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Royal She © Nick Fancher
Debut, Interviews, MusicJuly 11, 2025<July 11, 2025

“It really is a reckoning album”: Royal She’s ‘Befores and Afters’ Marks the Band’s Fiercest Era Yet

by Chloe Robinson
Atwood Magazine's 127th Editor's Picks!
Columns, Editor's Picks, Features, MusicJuly 10, 2025<July 10, 2025

Editor’s Picks 127: Stela Cole, Breagh Isabel, Debbii Dawson, aleksiah, Royel Otis, & Benson Boone!

by Mitch Mosk
Soundtracks for Small Dramas – Concert Crowd © Tijs van Leur
Columns, Music, Soundtracks for Small DramasJuly 10, 2025<July 10, 2025

Soundtracks for Small Dramas: Songs I Stole from Him

by Guest Writer
BEL "I Want" © SJ Spreng
Artist to Watch, Interviews, MusicJuly 10, 2025<July 14, 2025

Restless Hearts & Holy Grails: BEL Channels the Ache of Ambition in “I Want,” an Intimate Anthem for Big Yearners & Sensitive Souls

by Mitch Mosk
Keep Good Company Records' Tina and Matt Baione © Brooklyn Zeh
Features, Interviews, MusicJuly 10, 2025<July 10, 2025

“Make the Road by Walking”: How Keep Good Company Records Is Redefining What an Indie Label Can Be

by Mitch Mosk
Hotline TNT © Graham Tolbert
Music, ReviewsJuly 10, 2025<July 10, 2025

Review: Hotline TNT Find Focus in the Fuzz on ‘Raspberry Moon’

by Liz Costello
Chase Petra © Syd Trip
Columns, Music, Today's SongJuly 10, 2025<July 10, 2025

Escaping Projected Identities, Denying Negativity, and Finding Your Soul on the Other Side in Chase Petra’s “Centrifugal Force”

by Jonah Evans
Baby Said © Lawrence Hughes
Debut, Features, Interviews, Music, Track-by-TrackJuly 9, 2025<July 9, 2025

The Best ‘BS’ You’ve Ever Heard: Baby Said Find Empowerment Through Explosive Alt-Rock on Their Loud, Liberating Debut

by Mitch Mosk
colby! © Gina Di Maio
Features, Interviews, Music, Track-by-TrackJuly 9, 2025<July 10, 2025

“Very Vibrant Anger,” Late-Night Spirals, & Coming of Age: colby! Breaks Down Her Explosive Sophomore EP ‘FINE!’

by Mitch Mosk
Everything Is Within You - Ben Westbeech
Interviews, MusicJuly 9, 2025<July 21, 2025

Interview: Bristol Native Ben Westbeech Breaks LP-Less Dry Spell with a Lively and Collaborative New Record

by Josh Weiner
The Evolution of the Rose - Lil Skies
Music, ReviewsJuly 9, 2025<July 9, 2025

Review: Lil Skies Finds His Voice as an Artist Through the Lens of Fatherhood & Heartbreak on Poignant Album ‘The Evolution of the Rose’

by Grace Holtzclaw
Shallow Alcove © Thomas Smith
Columns, Music, Today's SongJuly 9, 2025<July 9, 2025

Bitter Sweetness in Bloom: Shallow Alcove’s “Mangos” Is a Slow Burn Worth Every Peel

by Nicolle Knapová
TOLEDO © Joe Pietropaolo
Features, Interviews, Music, Track-by-TrackJuly 8, 2025<July 8, 2025

“Home Grown Nostalgia”: TOLEDO Find Motion in Stillness on Their Seductively Spellbinding ‘Inertia’ EP

by Mitch Mosk
Little Simz 'Lotus' © Thibaut Grevet 8.7
Music, Our Take, ReviewsJuly 8, 2025<July 8, 2025

Our Take: Little Simz Channels Abundant Moods and MC Skills into Her Sixth Album, ‘Lotus’

by Josh Weiner
The Great American Bar Scene - Zach Bryan album art
Features, Music, Reviews, RoundtableJuly 8, 2025<July 8, 2025

Roundtable Discussion: Zach Bryan’s ‘The Great American Bar Scene’ Turns One

by Atwood Magazine Staff
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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