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Naomi Westwater © Ally Schmaling
Black History Month, Editorials, MusicFebruary 25, 2025<February 25, 2025

“Tips & Tools for Tenderness When the World Is Hard”: An Essay by Naomi Westwater for Black History Month

by Guest Writer
virgogabrielle © @gabbyshesdope
Black History Month, Editorials, MusicFebruary 25, 2025<February 25, 2025

“Havisham – How the Charles Dickens Character Inspired a Track”: An Essay by virgogabrielle for Black History Month

by Guest Writer
Kameron Marlowe © Ben Dartnell
Features, Interviews, MusicFebruary 24, 2025<February 24, 2025

Interview: Country Singer Kameron Marlowe Follows the Muse on ’Sad Songs for the Soul’

by Emily Frances Algar
Ashley Cooke & Joe Jonas © Mick Bodie
Columns, Music, Today's SongFebruary 24, 2025<February 24, 2025

Today’s Song: Ashley Cooke & Joe Jonas Deliver a Heartbreak Anthem to Remember With “All I Forgot”

by Danielle Holian
Steve McKeever © 2025
Black History Month, Editorials, MusicFebruary 24, 2025<February 24, 2025

“Unwrapped – Bridging Generations Through Music & Celebrating Black Excellence”: An Essay by Hidden Beach CEO Steve McKeever

by Guest Writer
Niambi © Fọlájímí
Black History Month, Editorials, MusicFebruary 24, 2025<February 24, 2025

“No New Friends”: An Essay by Niambi for Black History Month

by Guest Writer
Atwood Magazine's 111th Editor's Picks
Columns, Editor's Picks, Features, MusicFebruary 21, 2025<February 21, 2025

Editor’s Picks 111: Merpire, Bad Suns, Soft Loft, milk., Housewife, & Ruby Gill!

by Mitch Mosk
Fontaines D.C. © Peter Joseph Smith
Columns, Music, This Just In, Today's SongFebruary 21, 2025<February 21, 2025

Today’s Song: Fontaines D.C. Confirm “It’s Amazing to Be Young” With an Uplifting, Nostalgia-Soaked Indie Rock Reverie

by Brianna Corrine
Atwood Magazine's Weekly Roundup | February 21, 2025
Columns, Features, Music, Weekly RoundupFebruary 21, 2025<February 21, 2025

Atwood Magazine’s Weekly Roundup: February 21, 2025

by Atwood Magazine Staff
Short n’ Sweet (Deluxe) - Sabrina Carpenter 9
Music, Our Take, ReviewsFebruary 21, 2025<February 21, 2025

Our Take: Sabrina Carpenter Transcends Genre & Performance on ‘Short n’ Sweet (Deluxe)’

by Annaliese Baker
Rarely Do I Dream - Youth Lagoon
Music, Our Take, ReviewsFebruary 21, 2025<February 21, 2025

Our Take: Youth Lagoon Embraces Childlike Wonder in ‘Rarely Do I Dream’

by Noa Jamir
You Are the Morning - jasmine.4.t
Debut, Features, InterviewsFebruary 21, 2025<February 21, 2025

“The light still breaks through each morning”: jasmine.4.t on the Hope, Healing, & Community Behind ‘You Are the Morning’

by Rachel Leong
Sug Daniels © Robert Pfieffer
Black History Month, Editorials, MusicFebruary 20, 2025<February 27, 2025

“Charlie’s Grandbaby” Sug Daniels Shares the Albums That Shaped Her Career

by Guest Writer
Joshua Conyers
Black History Month, Editorials, MusicFebruary 20, 2025<February 20, 2025

“A Miracle in Legacy – The Transformative Power of Black Artistry”: An Essay by Joshua Conyers for Black History Month

by Guest Writer
Hurry Up Tomorrow - The Weeknd album art
Features, Music, Reviews, RoundtableFebruary 20, 2025<February 20, 2025

Roundtable Discussion: A Review of The Weeknd’s ‘Hurry Up Tomorrow’

by Atwood Magazine Staff
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Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

:: discover something new ::

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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