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Carol Ades © 2025
Columns, Music, Today's SongFebruary 20, 2025<February 20, 2025

Today’s Song: “Hope Is a Scary Thing” Offers a Run Through the Back of Carol Ades’ Mind

by Bárbara Martínez Campuzano
Addison Rae © Bella Newman
Music, Reviews, This Just InFebruary 20, 2025<February 20, 2025

This Just In: On “High Fashion,” Addison Rae Chooses Hermes Over Hedonism

by Brian Denney
Discus © Clare Byrne
Music, PremieresFebruary 19, 2025<February 19, 2025

Premiere: Discus Ache for the ‘Good Ol’ Days’ That Never Came in “O My Stars,” a Haunting Reflection on Fleeting Youth & Fading Futures

by Mitch Mosk
The Hidden Cost of Streaming: How Spotify Suppresses New Artists
Editorials, MusicFebruary 19, 2025<February 19, 2025

The Hidden Cost of Streaming: How Spotify Suppresses New Artists

by Guest Writer
Ghost Hounds © 2024
Black History Month, Editorials, MusicFebruary 19, 2025<February 19, 2025

“Learning from Legends”: An Essay by SAVNT for Black History Month

by Guest Writer
Mumford & Sons' Marcus Mumford, Ben Lovett, and Ted Dwane © 2025
Columns, Music, Today's SongFebruary 19, 2025<February 19, 2025

“Light me up, I’m wasted in the dark”: Mumford & Sons Embrace Their Restless Hearts in “Rushmere,” a Folk Rock Fever Dream

by Mitch Mosk
James Bay at OVO Arena Wembley © Jake Haseldine, February 2025
Concerts, Music, ReviewsFebruary 18, 2025<February 18, 2025

Live Review: James Bay Electrifies a Sold Out Crowd at London’s OVO Arena Wembley

by Rachel Leong
Selena Gomez and benny blanco © Peatra Collins
Columns, Music, Today's SongFebruary 18, 2025<February 17, 2025

Today’s Song: Selena Gomez & Benny Blanco Get Candid in “Scared of Loving You,” a Love Song With No Fear

by Danielle Holian
Flyte © Madison Rensing
Columns, Music, Today's SongFebruary 16, 2025<February 16, 2025

Today’s Song: Flyte’s “I’m Not There” Is an Intimate Reckoning With Trauma & Self-Acceptance

by Noa Jamir
Paul McCartney illustration © Aidan Moyer
Concerts, Music, ReviewsFebruary 16, 2025<February 16, 2025

The Love You Make: Inside Paul McCartney’s Valentine’s Show at Bowery Ballroom

by Aidan Moyer
Our Favorite Love Songs of All Time | Valentine's Day 2025
Features, Music, PlaylistsFebruary 14, 2025<February 14, 2025

All You Need Is Love (Songs): Our 2025 Valentine’s Day Soundtrack!

by Atwood Magazine Staff
Bartees Strange © Elizabeth De La Piedra
Features, Interviews, MusicFebruary 14, 2025<February 14, 2025

“Super Dark Times”: Bartees Strange on Turning Fear into Fuel in ‘Horror,’ a Record of Musical & Emotional Deconstruction

by Mitch Mosk
Alessia Cara 'Love & Hyperbole' © Alex Loucas
Features, Interviews, MusicFebruary 14, 2025<February 14, 2025

Interview: Alessia Cara on ‘Love & Hyperbole,’ Feeling Big Feelings, and Learning to Choose Joy

by Mitch Mosk
Short n’ Sweet (Deluxe) - Sabrina Carpenter
Columns, Music, Today's SongFebruary 14, 2025<February 14, 2025

Today’s Song: The Lovestruck Empowerment of Sabrina Carpenter’s “Busy Woman”

by Annaliese Baker
Atwood Magazine's 110th Editor's Picks
Columns, Editor's Picks, Features, MusicFebruary 13, 2025<February 13, 2025

Editor’s Picks 110: James Bay, The Aces, Bren Joy, Stevie Bill, Julien Baker & TORRES, & Gabriel Jacoby!

by Mitch Mosk
Posts pagination
1 … 54 55 56 57 58 … 711

Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

:: discover something new ::

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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