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Laura Gibson © Parker Fitzgerald 8.1
Music, Our Take, ReviewsNovember 27, 2018<December 15, 2020

Our Take: Laura Gibson’s ‘Goners’ Is a Dark and Meditative Piece of Sonic Poetry

by Adrian Vargas
The Sweetheart Deal © 2018
Features, Music, PremieresNovember 27, 2018<December 20, 2018

Premiere: Indulge in Holiday Cheer with The Sweetheart Deal’s “Jingle Bells”

by Mitch Mosk
Spud Cannon © 2018
Music, PremieresNovember 27, 2018<November 26, 2018

Premiere: Musically Maintaining a Feel-Good Outlook with Spud Cannon’s “Try For a While”

by Frankie Rose
Ottawa © Bradley Atom
Music, Music Videos, PremieresNovember 26, 2018<February 4, 2019

Premiere: Ottawa Dazzle with Tender Passion in Acoustic “No More Love Songs”

by Mitch Mosk
Atwood Magazine Thanksgiving
Music, PlaylistsNovember 22, 2018<November 26, 2018

Atwood Magazine’s Thanksgiving Playlist: Warmth, Love, and Gratitude

by Atwood Magazine Staff
Columns, Music, Music You Should KnowNovember 21, 2018<November 22, 2018

Music You Should Know: Tommy Genesis Begs You To Shut Up and Listen

by Ethan Germann
Far Caspian © Jeff Barnett
Debut, Music, ReviewsNovember 21, 2018<November 21, 2018

EP Review: Nostalgic Beauty Floods Far Caspian’s Dreamy Debut ‘Between Days’

by Mitch Mosk
Matt Pond © 2018
Features, Interviews, Music, PremieresNovember 21, 2018<December 10, 2018

Matt Pond Gives Back in Breathtaking Led Zeppelin Cover “Thank You”

by Mitch Mosk
Maisie Peters © 2018
Debut, Music, ReviewsNovember 21, 2018<January 17, 2019

EP Review: ‘Dressed Too Nice for a Jacket’ Introduces the Charming Maisie Peters to the World

by Kelly McCafferty Dorogy
Charles Bradley © Isaac Sterling
Music, ReviewsNovember 21, 2018<November 21, 2018

Review: Charles Bradley’s Black Velvet Is Authentic ’60s Soul for the 21st Century

by James Crowley
Nicole Dollanganger © Mac Boucher
Columns, Music, Music You Should KnowNovember 20, 2018<November 20, 2018

Music You Should Know: The Horror Movie Ambience of Nicole Dollanganger

by Frankie Rose
Harry Pane © 2018
Columns, Interviews, Music, Today's SongNovember 20, 2018<November 20, 2018

Harry Pane’s Intense “Heart’s Rhythm” Embraces Love with a Passion

by Mitch Mosk
Come Over When You're Sober, Pt. 2 - Lil Peep
Music, ReviewsNovember 20, 2018<November 20, 2018

Review: Lil Peep’s ‘Come Over When You’re Sober, Pt. 2’ Is a Comforting Tribute

by James Crowley
Pale Waves © 2018
Debut, Music, ReviewsNovember 20, 2018<November 20, 2018

Review: On Pale Waves’ ‘My Mind Makes Noises,’ Nostalgia and Romance Burn Bright

by Meredith Nardino
Future Generations © Erez Avissar
Interviews, Music, ReviewsNovember 20, 2018<November 21, 2018

Interview: Future Generations Dive into Their Fun, Sizzlin’ “Landscape”

by Mitch Mosk
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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