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Stevie Matthew © 2025
Debut, Interviews, MusicMay 1, 2025<May 1, 2025

Interview: Stevie Matthew Knows Exactly Who He Is, and You Should Too

by Annaliese Baker
Matt O’Connor & Jenny Ruenes of Worry Bead Records
Essays, MusicMay 1, 2025<June 18, 2025

“Sharing Your True Name”: An Essay by Matt O’Connor of Worry Bead Records

by Guest Writer
The Ophelias 'Spring Grove' © Mikko Castaño
Features, Interviews, MusicMay 1, 2025<May 1, 2025

Interview: The Ophelias on Their Cinematic 4th LP ‘Spring Grove,’ Making “Movie Music,” & Collaborating with Julien Baker

by Mitch Mosk
Atwood Magazine's 119th Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 30, 2025<April 30, 2025

Editor’s Picks 119: Matt Maltese, sombr, Hannah Cohen, OSLO SLOW, Wafia, & Fontaines D.C.!

by Mitch Mosk
Ginger Winn © Brooklyn Zeh
Music, Music Videos, PremieresApril 30, 2025<April 30, 2025

“There’s Nothing to Fear Except Me”: Ginger Winn Reckons with Grief & Anxiety in “Escape,” an Intimate Alt-Folk Fever Dream

by Mitch Mosk
Luke Tyler Shelton © Sunny Davis
Columns, Interviews, Music, Today's SongApril 30, 2025<April 30, 2025

“It’s a hell of a ride”: Luke Tyler Shelton Embraces the Endless Thrill of Love on His Feel-Good Fifth Single

by Mitch Mosk
Lunar Vacation © Violet Teegardin
Concerts, Music, ReviewsApril 30, 2025<April 30, 2025

Live Review: Lunar Vacation Steal the Show During Their Performance on Super Bowl Sunday

by Miranda Urbanczyk
Bachman-Turner Overdrive © 2025
Music, NewsApril 30, 2025<April 30, 2025

Bachman-Turner Overdrive Mark a Milestone in Enduring Rock Legacy with New Music

by Aileen Goos
Bailey Spinn © 2025
Interviews, MusicApril 30, 2025<May 7, 2025

Interview: Bailey Spinn Can’t Wait to See You Cry Tears of Joy for ‘loser’

by Annaliese Baker
Cooper Phillip © Alena Sable
Interviews, MusicApril 30, 2025<April 30, 2025

Interview: Singer Cooper Phillip Breathes Life into Voices and Discovers a Path to Empowerment

by Chloe Robinson
The Walters © Rachel Briggs
Debut, Features, Interviews, MusicApril 29, 2025<April 29, 2025

Interview: The Walters Celebrate ‘Good Company’ with a Debut Album Rooted in Friendship, Resilience, & Rediscovery

by Miranda Urbanczyk
Atwood Magazine's Weekly Roundup | April 28, 2025
Columns, Features, Music, Weekly RoundupApril 28, 2025<May 1, 2025

Atwood Magazine’s Weekly Roundup: April 28, 2025

by Atwood Magazine Staff
Momma © Jazon Whittington
Features, Interviews, MusicApril 28, 2025<April 28, 2025

Interview: Momma Discuss Their Unfiltered & Unapologetic Fourth Album ‘Welcome to My Blue Sky’

by Juls Patterson
bat zoo © Hannah Riedel
Debut, Music, Music Videos, PremieresApril 28, 2025<April 28, 2025

Premiere: bat zoo’s Achingly Intimate “Frozen Milk” Is a Raw Reckoning with Grief, Growth, & the Fragile Beauty of Connection

by Mitch Mosk
The Murder Capital © Hugo Comte
MusicApril 28, 2025<April 27, 2025

Today’s Song: Boredom Turns to Yearning for Absent Love on The Murder Capital’s “A Distant Life”

by Adam Davidson
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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© Atwood Magazine 2024 For the Love of Music
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