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Mountain Jam returns June 20–22, 2025, at Belleayre Mountain in the heart of the Catskills
Features, Festival, Interviews, MusicMay 15, 2025<May 15, 2025

“Woodstock Is a State of Mind”: Mountain Jam’s Founder on the Festival’s 2025 Return, the Power of Live Music, & Building Community in the Hudson Valley

by Mitch Mosk
Tough Cookie © Sully
Columns, Music, Today's SongMay 15, 2025<May 15, 2025

London’s Tough Cookie Reckon with the Pursuit of “Happiness” in Their Explosive & Existential Second Single

by Mitch Mosk
Rushmere - Mumford & Sons
Features, Music, Reviews, RoundtableMay 14, 2025<May 14, 2025

Roundtable Discussion: A Review of Mumford & Sons’ ‘RUSHMERE’

by Atwood Magazine Staff
Laci Kaye Booth © Natalie Sakstrup
Debut, Features, Interviews, MusicMay 14, 2025<May 14, 2025

Interview: Falling in Love with Laci Kaye Booth

by Emily Frances Algar
Amie Blue © 2025
Columns, Music, Today's SongMay 14, 2025<May 14, 2025

Today’s Song: Amie Blu Channels Her Anxieties into the Intimate & Achingly Raw Anthem “swimming in pity”

by Miranda Urbanczyk
Atwood Magazine's Weekly Roundup | May 13, 2025
Columns, Features, Music, Weekly RoundupMay 13, 2025<October 10, 2025

Atwood Magazine’s Weekly Roundup: May 13, 2025

by Atwood Magazine Staff
Avril Lavigne and Simple Plan © Skyler Barberio
Columns, Music, Today's SongMay 13, 2025<May 13, 2025

Avril Lavigne and Simple Plan Time-Travel Back to Pop-Punk Glory With “Young & Dumb”

by Danielle Holian
Jess Moskaluke © 2025
Columns, Interviews, Music, Today's SongMay 12, 2025<May 13, 2025

Jess Moskaluke Is Defining Country on Her Own Terms

by Aileen Goos
Atwood Magazine's 120th Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 9, 2025<May 12, 2025

Editor’s Picks 120: Reem Mitten, hard life, BEL, Lord Huron, girlpuppy, & Young Gun Silver Fox!

by Mitch Mosk
Emily Vaughn "Call It What It Isn't" © 2025
Music, PremieresMay 9, 2025<May 9, 2025

Premiere: Emily Vaughn Flirts with Passion on Fun, Frisky, & Feel-Good “Call It What It Isn’t”

by Mitch Mosk
KALEO'S JJ Julius Son © 2025
Features, Interviews, MusicMay 9, 2025<May 9, 2025

Interview: KALEO Reflect on Life, Society, & Their Roots in Impactful Third Album ‘MIXED EMOTIONS’

by Lauren Turner
Maroon 5's Adam Levine & LISA © Travis Schneider
Columns, Music, Today's SongMay 9, 2025<May 9, 2025

Maroon 5 & LISA’s “Priceless”: A Collaboration That’s Anything But Ordinary

by Danielle Holian
Gizmo Varillas 'The World in Colour'
Features, Interviews, MusicMay 9, 2025<May 8, 2025

“Take a moment and soak it in”: Gizmo Varillas Sees ‘The World in Colour,’ And So Can You

by Mitch Mosk
OSKA © Ines Futterknech
Music, Music Videos, PremieresMay 8, 2025<May 8, 2025

Premiere: OSKA Finds Quiet Strength in “Gloria,” a Soul-Stirring Song of Resilience & Self-Liberation

by Mitch Mosk
Litany's Beth Cornell © Marieke Macklon
Debut, Features, Interviews, MusicMay 8, 2025<May 8, 2025

“The Anthology of Depression”: Litany’s Beth Cornell Unpacks & Embraces Her Mental Health Journey on Breathtaking Debut LP ‘Sadgirl’

by Mitch Mosk
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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