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WIL$ON © Aaron “Cook” Dorsey
Black History Month, Editorials, MusicFebruary 27, 2025<February 27, 2025

“I Deserve It All”: An Essay by WIL$ON for Black History Month

by Guest Writer
BL Suede © 2025
Black History Month, Editorials, MusicFebruary 27, 2025<March 3, 2025

“Afro House, Neoliberalism, & the Backlash Against Blackness”: An Essay by BL Suede for Black History Month

by Guest Writer
Dali Rose © Shervin Lainez
Black History Month, Editorials, MusicFebruary 27, 2025<February 27, 2025

“Toys Killing Toys”: An Essay by Dali Rose for Black History Month

by Guest Writer
Goo Goo Dolls © Maxine Evans
Features, Interviews, MusicFebruary 26, 2025<February 26, 2025

Interview: Goo Goo Dolls’ Robby Takac Reflects on 30 Years of ‘A Boy Named Goo’ and the Band’s Never-Ending Evolution

by Mitch Mosk
Down North
Black History Month, Editorials, MusicFebruary 26, 2025<March 11, 2025

“The ‘So What’ Mentality – Reclaiming Black Art & Ownership”: An Essay by Anthony Briscoe for Black History Month

by Guest Writer
Pan Amsterdam © Louise Mason
Black History Month, Editorials, MusicFebruary 26, 2025<February 26, 2025

“On Identity – A Look into Integration from One Artist’s Experience”: An Essay by Pan Amsterdam for Black History Month

by Guest Writer
Juice Mazelee
Black History Month, Editorials, MusicFebruary 26, 2025<February 26, 2025

“Time Is Black”: An Essay by Juice Mazelee for Black History Month

by Guest Writer
Revelation - Leif Vollebekk
Features, Interviews, MusicFebruary 26, 2025<February 26, 2025

Interview: Leif Vollebekk on Music, Mysticism, and the Journey to ‘Revelation’

by Mitch Mosk
Alethea Crimmins © 2025
Black History Month, Editorials, MusicFebruary 26, 2025<February 26, 2025

“Unapologetic Brilliance – My Journey to Shine”: An Essay by Alethea Crimmins for Black History Month

by Guest Writer
Tate McRae 'So Close to What' © Charlie Denis 8.3
Music, Our Take, ReviewsFebruary 26, 2025<February 26, 2025

Our Take: Tate McRae’s ‘So Close to What’ Is a Defining Moment in Pop Music

by Danielle Holian
PUP © Vanessa Heins
Columns, Music, Today's SongFebruary 26, 2025<February 26, 2025

PUP Return to Their Roots in “Hallways,” a Reflective & Mature Triumph

by Kaiana Lee
OneDa © Debbie Ellis
Black History Month, Editorials, MusicFebruary 25, 2025<February 25, 2025

“THE IMPOSTER”: A Poem by OneDa for Black History Month

by Guest Writer
Farrah Fawx © Allen Daniels
Black History Month, Editorials, Music, PlaylistsFebruary 25, 2025<February 25, 2025

“Joy Is My Genre – Escapism Through Black Music”: A Black History Month Playlist by Farrah Fawx

by Guest Writer
Youth Lagoon © Tyler T Williams
Columns, Music, Today's SongFebruary 25, 2025<February 25, 2025

Today’s Song: On “Speed Freak,” Youth Lagoon Shows He’s Not Slowing Down Anytime Soon

by Anu Sarode
Casper Sage © Connor Peterson
Black History Month, Editorials, MusicFebruary 25, 2025<February 25, 2025

“The Sound of Becoming”: An Essay by Casper Sage for Black History Month

by Guest Writer
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Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

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Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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