman 2019
Columns, Music, Today's SongSeptember 27, 2019<September 27, 2019

Today’s Song: “Imperfect” Is an Anti-Bullying, Pro-Young Love Hit for Denis Coleman

by Josh Weiner
Boy & Bear © Daniel Boud
Features, Interviews, Music, PremieresSeptember 26, 2019<September 26, 2019

Feature: Boy & Bear on Celebrating Challenge & Reclaiming Life in New Album ‘Suck on Light’

by Mitch Mosk
Próxima Parada © Carolyn Eicher
Music, Premieres, ReviewsSeptember 26, 2019<September 26, 2019

Album Premiere: Próxima Parada Find Summer in All Things on ‘Kind Reminder’

by Ben Niesen
The Singer - Cuntrie
Debut, Interviews, Music, PremieresSeptember 26, 2019<September 26, 2019

Feature: Meet Cuntrie and Her Achingly Intimate Debut Single “The Singer”

by Mitch Mosk
Columns, Music, Today's SongSeptember 26, 2019<September 26, 2019

Today’s Song: Aquakultre’s “I Doubt It” Is a Jazzy, Eye-Opening Teaser of What’s to Come

by Oliver Crook
The Menzingers © 2019
Features, Interviews, MusicSeptember 25, 2019<September 27, 2019

Farewell Youth: A Conversation with Greg Barnett of The Menzingers

by James Crowley
HUNTING © Johann Wall
Music, PremieresSeptember 25, 2019<September 26, 2019

Premiere: Hunting Return to the Fray of Love and Fame with “Whatever You Need”

by Ben Niesen
Twinsmith © Alicia Skillman
Columns, Music, Today's SongSeptember 25, 2019<September 27, 2019

Today’s Song: Twinsmith Continue to Connect with “Feels”

by Madison Vettorino
Columns, Music, Today's SongSeptember 24, 2019<September 24, 2019

Today’s Song: Kevin Garrett Engrosses with the Heart-Poundingly Affecting “Factor In”

by Luke Pettican
Breakup Season - Future Teens
Music, ReviewsSeptember 24, 2019<September 20, 2019

Breakups Suck; Future Teens Are Here to Help

by James Crowley
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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