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Jahnah Camille © Elizabeth Marsh
Columns, Interviews, Music, Today's SongJuly 8, 2025<July 8, 2025

“Kissing the Drain”: Jahnah Camille Hits a Breaking Point in Her Feverish Alt-Rock Anthem “what do you do?”

by Mitch Mosk
Sons of Legion © 2025
Interviews, MusicJuly 8, 2025<July 8, 2025

Sons of Legion: Authenticity in the Eye of the Storm

by Aileen Goos
Best Boys © Anna McClain
Debut, Music, Music Videos, PremieresJuly 7, 2025<July 7, 2025

“Like a road trip to nowhere”: Best Boys Find Beauty in the Breakdown on Their Smoldering & Cinematic Debut Single “Forgive Forget”

by Mitch Mosk
Chapel © Madeline Walczak
Interviews, MusicJuly 7, 2025<July 7, 2025

Interview: Chapel Return to Form with Growth, Grit, & DIY Freedom in Their Triumphant ‘Modern Nature’ EP

by Kaiana Lee
Daniel Seavey "Eden" © Jimmy Fontaine
Columns, Music, Today's SongJuly 7, 2025<July 7, 2025

Today’s Song: “Eden” Is a Radiant Reflection of Daniel Seavey’s Artistic Freedom

by Danielle Holian
Sydney Quiseng © Connor Truax
Debut, Features, Interviews, MusicJuly 3, 2025<July 3, 2025

“The best is yet to come”: Sydney Quiseng on Stepping into Her Own Rhythm with ‘PHASES’

by Emily Frances Algar
Brian Dunne "Clams Casino" © Marianka Campisi
Interviews, Music, Today's SongJuly 3, 2025<July 3, 2025

“Why’s it so hard to have a good thing?”: Brian Dunne Digs into the American Dream of a ‘Good Life’ in His Restless, Hungry Anthem, “Clams Casino”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | July 3, 2025
Columns, Features, Music, Weekly RoundupJuly 3, 2025<July 3, 2025

Atwood Magazine’s Weekly Roundup: July 3, 2025

by Atwood Magazine Staff
Aaron Taylor © Jasmijn van Buytene
Features, Interviews, Music, Track-by-TrackJuly 2, 2025<July 2, 2025

“Yours Always”: Aaron Taylor Turns a Powerful Promise into Soul-Stirring Music in His Stripped-Back EP

by Mitch Mosk
Shura 'I Got Too Sad For My Friends' © Charlotte Croft
Features, Interviews, MusicJuly 2, 2025<July 9, 2025

“Gentle, Big, & Sad”: Shura Opens Up About the Quiet Chaos of Being Human and ‘I Got Too Sad for My Friends,’ Her Most Vulnerable Album Yet

by Mitch Mosk
Kindelan © Monika Levčenkovaitė
Music, PremieresJuly 2, 2025<July 2, 2025

Premiere: Kindelan Reckons with Lost Love & Lingering Regret in Her Soul-Stirring “Wish I Wrote a Love Song”

by Mitch Mosk
The Cure © Sam Rockman
Columns, Music, Music & CitiesJuly 2, 2025<July 2, 2025

Music & Cities: The Cure’s ‘Songs of a Lost World’ in New York City

by David Buyze
Sheléa "Time Machine" © 2025
Columns, Interviews, Music, Today's SongJuly 2, 2025<July 2, 2025

Sheléa Revisits Lost Love with Grace & Golden-Era Soul in Her Cinematic, Motown-Inspired Classic “Time Machine”

by Mitch Mosk
Vacation Manor © Nathan Grimes
Features, Interviews, Music, Track-by-TrackJuly 1, 2025<July 1, 2025

“Accepting the Present”: Vacation Manor on Finding Beauty in Stillness and the Emotional Landmarks of Their ‘Back to Town’ EP

by Mitch Mosk
flipturn 'Burnout Days' © Amanda Laferriere
Features, Interviews, Music, Track-by-TrackJuly 1, 2025<July 3, 2025

“I wanna feel my heart again”: flipturn’s ‘Burnout Days’ Become Sweaty, Soul-Stirring Fever Dreams on Their Sophomore Album

by Mitch Mosk
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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