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Natalie Shay "Yesterday" © Max Giorgeschi
Music, Music Videos, PremieresJanuary 18, 2019<January 18, 2019

Video Premiere: Natalie Shay Ascends with Stunning Pop Anthem “Yesterday”

by Mitch Mosk
The Blue Winter © 2019
Music, PremieresJanuary 18, 2019<January 18, 2019

Premiere: The Blue Winter’s Beautifully Vulnerable Folk Song “Up on the Stage”

by Mitch Mosk
Maenads - Sarah P.
Music, ReviewsJanuary 18, 2019<April 16, 2020

Alternative Dream-Pop & Greek Mythology Collide in Sarah P.’s Evocative ‘Maenads’ EP

by Ben Beamish
If Looks Could Kill - Lauren Aquilina
Features, Interviews, MusicJanuary 18, 2019<January 18, 2019

Interview: Lauren Aquilina’s Killer Instinct Ignites with “If Looks Could Kill”

by Coco Rich
Heard It In A Past Life - Maggie Rogers Artwork
Debut, Features, Music, ReviewsJanuary 18, 2019<January 29, 2019

Maggie Rogers’ ‘Heard It in a Past Life’: A Track-by-Track Review

by Frankie Rose
Sam Wilde On the Run
Columns, Music, Today's SongJanuary 18, 2019<January 17, 2019

Today’s Song: Sam Wilde Finds Solace in Bewilderment with “On the Run”

by Luke Pettican
MINT - Alice Merton
Debut, Features, Interviews, MusicJanuary 17, 2019<January 30, 2019

‘MINT’, Melody, and Meaning: An Interview with Alice Merton

by Mitch Mosk
Funeral Advantage © Caroline Bailey
Music, PremieresJanuary 17, 2019<January 17, 2019

Premiere: Funeral Advantage’s Stirring “Black House,” an Indie Pop Confession

by Mitch Mosk
Unofficial Lover - Kyan Palmer x nicopop. ft. Yung Lamby
Debut, Music, PremieresJanuary 17, 2019<January 17, 2019

Heartache Never Felt So Good: Kyan Palmer & nicopop.’s “Unofficial Lover” ft. Yung Lamby

by Mitch Mosk
Patrick Damphier © Satellite June
Music, Music Videos, PremieresJanuary 17, 2019<January 16, 2019

Premiere: Patrick Damphier’s Confessional Protest “Odd Man Out” ft. Molly Parden

by Mitch Mosk
hope is a dangerous thing - lana del rey
Columns, Music, Today's SongJanuary 17, 2019<January 17, 2019

From Lolita to Sylvia Plath, Lana Del Rey Reinvents Herself in “Hope Is a Dangerous Thing…”

by Ditta Demeter
GRAACE © 2019
Debut, Features, Interviews, MusicJanuary 17, 2019<January 21, 2019

Finding Strength in Vulnerability: A Conversation with GRAACE

by Luke Pettican
The Jesus and Mary Chain
Features, Interviews, MusicJanuary 16, 2019<January 16, 2019

Interview with The Jesus and Mary Chain: A Lot of Damage & A Lot of Joy

by Shayna Chabrow
Dinolion's RASHOMON
Music, Music Videos, PremieresJanuary 16, 2019<January 16, 2019

Premiere: Dinolion’s Film ‘Rashomon’ Explores Perceived Reality with 14 Houston Artists

by Mitch Mosk
Fort Frances
Music, PremieresJanuary 16, 2019<January 16, 2019

Premiere: Fort Frances Urge Us to Press Pause in “Double Take”

by Mitch Mosk
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Brand New

  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)

:: discover something new ::

Recent Posts

  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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